New cards on a new paper!

I'm very happy to introduce this new range of age cards by the lovely Made by Shannon, which also happen to be printed on a brand new paper range!

Made by Shannon is a greeting card publisher run by Shannon and based in Surrey. This new selection of age cards are just simply, but beautifully, hot foil blocked on their own 1980's vintage foiling machines. They are C6 (148x105mm) size.

The cards are printed on our new Inclusion, Coffee 250gsm, which as you can see is a visually interesting paper...

Inclusion, Coffee is a new range which is made using 100% Recycled, post consumer waste, with the addition of 5% residues from coffee processing, the resulting effect is really unusual.

Thank you to Shannon for sending this new card and if you would like to see their range of cards and gifts, you can see them HERE.

Inclusion Coffee is available in 100, 120 and 250gsm and if you would like some samples, just drop me an email: justin@fennerpaper.co.uk

Posted by Justin Hobson 28.05.2021

TIC CC

TIC CC is a UK brand of performance cycling clothing. Created for road athletes looking to achieve extraordinary things, their products are defined by the finest technical fabrics, hours of development and testing time, and a unique ‘peloton style’ aesthetic. The brand is also passionate in their commitment to sustainability...

Make responsibly — protect the irreplaceable! As riders we see it as our duty to do all we can to reduce the harm, protect the irreplaceable and make a positive difference. We are as passionate about ‘how we make’ as we are ‘what we make’

This is the printed promotional literature for their SS21 collection, used both as a mailer and sent out together with orders. The format is a 16pp, folded concertina, as you can see here...

The finished size is 240 x 170mm, folding out to 480 x 680mm.

Click on images to enlarge

Centre spread...

The idea for their SS21 photo shoot was based around the notion of ‘where we have been and where we are heading’. "We are more aware of the fragility of the world we live in based on our recent experiences of the pandemic. But tough challenges can lead to reflection, empowerment and renewed optimism. It’s the human spirit in action. The photography captures the optimism and sense of progression for the TICCC brand. This is a positive year for us as 95% of the SS21 collection uses performance fabrics made from recycled fibres. No mean feat considering less than 10% of the worlds fibre production is made with recycled materials."

Fully extended spread...

Folding out to...

Click on images to enlarge

Be the Change - main spread

Released this April, this promo focuses on their spring/summer collection which reflects the change we all need to be. It represents their commitment to setting new industry standards for sustainability.

...and what about the paper? Well it has to be 100% recycled and our Shiro Echo, White in 100gsm was chosen, not just because it is recycled but it would handle the high density black CMYK coverage and the fluoro yellow would "pop" out!

...and it works beautifully.

Printing is by Identity Print in Paddock Wood and as I hope you can tell from the images, they have made a fantastic job. The solid black is amazing but still letting the images and the detail within them work. 

Creative direction and design is by TIC CC and Hugh Miller.

Interestingly, having spoken to the company founder, Andrew Monk, about the project, I learnt that this is their first piece of promotional print. As an online retailer, all their information is available online, but he increasingly regards print as an important way of getting their messaging and brand across, which is great news. After all, in this virtual world, there's nothing as immediate as something physical you can just pick up and read.

https://tic-cc.com/

http://www.identityprint.co.uk/

Posted by Justin Hobson 25.05.2021

Ken Garland

Photo Credit - unknown

Yesterday, the sad news broke that Ken Garland has passed away. Ken Garland is a designer who has been at the forefront of Britain’s creative culture since graduating in the mid 1950's. His involvement in the CND campaign in the 1960's and his re-drawing of the peace sign made him the driving force behind its visual message. He gained notoriety for writing the ‘First Thing’s First Manifesto’ in 1964, which rallied designers to a mantra of using their talents towards a more meaningful goal, opposing the notion that graphic design is most lucrative when serving the whims of advertising. The manifesto was re-signed and re-launched in 1999. He founded his own agency, Ken Garland & Associates working with a wide variety of clients and most famously, Galt Toys.

Ken was less well known for his photographic work, but that is where our paths crossed. In 2001 Baseline Magazine published a 'baseline edition' an occasional series focusing on a subject more in-depth than in the magazine itself. Titled Metaphors, with a foreward by Robin Kinross, it shows Ken's photographic work from the 1960's up to the millennium. 

