Friday, 30 October 2009
Thursday, 29 October 2009
Tuesday, 27 October 2009
However, incredibly, paper survived ... and not just any paper, but parts of the personal journal of one of the astronauts, Ilan Ramon from Israel. Amazingly these charred remains floated down to earth and were found two months later in Texas swampland. The highly degraded and damp papers, written in Hebrew, were given to his widow Rona Ramon. She recognised that they were a personal account rather than technical references and they were passed on to the Israel Museum in Jerusalem and Forensic science department of the Israel police for preservation and restoration.
Remarkably and in some cases character by character, sections of this remarkable diary have been reconstructed, the process having taken months and months of dedicated work.
To celebrate this miracle, a limited edition of "facsimile" diaries has been produced for the Ramon family in a boxed set which contains a replica notebook incorporating the found and restored sections of the journal and a booklet describing the reconstruction of the Space Diary.
It has been designed and produced by Ornan Rotem and Num Stibbe from Sylph Editions here in the UK. It is not published as a commercial project but as a labour of love as they are friends of the Ramon family.
It is not available for sale as this was very much a private project for the Ramon family but it is a privilege to be able to tell the story and show you the pictures.
It was an amazing job to have been involved with, the story being so fascinating but also incredibly sad as sections of this highly personal journal describe his private feelings about being in Space and how much he is looking forward to being reunited with his family after landing back on Earth.
The project was digitally printed by Good News Press on an Indigo digital press and was printed on Neptune Unique SoftWhite. The facsimile notebook has been bound using nylon cords supplied by NASA which is how the original notebook was bound.
Friday, 23 October 2009
The (predominantly) blue series called HYGGE are designed by Kelly Hyatt at Lagom and are printed in CMYK plus a special blue and a Gloss UV varnish .
Both of these new ranges are printed on our uncoated OMNIA range (280gsm) - and for a bit of interesting product info, not only does it have a high bulk and tactile feel but unlike most uncoated products, UV varnish works really well! - if you want to see for yourself, you can always e-mail me and I'll send you an example...
Wednesday, 21 October 2009
The material used is our (lovely and oh, so competitively priced!) Matrisse 200gsm
I love the "Whilst you were out" note! as well.http://www.crispinfinn.com/
Emma Kelly: firstname.lastname@example.org
Tuesday, 20 October 2009
The above pic shows NOISE FIVE, Designed by Attik and produced by Evolution Print, winner of "Innovative Printer of the Year"
From the results, there are a few mentions that affect our side of the industry that are worthy of note:
Digital Printer of the Year - Screaming Colour (London) http://www.screamingcolour.com/
Innovative Printer of the Year - Evolution Print (Sheffield) http://www.evolutionprint.co.uk/
Brochure Printer of the Year - Chapter Press (London and Bucks) http://www.chapterpress.co.uk/
Annual Report Printer of the Year - Beacon Press (Sussex) http://www.beaconpress.co.uk/
Well done to all those companies that won Printweek awards - Quality is not dead!
Friday, 16 October 2009
There is a strange thing about this job which I can't explain. I have just measured it to give the dimensions and was very surprised to find it is 150x210 - or in other words pretty much A5! BUT it just doesn't feel like an A5 job at all - if you had asked me before I measured it I would definitely have said it felt squarer, definitely portrait, but certainly squarer. Looking at it now I wonder if I get that feeling because the dustjacket isn't full height, coming in at only 180mm high? ...maybe - we shall never know!
Anyway, the dustjacket (on which the type is beautifully foiled in Orange and Grey) works very cleverly with the cover images.
And now for the paper plug! It is printed on our Neptune Unique FSC , with a 300gsm Cover, 135gsm Text and 120gsm tip in leaves.
Print is by Push
Wednesday, 14 October 2009
There's some amazing stuff in here, far too much to list but my particular favourite is the "camouflage" by Noma Bar (page 90/91).Production details are all as my post for Issue#1 (25/06/2009) except for the colour of the Colorset on the cover.
Nice one again Alex and Will!
