What is ...Number 3
Regular followers of this blog will know that in the middle of the month, I publish a "What is ....? post. The article covers various aspects of paper, printing and finishing in greater depth. However, many of these subjects are complex, so these posts are only intended to be a brief introduction to the topic.
What is ...Singer sewing?
Singer sewing is a binding method which uses thread. Generally it is done in a highly visible way and often uses a coloured thread to highlight the binding.
The machinery used by the bindery for this is, in fact, very similar to a domestic sewing machine and like all the best sewing machines that our Mum's have, it's made by Singer! (other makes are available). It works in exactly the same way as a conventional sewing machine for cloth but with an industrial motor and a high strength needle. Researching this article, I understand that some machines will sew up to 10mm of paper - that's quite a lot!
Singer sewn projects have appeared often enough on this blog that I can easily illustrate it with these existing projects. The below picture shows a singer sewn publication:
There are however two distinct types of singer sewing and unfortunately in the mysterious world of print terminology, it's not always clear what people mean or what terms they are using, so I shall try an de-mystify!
The project below has been finished over a "saddle", in the same way that a "wire stitched" or "saddle stitched" job is finished (or as most people out of the industry would call it - stapled with metal staples). The term saddle is used because it sits astride a saddle in the same way as a saddle sits on a horse. This then allows the machine to guide the thread or wire, accurately through the folded spine. As with wire stitching, there is a limit to how thick you can bind, because you have to consider the fold.
However, you can also set it up so that the thread penetrates the whole thickness of the publication and is therefore visible on both the outside front cover and outside back cover. Normally the sewing is set in about 5-10mm in from the spine, as in the picture below. Often this is done with loose sheets of paper (as below) and there is no folded paper on the spine and the edge of the paper is visible on the spine.
Both examples above are accurately described as singer sewn. However, I prefer to call the above example (that goes through the whole book) "Side Sewing" as I think it is more descriptive but it is also referred to as "Stab Sewn". Like most terminology in printing, it is as much useful as it is a hindrance. Most important of all is to communicate clearly what is required, either in words, drawing or picture.
I am often asked if this type of binding is a machine process or a hand process. The best way to describe it, is a "hand operated machine process" as unlike a truly mechanised process, the book has to be manually handled through the machine .
Another feature of the binding, is that you can leave the thread hanging, rather than having it cut flush in line with the edge of the book. This can work beautifully with the design, as with the project below:
Not all binderies have a machine that can do this type of binding but there are a fair few finishers around the country that can handle this type of work. If you want a suggestion, just ask me...
Posted by Justin Hobson 18.03.2014
Further to my post about IPEX (International Printing Exhibition) last week, it may interest you to know that this week I find that I am now at the exhibition all week!
This is a striking looking invitation for an exhibition held last year. Emerging Architects is a series of events run by Buro Happold to promote and expose the work of some of the world’s most imaginative and engaging new architects. This exhibition, Working The Land, showcases the work of Haptic Architects.
On Monday, IPEX 2014 opens its doors at ExCeL in London. Ipex stands for International Printing Exhibition and is the largest UK printing, media and publishing event. It attracts visitors from all over the world and has a massive selection of printing equipment and associated machinery.
To put a historical context to it, the first show was less snappily titled "Exhibition and Market of Machinery, Implements and Material Used by Printers, Stationers, Papermakers and Kindred Trades". It was held in 1880 (5-17 July) at the Agricultural Hall in London.
Design Bridge has published this beautiful book to celebrate their twenty fifth anniversary. This well known brand design agency started in London but now has a truly global reach with offices in Amsterdam and Singapore.
Subsequently a co-operative including the regional government and regeneration agency purchased the site with a bold plan to regenerate the buildings as a retail destination with particular emphasis on making the project as sustainable as possible.
This new range of cards is produced on a bespoke production of our lovely Stardream board, made by Cordenons in Italy. For those not familiar, Stardream is a pearlescent/metallic range which shimmers beautifully. The board for these cards is made especially with a stripy emboss (called Cannetè) with a coloured reverse (see below pic) which complements the outside of the card, enabling a message to be written inside with ink or ballpoint pen.
The size of the cards is 160mm square. This particular range of cards is hot foil blocked only, the 'appy birthday card (above) in four different foil colours! The cards are also embossed on the foiled area and you can see the wonderful depth of embossing on this 80th Birthday card...
This is the Autumn 2013 edition of Ultrabold magazine, which is the Journal of the St Bride Library - if you aren't familiar with St. Brides, have a look at the link: http://www.stbride.org/
