Nestled in the South Downs, Charleston was the country meeting place for the writers, painters and thinkers known as the Bloomsbury group. Now run by the
Charleston Trust, the house is an excellent museum and visitor attraction, presented to look as it did when the family lived here in the 1950's. The walled garden was created by the artists Vanessa Bell and Duncan Grant to designs by Roger Fry and features Mediterranean influences with plants chosen for their intense colour and silver foliage. These became the subject of many works over their long residence at Charleston.
Published by the Charleston Trust, the Charleston Press includes includes newly commissioned essays exploring the themes, artists and stories of the exhibitions and programmes at Charleston, as well as articles marking important Bloomsbury anniversaries and events. This is the second issue and I wrote about the first issue
here.
Size is 220x170mm, portrait and is perfect bound. The publication has an 8pp 'dustjacket' around the cover as you can see from the birdseye image below...
The below image shows the book (with the Colorset Solar cover) out of the dustjacket (100mm flaps) plus the wrap-around belly-band.
The 4pp cover, which is secreted under the dustjacket, is produced on our Colorset Solar (100% Recycled) 270gsm and is unprinted, being simply, but beautifully, debossed.
The 68pp text is printed on our Omnia 120gsm. The reason that Omnia was chosen is because it would beautifully reproduce the wide variety of different media, the artworks, solid colours and dark photography and most importantly feel special - with the reproduction that you would expect on a silk or gloss but with a natural tactile uncoated feel.
As a journal of essays and images inspired by the Charleston exhibitions titled In Colour, this is a very colourful issue with essays by Dr Darren Clarke, Professor Mary Ann Caws, Anne Starmer, Dr Alexandra Loske and interviews with Cressida Bell and Annie Sloan.
Quotes on Colour combines images (Green, Blue, Gold and Grey) with quotations from Virginia Woolf's work which makes for a very powerful and engaging article...
The wrap around bellyband (70mm high) which tucks into the book, is printed on our Sixties 60gsm and because of the translucency, the background image shows through beautifully.
...you can see the level of show through in the detail image below.
Below image shows the 6mm spine, the perfect binding. The jacket is printed on Omnia 150gsm.
The reproduction on the Omnia is just something else, the level of detail and reproduction is superb as you can see the image below.
The publication is designed by
Playne Design who have studios in London and Hastings. Creative Director is Clare Playne with production is handled by Simon Hack. Print production is by Pureprint. Like the first edition, this is an excellent example of a beautifully designed and well executed piece of print, entirely right for the subject.
The publication is available for sale (at a very reasonable £5)
HERE
https://www.charleston.org.uk/
http://www.playnedesign.co.uk/
https://www.pureprint.com/
Posted by Justin Hobson 29.07.2020
Nestled in the South Downs, Charleston was the country meeting place for the writers, painters and thinkers known as the Bloomsbury group. Now run by the Charleston Trust, the house is an excellent museum and visitor attraction, presented to look as it did when the family lived here in the 1950's. The walled garden was created by the artists Vanessa Bell and Duncan Grant to designs by Roger Fry and features Mediterranean influences with plants chosen for their intense colour and silver foliage. These became the subject of many works over their long residence at Charleston.
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