At publication, Ken and Wanda hosted a small launch party at their lovely house in Camden Town, which was a particularly jolly occasion.

Size is 345x245mm, portrait. It has a 4pp cover covered with a dustjacket and a 48pp text. 

Click on images to enlarge

"These photographs are not quite what they seem. When combined with the text they become metaphors of the locations - villages, cities, countries even - in which they were found. A few stones; a scattering of coloured tissue; a rope end: all have been allocated a relevance beyond their immediate substance. This may have been the reason why a particular photograph was taken in the first place, or it may have been imposed upon the image subsequently, days, weeks or months after the shot had been made. Originating from places as widely dispersed as Mexico, Ireland, Uzbekistan, Canada, Germany and Bangladesh, these metaphors offer a coherent viewpoint on human behaviour, viewed obliquely for the most part but with compassion and concern for people, not things" Ken Garland

Click on images to enlarge

The text pages are printed on our Marazion Ultra 150gsm. For readers not familiar with Marazion Ultra, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt (and some which incorporate the word matt in the name, but aren't!)  

From a format point of view, there is one particularly interesting aspect to this publication...

Hans Dieter Reichert, publisher of Baseline magazine wanted to differentiate this publication from the magazine, which was saddle stitched and he really wanted a spine, although cost-wise, perfect binding was more expensive and the photographic spreads really demanded saddle stitching...

I suggested, using a bookjacket, using a heavier than normal material (our Matrisse 200gsm) which is a bulky uncoated material and would take an excellent crease, and would form a nice neat 5mm square spine for the saddle stitched book to sit in ...and the result is perfect!

Click on images to enlarge

4pp cover is on Mandricote (one sided) 250gsm. Bookjacket is on Matrisse 200gsm.

Design of Metaphors is by Ken Garland & hdr Design. It was printed offset litho by Hilo Printing in Essex.

It was an absolute pleasure to have met Ken at the time of this project and subsequently over the years at various events and lunch at the Wynkyn De Worde Society. My condolences and best wishes to Wanda and their family; Ken will be sorely missed.

https://en.wikipedia.org/wiki/Ken_Garland

Posted by Justin Hobson 21.05.2021

Added 27.05.2021

You can read an excellent account of Ken's life by John Cooper here:

https://britainisnocountryforoldmen.blogspot.com/2021/05/britain-says-farewell-to-old-iconoclast.html

Hamish Brown Photographs...

Hamish Brown is an award-winning photographer whose talent and style have secured him shoots worldwide for many of the top names in celebrity, music and sport. His photographs have graced the covers of British GQ, The Times Magazine, The Observer Magazine, The Telegraph, Men's Health and Vogue.

This is his amazing portfolio...

Front Cover...

Inside spread

The outside front cover is covered with an all over de-boss in type listing the names of his clients. The effect is fantastic.

Size of the brochure is 345 x 245mm, portrait, saddle stitched.

It has a 4pp cover on 200gsm and a 24pp text on 120gsm, all printed on our Omnia. For those readers not familiar with Omnia, it is an uncoated paper with a surface treatment. What this means is that it feels like an uncoated paper but because the surface treatment minimises 'dot-gain', the print result is much more like that of a coated silk or gloss coated paper.

The look and feel of the whole publication is very uncoated and tactile but there is absolutely no loss of detail in the images as you can see in the detail image below...

You are probably assuming that this quality piece of print is printed offset litho, but you would be wrong. This job is printed on a digital printing press - a Fujifilm Jet Press 720S. This (relatively) new B2 size digital press is a commercial inkjet printer, which has been built to produce high-quality short run to medium run digital print. Push Print in London installed the press three years ago and as you can see from the result on this job, it is producing the high quality print that Push is renowned for.

One advantage that the Fuji has over the HP Indigo digital presses is that the Fuji doesn't require papers to be 'sapphire treated'.

The book sits nice and flat and the finishing is well done. The weights are perfectly selected and it flows nicely in the hand.

