Book of I

The Book of I is a notebook style publication produced for Accenture. It is an internal publication for employees to note their personal development. Size is 210x137mm portrait with a 4pp cover and 128pp text and is section sewn, the spine is 10mm thick. On the outside cover it is simply printed and blind embossed on an embossed cover from that well known "Hull-based" paper merchant!

Being an internal publication, it isn't appropriate to show you the inside text pages, suffice it to say the job is printed offset litho in just one colour with the majority of pages are just printed as lines...

...or squares

...or dots

 [Please excuse my fingers appearing]

The below image shows the very neatly sewn sections.

The 128pp text is printed on Shiro Echo, Bright White 120gsm, which is our 100% recycled paper with FSC accreditation.

Print and hot foiling is by Identity Print, based in Paddock Wood with Paul Martin handling the project.

https://www.identityprint.co.uk/

Posted by Justin Hobson 24.10.2023

Yateley Papers

Yateley Papers was born out of passion for both traditional block printing techniques and a love of utterly gorgeous home, desk and stationery accessories. For 10 years Trudi Savin ran the studio at Tobias and The Angel in Lingfield (Surrey) before establishing Yateley.

Yateley Papers produce stylish handmade desk stationery and home accessories all covered in their own bespoke designs inspired by their extensive experience of block printing on textiles. All products are made and hand prepared exclusively in Great Britain.

This is their set of five luxurious A6 notecards plus envelopes

The Yateley collections are all from patterns made using hand block printing, a careful balance of traditional techniques and modern technologies. These cards feature a blind embossed border (about 3mm wide). The printing is done using an HP Indigo press.

Click on images to enlarge

Accompanying the cards are these wonderful quality, diamond flap envelopes made using Zeta Hammer, Natural 120gsm (see below pic) which are lined envelopes  ...so the pattern you see printed in the image below is not printed on the inside of the envelopes but on a separate liner (printed on our StarFine) which is stuck inside the envelope. They are gorgeous.

Click on images to enlarge

The cards are all printed on our Zeta Hammer, Natural 350gsm, which has a wonderful texture and is totally sympathetic to the block prints.

It is hard to photograph the texture of the cards, but I have done my best....

Click on images to enlarge

Reverse of the cards

https://www.yateleypapers.co.uk/

Posted by Justin Hobson 17.10.2023

Rare £5 for auction

An exceptionally rare £5 banknote, printed in 1900, is expected to fetch up to £16,000 when auctioned at Noonans’ auction house in Mayfair on 12 October. Unusually, the note was issued in Leeds, and signed by Horace G. Bowen the Bank of England’s chief cashier from 1893 to 1902. “This is a great note,” said Andrew Pattison, Noonans’ head of banknotes.

“Very few Bowen notes are in private hands, especially from this exceptionally rare Leeds branch. "The York hand stamp shows part of the journey of the note, issued in Leeds and paid into a bank at some point in York.” Before coming to its present owner, the note was sold by British businessman and collector, David Kirch, who at one point had assembled the UK’s largest collection of provincial banknotes. Pattison added: “This is not the first Leeds note that Noonans has sold. An extremely rare £500 note dated 1936 was sold for a hammer price of £24,000 in March of this year.” The £5 Leeds note will go up for sale alongside several other rare notes, including an 1862 £5 note, valued at £10,000–£15,000 and a £50 note from 1845, valued at £15,000–£20,000. A very early example of a £2 note will also be up for sale, dated to 1798, and is expected to fetch up to £16,000. All four notes were printed at the Bank of England’s central london Threadneedle Street printworks, where all paper notes were printed from 1791 to 1917, when printing moved to the former Lunatic Hospital of St Luke’s in Old Street. 

Image credit: Noonans

 By 1920, the former hospital had been fully converted into a recognisably modern printworks, with concrete floors, three large machinery halls and amenities for staff. The Bank now prints notes at its purpose-built site in Debden, Essex, where print operations have been handled since the 1950s. Its partner De La Rue operates the site under contract.

Read the whole story on Printweek here...

https://www.printweek.com/content/news/rare-123-year-old-5-note-goes-up-for-auction/

https://www.noonans.co.uk/

Posted by Justin Hobson 10.10.22

Jobs from the past - Number 167

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this one is from 2013

AMC² Issue4

Archive of Modern Conflict is an independent publisher based in London and this is issue 4 of  their series of journals. (their books on photography and art have won or been shortlisted for many prizes). This is a truly beautiful book, which is just a delight to hold and leaf through.

 

AMC² issue4 comprises photographs from Collected Shadows, an exhibition curated by the AMC for Paris Photo 2012. The works span a period from the early 1850s to the present day and are by photographers both known and unknown, amongst them Bertha Jaques, Gustave Le Gray, Robert Frank, Willi Ruge, Paul-Émile Miot, Johann Böhm, Ferdinand Quénisset, Mario Giacomelli, Eugene Atget, Josef Sudek and many others, while subjects include earth, fire, air, water and ether as well as divinity, astronomy, meteorology, flight and dance (these words from AMC books)

The size is 230x200mm, portrait and is perfect bound. The publication has an 8pp cover on StarFine White 200gsm. The text is made up using "French-folded" sections on Marazion Ultra 90gsm which gives it a sensational light feel and flows beautifully in the hand. The book has a 14mm spine.

The book has 140pp or printed pages (which I would normally describe as 70 x 4pp French-folded sections) - this actually makes 280pp but because the other side is unprinted and the ends are bound, each 4pp = 2pp. It's a bit tricky but if you think about it, it makes sense. French folding with a material like Marazion Ultra 90gsm feels fantastic because the weight of the material lets the pages flop and flow beautifully. The 8pp cover (pictured below) on Starfine 200gsm contributes to the soft feel. 

The picture below shows the foredge with the "french-folded" text

The book is printed by a Belgian printer, Die Keure, who are based in Bruges. They are one of the most renowned European book printers and they print for many of the high end publishers in Europe. The print and binding is superb on this book. It is printed CMYK throughout but most of the images have a mono/sepia reproductions and it's hard to get the consistency of look and feel in one publication from multiple image sources but this is an admirable result.

 

The designer is Melanie Mues, who I have worked with for many years. It was great to have the opportunity to work on a book project together, especially one as exquisite as this. 

https://archiveofmodernconflict.com/amc2-journal-issue-4/
https://www.muesdesign.com/
https://www.diekeure.be/printing/en/

Posted by Justin Hobson 03.10.2023