Today is World Rainforest Day

As today is World Rainforest Day what better day to have a 'Throwback Thursday' and show you this amazing job for the Rainforest Action Network produced in 2007...

 At This Rate is a printed publication produced to highlight the scale of the destruction of the world's rainforests.

Click on images to enlarge

Design is by Studio8, Matt Willey and Zoë Bather were designers on the project. The amazing photography is by Giles Revell.

Inside front cover spread

The size of the job is 220mm x160mm portrait and has an 8pp cover with a 24pp text.

The book forms a series of spreads which really show off the stunning photography of the skeletal leaves, which look so much like aerial views of cities and make the spreads very powerful. Below is "Every day we lose an area larger than all five boroughs of New York City"

As mentioned before, it is best described as an 8pp cover with a 24pp text, but the text is actually formed by a long concertina (with one join) and the 8pp cover, which has a 10mm capacity spine actually works as a "dustjacket" as you can see in the birdseye pic, below...

It was constructed like this for reasons of both economy and ecology! The whole job actually comes out of one B1 sheet of paper meaning that it was relatively economical from a printing point of view and it was also not wasteful which is in line with the clients aims and objectives.

On the reverse of the long concertina, which is hidden from view, is an image taken around the outside trunk of a tree from a tropical rainforest...

It is quite simply a stunning job both from the concept, design, photography, format, printing and finishing. It deservedly won 2008 DesignWeek award for Editorial Design.

The images were offset litho printed as a Tritone with a high density black ink. The repro and superb print is by Granite, who have since gone bust. The material choice is Neptune Unique FSC 200gsm which not only printed fantastically but was also the environmental choice by having Forestry Stewardship Council certification, which was more unusual for fine papers in those days.

https://www.worldrainforestday.org/

https://www.ran.org/

https://www.gilesrevell.com/

http://www.gilesrevell.com/projects/environment/

Posted by Justin Hobson 22.06.2023

British Book Design & Production Awards 2018

Yesterday evening,  I was lucky enough to be at the British Book Design and Production Awards which is hosted and run by the British Printing Industries Federation (BPIF) at London's Mountcalm Hotel in Marble Arch. A very lavish and swish occasion

I was kindly invited by Fenton Smith from London print company Boss Print, who were also one of the sponsors and printed the awards catalogue. Below is pictured Fenton (left) together with photographer Giles Revell, who's book 'Cartographic Colour' published by Concentric Editions was a finalist in the awards

On arrival, the nominated entries were all out on display and it was a truly wonderful array of books and catalogues. 

The evening was opened by Charles Jarrold, Chief Executive of the BPIF...

 ...a gathering of over 200 people from the world of publishing, print and design - and a few paper people in there as well!

Congratulation to all the finalists and award winners. You can read more about the entries and the winners here: https://www.britishbookawards.org/shortlist-winners-2018/ Below shows all the winners on stage...

Boss Print sponsored the category for 'Self Published Books' and they also produced the awards catalogue and the exquisitely produced boxes, in which the catalogues were locked away until the awards concluded and the keys were distributed so everyone could get their hands on the lovely catalogues.

Click on images to enlarge

It was a great evening - good company and food and my thanks go to Boss Print for inviting me and it was great meeting up with many other old friends on the table too.

https://www.bossprint.com/

https://www.britishbookawards.org/

Posted by Justin Hobson 23.11.2018

Jobs from the past - Number 86



Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 1995.  

D&AD Newsletter - December 1995

It's unlikely that D&AD needs much introduction. - Founded in London in 1962 as British Design & Art Direction by a group of creatives and art directors, it has since become a world renowned body championing design and creativity.

This piece of literature is an excellent example of the way communication worked in the pre-internet world! Back in 1995, Mary Lewis was president of D&AD and then, as now, the President's Lectures were a popular draw for creatives (back in these days, tickets were either ordered by post or telephone and sent out by post). Feedback from member indicated a desire for transcripts of the lectures to be printed, so that the content could be more widely circulated, so in this inaugural issue, the D&AD Newsletter was re-launched in December 1995, in the main, to disseminate the transcripts of the lectures.