Monday, 12 October 2009
A chance to get really organised for next year...
It looks far to nice to put on the wall and write on! ...but I will. Every good design studio should have one of these on the wall next year - and luckily you can, because they are available on the Crispin Finn website!
...and thank you Anna, for the lovely note....there's a lovely Tea Towel as well but I haven't got a picture of that yet - a great Christmas present idea!
Saturday, 10 October 2009
'Mr Álmos' Big Pen Ship'Illustration Show
From the 22nd - 26th October 2009
The Rag Factory - 16 Heneage Street - London - E1 5LJ
For artists details, other stuff to look at
check out - http://www.bigpenship.blogspot.com/
Friday, 9 October 2009
The project was overseen by ico Founder Niall Henry. Creative Director is Ben Tomlinson, Design Director is Vivek Bhatia and the writer is Gerard Ivall.
This publication is about ico's work on the branding of Dolphin Square, a 1930's residential development in London which has been redeveloped over the last few years. The book looks into the branding of the building including the sub-brands: Dolphin House, Dolphin Bar & Grill and Dolphin Fitness Club.
It will be of great interest as a reference source for anyone looking at branding or re-branding a property development.
The book is175x125mm and has 52pp. It is printed on our BrandX FSC 150gsm (this is part FSC virgin fibre and part recycled). The material was chosen so that it would not be bright white and give the historical mono images a period feel whilst still giving a bright vivid reproduction for the new images showing the new brand at work.
Now the really clever production thing about this job is that every spread also folds upwards to reaveal an 8pp "broadsheet" type spread. The spread below then folds up to reveal....
The good news is that they have been published with an ISBN number and are available to buy at a very reasonable cover price of £9.99. It's worth buying to see the finishing alone!
Wednesday, 7 October 2009
...and here are some close ups of the binding:
Monday, 5 October 2009
Most importantly this collection is of "jobbing" work such as leaflets, flyers, posters, labels, tickets not books or periodicals - pretty impressive - certainly competition for lots of designers that I know are serial collectors (of stuff)!
Thursday, 1 October 2009
This beautiful Annual Report was produced in 1993 by Pentagram. Design Director is John Rushworth, the designer is Nick Finney and the photographer is Giles Revell.
The size of the job is 272x348 Portrait and it is a 40pp self cover, saddle stitched. 3,500 copies were printed.
The job is printed Duotone (using two blacks) and is printed on Neptune Unique 135gsm.
This is a really special job, one of those rare times when the quality of the art direction, design, photography, repro, print and material all come together in equal measure. Below are a few of the spreads.....
The job was printed by a company called Penshurst Press based in Tunbridge Wells. Sadly the company is no longer around. Alan Flack who was the printer who actually physically printed this job left Penshurst with Martin Darby to form their own printing company called Principal Colour. Barry Wright who was the Sales Director has left the industry (unless anyone knows differently?) and David Holyday who was the Managing Director still is active in print as a consultant.
This job was written about in Lithoweek printing magazine (27/05/1994) where the richness of the duotones and the use of an uncoated material praised (bear in mind that using uncoated for this type of literature was relatively unusual at this time)
It was around this time that Mohawk and Monadnock (papers both produced in the USA) were starting to make some inroads in to the UK market. The US were well ahead of the UK in terms of using uncoated materials for high quality literature and corporate publications. In 1993 we (at Fenner Paper) started having Neptune Unique manufactured for us in Europe and we were pleased to get this particular order as one of our first (this job wasn't actually the first - that was another job for Pentagram designed by Vince Frost for The Fourth Estate - but that's another story...)
The report was an unqualified success. I received a letter from the Chair at the Crafts Council saying how pleased they were with it and thanking us for our involvement:
I hope this has been interesting for you reading it. I can tell you that this job still looks and feels fantastic today and bearing in mind it was produced "the old fashioned way" using scanned photographic prints and film to hand made (manually exposed) plates it is amazing - although maybe it's because it was produced that way it has such a great quality.
I have credited those people that were involved as best as I am able: