ISTD Awards 2014

On Friday evening I was lucky enough to be at the International Society of Typographic Designers (ISTD) awards held at the wonderful De La Warr pavilion in Bexhill on Sea. It was a wonderful evening at this amazing location. The De La Warr pavilion is a modernist building by the architects Erich Mendelsohn and Serge Chermayeff which opened in 1936. The enlightened town council opened this new space which was to provide culture and entertainment for the masses – a people‘s palace.

Following renovation in 2005, the pavilion hosts many shows, exhibitions and cultural events. On Saturday their new Magnum exhibition just opened:  http://www.dlwp.com/event/magnum-photos-one-archive-three-views

The evening started with drinks on the rooftop terrace, which was delightful as it was a beautiful evening.

Stewart Drew

We were welcomed by Stewart Drew, Director and CEO of the De La Warr Pavilion, who explained why they were so pleased to be part of the ISTD awards and to have an association with the society - they also hosted the judging in June.

As with all ISTD events, there is a real warmth and friendliness, which may be because of the international dimension or maybe the society just attracts the nice people in the world!

The dinner and awards was held in the wonderful restaurant with the panoramic windows looking out to sea.

These international awards attracted entries from 25 countries across a wide range of graphic design disciplines. In total there were 84 certificates of excellence and 20 premier awards made - awarded for outstanding typographic achievement. Although, not everyone could make it the awards, there were many people who had travelled long distances, including Wing Lau from Australia and Astrid Stavro together with Pablo Martin from Design by Atlas in Spain, who left laden with awards!

Bryan Edmondson from Sea, collecting a Premier Award (for Pencil to Pixel/Monotype exhibition) 

Andy Altmann (Why Not Assoc)

This year was the highest number of awards made, but this reflected the far higher number of entries. For the first time the Overall Winner was a joint award, going to MM Koehn for a book titled Eros Und Thanatos and Why Not Associates for their 'Comedy Carpet' in Blackpool in collaboration with artist Gordon Young.

http://whynotassociates.com/recent-work-2/the-comedy-carpet/the-work

All the award winners deserve congratulations and it was lovely to see some projects which had been produced on Fenner Paper materials, particularly Air W1 by dn&co, which I've featured on this blog and which was awarded a certificate of excellence:
http://justinsamazingworldatfennerpaper.blogspot.co.uk/2012/05/airw1.html

It was an excellent evening which showed a fantastic array of international typographic design excellence. It is SO important for the design industry that we retain organisations such as the ISTD and we must take every opportunity to try and encourage membership, thus ensuring their continued viability.  ...and if you aren't a member, have a look http://www.istd.org.uk/- it costs less than £10 per month - excellent value!

Congratulations to the awards team: David Coates, Belinda Magee, Clare Playne and Freda Sack - a huge amount of time and work goes into these events and it is fair that they should be recognised and applauded. The awards catalogue perfectly illustrates the awards, the diversity of media and approach and an inspiring overview of international typographic design - and I shall write about that next!

The results are now all online here: http://www.istd.org.uk/awards/awards-results

www.istd.org.uk
www.dlwp.com
www.playnedesign.co.uk

Posted by Justin Hobson 06.10.2014

164 Bishopsgate EC2



Designed by dn&co in London, this is a beautifully produced brochure for an exquisite building. Originally built as Bishopsgate fire station in the 19th century, the Victorian Façade is Grade II listed and has been completely refurbished to provide quality office space.  dn&co were commissioned to create the branding for the building, the result of which is this simple Roman numeral device. The brochure shows the property in an understated way which conveys the quality of the architecture and materials used.

Size of the brochure is 270x210mm, portrait, saddle stitched. It has a 6pp cover on Omnia 280gsm and a 12pp text on Omnia 150gsm. The 6pp cover is formed with a flap (190mm wide) folding forwards onto the front cover, as the picture below shows:

...open the flap on the front cover reveals an image of the front of the building:

The text pages, show local area, interior shots and floorplans:

Centre Spread

The spread on the inside back cover (above) shows a picture of the firestation as it was at the turn of the century.

...and here we go for a bit of a plug about the paper!  - As you can see from the above images, there is solid blue plus CMYK, heavy coverage - lots of ink going down and it looks great on the Omnia - I'm not going to use this as a platform to slag off other products, but there are one or two other papers on the market which people regard as being similar to Omnia - but there is no way that they print solids or dark images as well as Omnia and retain detail in the dark areas (that's my opinion, but I would say that wouldn't I?)