The publication later became known as Ampersand and I will write about the later issues in the future.

Front Cover

Size of the publication is 445x315mm portrait and is a 16pp 'self cover' and is unbound. It has a wonderfully floppy and tabloid newspaper feel. It is printed on our Redeem 100% Recycled 130gsm.



This issue covered the transcripts of the lectures given by Oliviero Toscani....

Click on images to enlarge

...and Maurice Saatchi.

The paper is a neutral white shade gives the publication a 'newsy' feel which really works with the images and most importantly, the pages which are purely type, as below:

Click on images to enlarge

The publication is printed offset litho in one colour (halftone or monotone printing) and the look and feel is just perfect. A well designed and thoughtful piece of print to be delivered, spread information and disposed of - just like a newspaper!

For a sense of scale, below is the outside back cover pictured with a 300mm ruler and a ballpoint pen, remember the size of the publication is  445x315mm.

The newsletter was printed by a company called Penshurst Press based in Tunbridge Wells. Sadly the company no longer exists - they wound up at the end of the nineties.

The design of the cover and contents is by Vince Frost. Deyan Sudjic gave the advice to Mary Lewis to "keep it simple" which this publication does admirably. Content is edited by David Robson of The Independent.

Photography by Giles Revell, cover photograph: Matthew Donaldson, Saatchi Image: David Levenson/Colorific, Toscani Image: A Rau/Sygma.

Vince Frost left for the sunnier climate of Australia just over fifteen years ago and runs Frost* in Sydney.

...and Fenner Paper? ...yep, we're still here!

https://www.dandad.org/

http://www.frostdesign.com.au/

Posted by Justin Hobson 02.12.2016

New Website for Applied Works

Now I know my blog is mostly about papery things (and usually Fenner Papers in particular!) but Applied Works (...who hardly ever use paper) have just launched their new website and its worth a look.

In particular, check out the National Trust Intranet, the TFL work and Giles Revell's new site

http://www.appliedworks.co.uk/

Posted by Justin Hobson

Jobs from the Past - Number 5

Regular followers will know that my first post of every month is a "job from the past" (see posts on 01.10.2009, 01.11.2009 & 01.12.2009 etc etc.) so that I can show some of the memorable jobs from times past, and here's one from back in 2007.

At this Rate - awareness campaign
This job is for the Rainforest Action Network. The purpose of the publication is to highlight the scale of the destruction of the world's rainforests. Design is by Studio8, Matt Willey and Zoë Bather were designers on the project. The amazing photography is by Giles Revell.

The size of the job is 220mm x160mm portrait and is best described as an 8pp cover with a 24pp text. The text is actually formed by a long concertina (with one join) and the 8pp cover, which has a 10mm capacity spine actually works as a "dustjacket". It was constructed like this for reasons of both economy and ecology! The whole job actually comes out of one B1 sheet of paper meaning that it was relatively economical from a printing point of view and it was also not wasteful which is in line with the clients aims and objectives.

The book forms a series of spreads which really show off the stunning photography and make the spreads very powerful. Below is "Every day we lose an area larger than all five boroughs of New York City" It is quite simply a stunning job both from the concept, design, photography, format, printing and finishing. It deservedly won 2008 DesignWeek award for Editorial Design. Thumbnail of the entire job is below:

The photography was printed as a Tritone with a high density black ink. The repro and superb print is by Granite. The material choice is Neptune Unique FSC 200gsm which not only printed fantastically but was also the environmental choice by having Forestry Stewardship Council certification.

I do still have a few copies available so if you would like one, send me an e-mail and I'll see what I can do!
http://www.ran.org/
http://www.studio8design.co.uk/
http://www.gilesrevell.com/
http://www.granitecolour.com/