Lots of people send me nice stuff which uses interesting materials/finishing/processes (and hopefully some of our papers!). Sadly, I can't get to show these pieces of work to everyone ...so this is the best way to show others what people are up to. It's also my way of thanking those that I work with and take the time and trouble to send me lovely, interesting things.
justin@fennerpaper.co.uk
Noodle Street is a traditional Chinese restaurant based in London's busy Canary Wharf. Established in 2010, Noodle Street prides itself of using the freshest ingredients and new dishes from the many and varied regions around China
The new identity has been applied to some swanky new A4 letterheads, printed on Shiro Echo, Bright White 120gsm.
Click on images to enlarge
The stationery is printed in two colours, offset litho. Shiro Echo is 100% Recycled (and FSC accredited) and part of the criteria for this project was that the paper should be recycled.
Detail of noodles!
Print is by Aldgate Press based in London.
Branding and design is by Reason. Design Director is Catherine Hampshire. Thanks to Catherine for sending me file copies and the nice words!
The capital’s most innovative packaging event is in just over a week. The packaging community will be together at London Olympia for the 11th edition of Packaging Innovations & Luxury Packaging which is unquestionably the leading event for inspirational and bespoke packaging!
Fenner Paper will be there...
We will be showing our packaging ranges alongside the new PaperWise range, together with the team from PaperWise in Holland.
We are on stand C82, so please do come and see us.
The Doyle Collection is a carefully curated collection of eight Irish family-owned luxury and urban hotels. Each hotel has a strong identity that is closely connected to its location. Set in the heart of one of London’s most desirable neighbourhoods, The Kensington’s grand stucco façade is characteristic of this affluent 19th Century district. With 126 guest rooms and 24 suites, this is a wonderfully luxurious hotel.
Branding agency, Brave New World undertook an extensive re-branding exercise of the parent brand and of each individual hotel. The work included everything from strategy to interior design, website, high-profile advertising campaigns and the literature for each hotel.
The size of the brochure is 260x185mm, portrait and is saddle stitched. The cover is printed on an uncoated 300gsm board.
Click on images to enlarge
The text material chosen was our Omnia, which would beautifully reproduce the photography with the rich interiors and exteriors superbly ...and it looks wonderful! The 20pp text is on Omnia White 150gsm, printed offset litho in CMYK throughout.
The brochure is saddle stitched using three stitches:
Image reproduction is paramount but it was also important that the publication also projected the tactility of the interiors and in the image below the detail of the upholstery and the extraordinary reproduction of the mirrored surfaces. An ordinary feeling silk or gloss coated paper wasn't an option, so Omnia fitted the bill perfectly.
Click on images to enlarge
Omnia is a very bulky paper but with a 20pp text and the saddle stitching, it lays nice and flat allowing each spread to be enjoyed without 'fighting' against the binding.
Branding and creative direction is by Brave New World. The designer on this project is Caroline King. Print by 21 Colour, based in Glasgow.
The 2021 Beatrice Warde Memorial Lecture is being held at the St Bride Foundation in London on Thursday - why don't you go along and stimulate the brain....
‘There are bad types and good types, and the whole science and art of typography begins after the first category has been set aside.’ Beatrice Warde
This is both and online and in-person event and is the fiftieth anniversary of the Beatrice Warde Memorial Lecture. For this special event, they have invited seven designers, type designers and typographers to talk about good types/bad types.
The speakers are... David Williams, Ellen Lupton, Erik van Blokland, Liron Lavi Turkenich, Martina Flor, Paul Barnes and Tré Seals.
You can book HERE for both online and in person tickets. It's very reasonable and you might learn a lot!
Kricket is a modern Indian restaurant group with three restaurants in Soho, Brixton and the former Television Centre (White City). Founded by partners Rik Campbell and chef Will Bowlby, Kricket has recently expanded into the takeaway market, launching a new brand Namma by Kricket.
The partners were inspired by their travels across India and while they were in Mumbai they hired a couple of Royal Enfield Bullet motorcycles. It was this trip that inspired both the takeaway brand and their dishes with a twist.
The 8pp menu is a 'pocket size' 135x90mm, folding out to 360mm long...
Click on images to enlarge
Top image shows the inside and the bottom image shows the outside, featuring a Royal Enfield Bullet Motorcycle. The below image shows the 8pp concertina fold
The Namma by Kricket branding is by &Smith and they created a suite of literature including the menus and other collateral.
Designer on this project is Cécile Dumetier. The project is printed by Gavin Martin Colournet and is produced on their HP Indigo press, printed on our Tree Free, Cream 250gsm, which is an off white, natural board, manufactured from 100% non-tree fibres.
Fenner Paper has launched PaperWise at an online event to coincide with the COP26 UN Climate Change Conference in Glasgow. PaperWise is an entirely new concept, a range of paper and board manufactured from agricultural waste - this is the stems and leaves left over the harvest and which is often left in the field or burnt.
At the online launch, Justin Hobson, Marketing Manager at Fenner Paper said “PaperWise users give a second life to agricultural waste. In doing so they lower their ecological footprint, add value to waste, and prevent wastage”
There are additional benefits: PaperWise is produced in factories in India and South America that make a big difference to local communities. Investments are made in education, infrastructure, and healthcare while the manufacturing process is geared toward safety, zero waste, and preserving local ecology.
Lifecycle analysis (LCA) conducted by the University of Amsterdam (IVAM) has concluded that the environmental impact is 47% lower than FSC-paper made from trees and 29% lower than recycled paper...
The natural shade, manufactured from 100% agri-waste is also completely unbleached and has lower Co2 emissions than virgin fibre or recycled papers.
The PaperWise range is held in stock by us at Fenner Paper in Tonbridge. European stocks are held in Rotterdam and include a wide range of packaging boards and lightweight papers with food approval, copier paper and even corrugated boards.