The cover which is printed on the Omnia 200gsm, is the perfect weight as Omnia has a high bulk making it 280microns thick and is just right to take the de-boss. The outside cover is also film laminated with a satin lamination which gives the cover extra durability and as you can see, it has worked well on the Omnia.

Design is by Mark and Chris Thomson at Studio Thomson. The exceptional repro, printing and finishing is by Push Print in London.

https://www.hamishbrown.com/

https://studiothomson.com/

https://www.push-print.com/

Posted by Justin Hobson 18.05.2021

Ultrabold 20 out now!

Ultrabold 20 is the first of two issues to mark the 125th anniversary of the St Bride Library, and in tribute to such a momentous milestone, it comes with four alternate covers, created by Rui Abreu, Luke Bird, Carol Kemp and Vaibhav Singh. 

The designs extend across issues 20 and 21 and join with their partner to form a single image.

Click on image to enlarge

In the latest issue, librarian Sophie Hawkey-Edwards reflects on the unique magic of the Library and what it means to er and the people who use it; Ursula Jeffries takes us back to the 1890s and how the whole thing got started; Jamhes Mosley examines the photographs Emery Walker took to help William Morris design his types for the Kelmscott Press; Elizabeth Fraser uses a personal health crisis to find creative inspiration; ‘Do it like you do it,’ says Agyei Archer – and does; while Bob Richardson looks at the Model press, the Gujarati Type Foundry, and a Beatrice Warde commission for the Curwen Press, yet more fascinating items from the collection. 

Ultrabold is £10 (only £8 for Friends of St Bride). You can choose your cover, subject to availability and you can buy your copy here... https://stbridelibrary.bigcartel.com/product/ultrabold-no-20

PS ...it is beautifully digitally printed by Principal Colour.

Posted by Justin Hobson 13.05.2021

1:76

Founded in 2015 by Mark Leeds and Duncan Johnson c-ll-ct-v-ly is a London based Design and Research studio working in all media and especially editorial and moving image. As a studio project. they publish these limited edition magazines, using unpublished, reordered, remade, refound or newly created artworks. They are a quick-fire collaboration between the studio and a range of creatives ...an easy consumed, visual hit.

1:76 is Number 9, Model building ruins by Thom Atkinson. Thom is based in London and Kent and  works predominantly in a documentary style, centering around people and objects in locations. It is characterised by a gentle and observational approach and a natural and honest quality. Commercial and editorials clients include Barclays, Volkswagen, Tesco, Esso, Sainsbury’s, Cancer Research, FT Weekend, Hole & Corner, The Guardian and Telegraph Magazine.

"I’ve been working on a much bigger project for a few years and this was a sort of spin off from it. It’s also connected to a photobook I published about the Blitz in London and was kind of another way of coming at that same idea. The thread that joins these projects together is to do with British history and the way in which it is mythologised and remembered. In my head, the Airfix Ruins are like little found sculptures, made in memory of a war long ago, before the modellers were probably even born. They’re like devotions and dreams. And I think a lot of memory and mythology is to do with those things." Thom Atkinson.

Size is A5 (210x148mm) portrait, saddle stitched. It has a 4pp cover, cut short at 148mm high with a  16pp text.

The cover is printed on our Crush, Almond 120gsm in black only. Text is printed on Gardapat 13 Kiara 150gsm. For readers not familiar with GardaPat 13, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt - some which incorporate the word matt in the name, but aren't! Apart from the high quality matt surface, this paper has an extraordinarily high bulk - this 150gsm text with a thickness of 195mics. If you would like to read more about the bulk, you can read it here.

Cover and text are digitally printed using an HP Indigo digital press and the results are superb, beautifully showing the artworks. As many readers will know, many materials have to be "Sapphire Treated" to work successfully on HP Indigo presses, however this project has been printed without sapphire treatment ..and it's superb!

Printing and finishing, including the lovely white wire used on the saddle stitches (above) is by WithPrint who are based outside Bristol in Rooksbridge.

Concept and Design is by Mark Leeds and Ellie Rose. Font used is Grosa by Feliciano Type.

https://www.thomatkinson.com/

https://c-ll-ct-v-ly.com/

https://with-print.co.uk/

Posted by Justin Hobson 11.05.2021