Design is by London design agency dn&co who specialise in property branding. Creative Director is Ben Dale.

 

The excellent print production is by Push. Print and finishing is superb and I say this because sometimes 6pp or 8pp covers cause a problem, which means that they aren't quite square or the text/cover doesn't fit just so. This job is spot on.

http://www.164bishopsgate.com/

http://www.dnco.com/

http://www.push-print.com/

Post by Justin Hobson 10.09.2013

AirW1

There are property brochures and there are property brochures - this is simply an amazing property brochure!

AirW1 is a Grade II listed building which incorporates the old Regent Palace Hotel in Piccadilly and has been converted to provide a mix of office, retail, residential and restaurant space around a stunning central atrium. More than half of the hotel’s original façade has been retained and repaired and significant sections of its exquisite Art Deco interiors restored and reinstated with four glamorous 1930s entertainment venues being completely restored within the redevelopment (...another point of interest, I discovered is that the offices will be serviced by a high-tech energy centre powered by a cutting-edge hydrogen fuel cell).

The Crown Estate appointed DN&Co as the branding agency for the property which included all aspects, such as signage, website, marketing and this brochure.

This brochure exudes quality of art direction, typography, design and print and finishing. Taking design cues from the building's heritage, an "Art Deco" identity involving a bespoke brand typeface was the chosen route.

Size is 210x270mm, portrait. The cover is a standard 4pp cover with 2 pieces (front and back) of Astralux 250gsm mounted onto our 2000mic Vale Board giving a very thick cover. The boards are cut away 15mm from the spine. The front cover has an angled die cut in the bottom right hand corner with the underneath cover board showing. The high gloss Astralux has been de-bossed with the signature brand pattern, which if you enlarge the pic below, you should be able to see.

Inside the text is printed in CMYK plus a pantone special gold 

The 72pp text is printed on our Omnia 150gsm. The beautiful photography looks amazing. Reproduction is superb whilst still having an excellent bulk with a tactile and engaging feel.

And in case you hadn't noticed, the pics of the spreads have something unusual about them, they are lying flat with perfect readovers.

This job incorporates a new 'Layflat binding' technique. It was important for this job in particular, which is designed to work as spreads and it works - it opens completely flat and open - and it doesn't fall apart. To be honest when you see a book opening as well as this, you have to question why anyone would use conventional binding ever again!

The section dividers printed in Pantone gold looks really like gold!

Another particularly beautiful touch is the production of a bespoke branded "capacity" envelope with 14mm capacity:

Design is by London design agency DN&Co who specialise in property branding. Creative Director is Ben Dale. Print production including the layflat binding is by Push.

I just spotted that this is shortlisted on the DesignWeek awards listings - and so it should, as it is a superb piece of literature

http://www.airw1.com

http://www.dnco.com/

http://www.push-print.com/

Post by Justin Hobson 09.05.2012

New Brook Buildings

Here is a job which that just exudes fantastic quality of both print and finishing (oh, and of course a pinch of all right design as well!). The project is a brochure for a property called New Brook Buildings.

Size is 240x330mm. Key points of interest is the fantastic de-bossing on the front cover (which if you enlarge the pic below, you should be able to see). It is also "swiss-bound" (explanation below) and the text is stepped with divider pages (printed with mono imagery).

Below pic shows the Swiss binding. For those that are unfamiliar with this type of binding, it is essentially a section sewn or perfect bound binding method which has a "lip" of about 15/20mm of cloth wrapped around the spine. The cloth covered spine is stuck flat on the reverse of the text block with a strip of glue into a 4pp cover with a "freestanding" spine which means that the cover (which can often be very springy with normal adhesive binding) sits very flat.

The text is stepped and is very tricky from a production point of view, especially with this type of binding. This has been done exceptionally well.

Below is the opening spread - inside front cover on left, stepped text on right.

Some of the spreads below: 

Design is by London design agency dn&co who specialise in property branding. Creative Director is Ben Dale.

Print production is by Push and very nice it is too. Both "ink on paper" and finishing is superb.

Oh and I suuppose I'd better mention the paper! It's printed on our Omnia 320gsm and 120gsm which gives the job a tactile and engaging feel. As well as reproducing the images superbly, it has a high bulk and as a result, the deboss works superbly.

http://www.newbrookbuildings.com/

http://www.dnco.com/

http://www.push-print.com/

Post by Justin Hobson 20.05.2010