Mailer and wall art in one!

Rampton Baseley is a market leading estate agent in South West London. Established in 2008, they now have five offices around the commons of south London and consider themselves experts in the local patch. This piece of literature is one of a series of promotional pieces - and this one is part mailer/door drop and part wall art!

The size is 148x140mm and is a 12pp concertina, folding out to 297x420mm.

You can see from the image below, the way it folds...

It is printed offset Litho in CMYK on our Omnia 120gsm, which gives it a lovely tactile feel and the images have reproduced superbly.

...and then on the reverse is revealed this superb piece of wall art...

Click on image to enlarge

It looks just brilliant on the Omnia.

...and the best thing about the map is the lack of branding, which as you can read below was well considered -  what a great idea!

Printed offset litho by Typecast Colour in Paddock Wood, Kent.

http://www.typecast.co.uk/

Posted by Justin Hobson 30.07.2024

Modern Poetry in Translation 2024

This is the latest edition...

Cover art by Liliana Dmitrovic

Modern Poetry in Translation (MPT) is a magazine, originally founded by Ted Hughes and Daniel Weissbort. The first issue, published in 1965 was a 12pp broadsheet printed on a Bible paper and cost 2s 6d! MPT presented poems by a wide range of authors, particularly from Eastern Europe introducing them into a wider circulation in English in the West. The original designer of the publication was Richard Hollis, continuing until 2004.

This issue titled ‘Bearing the Burden of Sameness’ spotlights the poetry of care. Featuring Rachel Rankin’s new translations of Brynjulf Jung Tjønn’s experiences of adoption in Norway, the myth of the Chinese river snail reborn in Tuoya Wulan’s version of Xinyang Wu, and Beth Hickling-Moore’s translation of Carla Nyman’s radically physical poetry of the body. Also: brand new translations of Palestinian poet Najwan Darwish by Kareem James Abu-Zeid, Olga Ulturgasheva on Siberian animist poetry, and Jenny He interviews Fiona Sze-Lorrain. 

The magazine is 215x140mm, portrait. The 114pp text is all printed offset litho on our Offenbach Bible 60gsm and printed in 2 colour, burgundy and black throughout with an overall tint over some of the sections. Images are reproduced as halftones. The publication is perfect bound.

This is a really lovely piece of literature which feels good in the hand and is definitely one of those publications which invites the reader in. It flops and flows beautifully.

The perfect binding is nice and neat as you can see below...

Design is by Brett Evans Biedscheid. Print is by Wakefield based Charlesworth Press.

https://modernpoetryintranslation.com/

https://www.charlesworth.com/

Posted by Justin Hobson 22.07.2024

Colorset has 37 shades

For those of you not familiar with Colorset, it is our range of coloured text and cover papers which is 100% recycled and more competitively priced than some other well known brands of coloured paper!

A few years ago we launched 350gsm, so we now have ALL Colorset shades in 120gsm, 270gsm and 350gsm - all in B1 size (700x1000mm). 

A few years ago we further developed the range with 9 new colours, making this a collection of 37 shades.

The new shades include five light shades and three deep shades. The new shades are Blush, Warm White*, Glacier, Storm, Nautic, Hopsack*, Charcoal*, Spearmint* and Deep Blue (Note: four of the new shades with an asterisk* are virgin fibre)

...so there you have it, a range with 37 colours including SEVEN greys!

If you would like the updated swatch, please drop me an email and I'll pop one in the post justin@fennerpaper.co.uk

Posted by Justin Hobson 17.07.2024

Have bike (& printing press) will travel!

Nick Hand, designer and letterpress printer at the Department of Small Works in Bristol, is embarking on another of his epic cycle rides... 

As Printweek reports...

Cycling printer Nick Hand will return to the road for a new tour of the UK on his custom-built letterpress bicycle. Armed with an Adana 8x5 letterpress affixed to his custom-frame bike, Hand will make three cycling tours to visit public libraries throughout the UK.

At each library, Hand will print bespoke bookmarks that celebrate each library, and famous figures who used them.

Now 67, he is an experienced hand at touring the Adana press, having pedalled his press-bike hybrid all the way to printing progenitor Gutenburg’s birthplace in Mainz, Germany in 2014; from Land’s End to John O’Groats in 2017; and most recently around festivals throughout the UK in 2022...

You can read the full Printweek article HERE.

https://www.departmentofsmallworks.co.uk/

Posted by Justin Hobson 08.07.2024

Jobs from the past - Number 176

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by - this project is from eleven years ago. 

Peter Doig - No Foreign Lands - August 2013

This is the literature and private view invitation for a major exhibition titled 'No Foreign Lands' devoted to one of Scotland's most internationally-renowned artists working today Peter Doig. Works from the previous ten years were shown in this first major exhibition in the country of his birth held at the Scottish National Gallery in Edinburgh.

The invitations are printed on our Omnia 320gsm duplexed to make 640gsm ...and as you can see, beautifully reproduces the detail of the scene in Trinidad. This invitation is a 2pp, portrait, A5 (210x148mm) format and is printed offset litho.

 

To go with the show, there is a superb 8pp concertina leaflet, size 235x170mm printed on our Omnia 120gsm.

The colour reproduction is strong and vivid and the whole publication has a matt, tactile look and feel which works perfectly with the artwork. 

...for interest, here is a close-up of the duplexed invitation which is around 1mm thick:

The invitation is printed in one colour (blue) on the reverse and the name DOIG is hot foil blocked in matt white foil. Omnia foils beautifully as it has a high bulk and flattens out leaving the foiled type, smooth and slightly de-bossed.

You can find out more about the exhibition here: https://youtu.be/_IKe529_2kM

Design and Art direction is by Freytag Anderson, a Glasgow based studio run by creative partners Daniel Freytag and Greig Anderson.

Printing is by J. Thompson Colour Printers in Glasgow

https://www.nationalgalleries.org/

https://www.freytaganderson.com/

https://jtcp.co.uk/

Posted by Justin Hobson 03.07.2024