Words about the exhibition are as follows... "Each sculpture is made from four dimensions of thirty syllables – a five syllable title and five further lines of five syllables – combined with the material of your imagination. The sculptures do not exist without your consciousness and these sculptures are about your consciousness. How language shapes it. How distinct it is from the blood and mess of your body. Whether it is a fundamental of the universe or a materialistic phenomenon destined one day to be recreated by IBM. What art’s role in exploring consciousness is. How we create an unnatural division between our minds and the many minds of nature."
Each of the sculptures is made from a pillar of paper - made up using sheets of our Sixties paper in 60gsm. SIXTIES is a new paper which has a similar translucency as a tracing paper - but it feels like a normal paper! … you can see the translucency in the image below:
There is also a catalogue produced using the same Sixties paper
There is an introductory essay by art writer and curator Anna Souter, placing the work in an art historical context. The catalogue is five inches square (127mm sqaure), with five Helvetica Neue 55 type sizes and is singer sewn, as you can see below...
The books are produced in a limited edition of 200.
Design is by Studio Sutherl& and the print of both the sheets and the book is by Boss Print and are printed offset litho in just one colour throughout.
https://www.poetrybytomsharp.com/collection/twentyfivesculptures
http://studio-sutherland.co.uk/
https://www.bossprint.com/
Posted by Justin Hobson 21.11.19
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