The paper and boards are suitable for all print work and packaging, with a one side coated packaging board up to 465microns.
In December we will showing PaperWise at the Packaging Innovations Exhibition in Olympia and PaperWise founder Peter van Rosmalen will be there too. You can watch this 1 minute video about PaperWise by Peter here:
If you would like samples, please drop me an email justin@fennerpaper.co.uk or have a look at our website.
This show titled Change Everything, presents contemporary artists advocating for change through protest, and highlights the power of art in documenting and driving our future. Co-curated by Anthony Burrill and the depot_ in Shoreditch, the exhibition brings together artists, collectives and makers who are instigating social change through their work.
Following a pertinent year of worldwide upheaval and political unrest, the works shown encapsulate the ability of protest art to shift the narrative and capture the potential of a collective moment. Working with charity partner Music Declares Emergency, and incorporating a month-long events programme, the exhibition hopes to itself become a catalyst for change and conversation.
The exhibition exhibits original, limited editioned, new and archived works in textile, prints and photography.
All works are for sale and parts of profits are donated to charity partner Music Declares Emergency, alongside other charities where relevant.
It was great to venture out and about to what was my first foray to a private view since the Covid crisis.
The artists collaborators and charity partners are as follows:
Anthony Burrill, Aida Wilde, Brunel Johnson, Fraser Muggeridge, Jeremy Deller, Joe Kibria, Kate Harrison, Music Declares Emergency, Paris 68 Redux, People Dem Collective, Projections on Walls, Sarah Boris, Sarah-Joy Ford, Theo Hersey and Wired Magazine.
Pictured above are the A1 size prints by Anthony Burrill, which are silkscreen printed by Harvey Lloyd Screens on our Redeem 100% Recycled 80gsm, which looks and feels just right.
Thanks to Anthony for his lovely note and inviting me to the private view. You can buy the prints HERE.
Expanding the design canon: fresh perspectives on women in type and publishing
An evening as part of the ‘Women in Type’ Leverhulme Trust & University of Reading research project in celebration of St Bride Library’s 125th year. The lecture is on Zoom and is next Wednesday 10th November 7.00-9.00pm.
This talk will celebrate recent contributions to the field of graphic design history, which seek to shake established narratives to expand the design canon. The panel of speakers will share their thoughts on the imperative to reconsider women’s depiction in received design histories, and will highlight some past and present contributions by women to the fields of type, graphic design and publishing. The evening will also feature the launch of an exciting new website comprising a visualisation of the findings of the 'Women in Type’ Leverhulme Trust funded project.
With speakers Briar Levit, Rathna Ramanathan, Fiona Ross, Alice Savoie, Martha Scotford, Mathieu Triay.
You can book HERE - it's only £5 (plus concessions) so is excellent value for money ...BOOK NOW!
Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...
Heart of Glass - November 2002
This is the private view invitation for an exhibition at the Crafts Council Gallery in London. The invitation is the the opening of an exhibition titled Heart of Glass, featuring work of the artists Jean-Michel Othoniel, Tony Oursler, Katy Schimert, Kiki Smith, Jan Vercruysse, Not Vital and Robin Winters.
Click on image to enlarge
The size of the invitation is A5 (148 x 210mm) Landscape and is silkscreen printed on one side in one colour (red). The viewing apertures are die-cut, providing eyeholes to look through which is really effective.
The invite is printed on our Kemikal, Cotton White 1500mics which is a natural feeling, neutral white thick board - 1.5mm thick. so it gives great thickness, although it isn't as dense as other thick material that we do such as Monoblack. As you can see from the image below, the thickness makes this invitation work fantastically.
Design is by Andrew Collier, who works freelance in London.
Tall, lanky and with glasses is how most people whom I have met might describe me. Hopefully they'll also remember that I'm enthusiastic about what I do. I've been working in the paper industry for many years, so people seem to think that I know quite a bit (I would also point out that I've also forgotten a lot!). My occupation is actually a "Paper Merchant" (it says that on my Marriage Certificate!) and I am the Marketing Director at Fenner Paper. We specialise in finding the materials and paper solutions for graphic designers that are producing printed work. I also work closely with "creative" printers - although there are only a few of them anyway! (I shan't name names!). Fenner Paper is only a relatively small company although we handle some large projects and we have quite a high profile. So the business that we do is handled on a personal level - and hopefully that is demonstrated in this blog - read and enjoy!
My address is
Fenner Paper Company Ltd
15 Orchard Business Centre
Sanderson Way,
Tonbridge, Kent TN9 1QF
Tel: 01732 771100
Noodle Street is a traditional Chinese restaurant based in London's busy Canary Wharf. Established in 2010, Noodle Street prides itself of using the freshest ingredients and new dishes from the many and varied regions around China
The Doyle Collection is a carefully curated collection of eight Irish family-owned luxury and urban hotels. Each hotel has a strong identity that is closely connected to its location. Set in the heart of one of London’s most desirable neighbourhoods, The Kensington’s grand stucco façade is characteristic of this affluent 19th Century district. With 126 guest rooms and 24 suites, this is a wonderfully luxurious hotel.
Kricket is a modern Indian restaurant group with three restaurants in Soho, Brixton and the former Television Centre (White City). Founded by partners Rik Campbell and chef Will Bowlby, Kricket has recently expanded into the takeaway market, launching a new brand Namma by Kricket.
This is the private view invitation for an exhibition at the Crafts Council Gallery in London. The invitation is the the opening of an exhibition titled Heart of Glass, featuring work of the artists Jean-Michel Othoniel, Tony Oursler, Katy Schimert, Kiki Smith, Jan Vercruysse, Not Vital and Robin Winters. 
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