Zollanvari Catalogue

Zollanvari carpets embody the spirit of carpet design and weaving – an extraordinary art form that has been treasured across the world for more than 2,000 years. The story of Zollanvari began in 1947, when Gholamreza Zollanvari joined his father’s carpet business, a legacy that had been handed down from his great grandfather. In 1985 Gholamreza’s son Reza established the company in Zurich to directly access the European market and established the Zollanvari name as a global trail-blazer in creating carpet art.

This wonderful catalogue tells the story, explains the types of carpet showing the range and possibilities.

Size of the catalogue is 274x173mm, portrait and is 'singer sewn'. There is a 4pp cover and a 36pp text. It is printed throughout on Omnia 280gsm and 150gsm which gives the publication a tactile uncoated feel but with a great print result.

The publication is digitally printed by Identity Print. It was printed on their Ricoh digital press (dry toner) and the result is exceptional. The great thing is the job just doesn't look and feel like a digital job, which is mainly down to the choice of substrate.

Click on images to enlarge

The images have reproduced superbly and are totally lush and even the flat solid grey/brown looks flat and even, which can sometimes be a problem printing digitally.

The colour is so vibrant and works brilliantly on the Omnia as you can see in the detail image below...

Click on images to enlarge

Above is the centre spread. This catalogue is singer sewn, so you can see the way the thread runs along the inside of the spine - see detail image below...

...and on the outside of the spine below.

Printing is by Identity Print with Paul Martin handling the project. Finishing and singer sewing is by Wayte Binding in Tunbridge Wells who are part of the Identity Print group, so they are are one of the few print companies with their own bindery.  

https://zollanvari.com/

http://www.identityprint.co.uk/

Posted by Justin Hobson 30.09.2020

Stardream Print Processes book

Stardream is a market leading pearlescent and metallic paper range produced by the Cordenons paper mill in Italy. Many designers and printers have become fans of the light irridescent finishes and the dual sided deep metallic finishes which do truly shimmer. Stardream is used for a wide range of applications, including cover, presentation folders, invitations, greetings cards and luxury packaging.

This is the new "Print Processes book" which demonstrates the wide variety of print processes that you can achieve using this paper range.

The cover image is printed offset litho in CMYK on Stardream Copper 285gsm and the result is stunning - just look how good a CMYK image can look, even on a relatively deep shade such as the Copper. What many people forget is the litho inks are transparent, what this means is that if you print on a colour, the colour will come through and it also means that if you print on a pearlescent/metallic substrate, the printed result will be pearlescent/metallic and take on the shimmer of the surface printed on.

The size of the presenter is 230x220mm and the wiro-bound inserts are 210mm square. The first page is hot foil blocked using Foilco Ref 6815 copper foil on Stardream Anthracite 285gsm.

Click on images to enlarge

Page two is is printed using Thermographic printing (thermography) in red and black.

Thermo (as it is commonly called) is a great process and can produce a gloss or matt raised surface. In this instance, the result is a gloss finish, printed on Stardream Rose Quartz 120gsm

Stardream is also suitable for digital print processes and the below rainbow image is printed on Stradream Crystal Digital 240gsm on an HP Indigo Press

The next page is french folded and is lasercut...

Click on images to enlarge

The sample printed on the Stardream Silver (above & below) is just the most simple and yet effective sample. It is printed in just 1 colour offset litho as a halftone (or some people refer to it as a montone) and as mentioned before, because litho inks are transparent, the printed result is pearlescent/metallic and takes on the shimmer of the Stardream surface.

and the grand finale of the book, really is amazing at is is the simplest, yet crazily effective process. The below watchface is digitally printed in white using a dry toner press (this was a Ricoh)

...and here is a detail image

...and below shows the deep blue colour (Stardream Lapislazuli 285gsm) that it was printed on.

Digital white (toner) is an incredibly stunning effect and a very economical price, so it's definitely worth looking into.

My thanks to the paper mill, Gruppo Cordenons for supplying us with the tools to show the Stardream range in the very best light. If you would like one of these new books, please email me: justin@fennerpaper.co.uk

http://www.cordenons.co.uk/
http://www.gruppocordenons.com/en/

Posted by Justin Hobson 25.06.2020

New papers and new processes

Kestrel Press are a family owned printing company based in Irvine in Scotland which was founded over 40 years ago. However, unlike many established printers, this is a company that continues to innovate and explore new materials. Their work has appeared on this blog before here.

We have recently introduced two new materials which Kestrel Press have embraced as they realised their potential with the design community. The first product is our BlackGold which is our new range of intense black from Gruppo Cordenons.

Kestrel have produced some A4 folders using BlackGold 290gsm and they are printed using their "seeing is believing" strapline which they are applying to their promotions to demonstrate their innovations in digital printing.

The size of the 4pp folder is 300x215mm, portrait and is printed using clear digital print, which looks like a cross between varnish and clear foil blocking and works brilliantly on the BlackGold.

Click on images to enlarge

The inside of the folder is printed in white, again printed digitally and the result is really crisp and sharp. Both of these processes have been printed on their Ricoh digital press with the special attachments which make white and clear printing possible. Because these are processes which are produced in the normal pass through the press and not an "after" process, it means they are much more cost effective than traditional processes such as foil blocking or UV varnish.

The 4pp folder has a glued flap with a 140mm pocket and slits for a business card. The business cards are also printed on BlackGold but are triplexed with our Colorset Magenta 270gsm as the middle layer. 

Click on images to enlarge

The business cards are also clear printed on the reverse.

The second material used for experimentation is our new SIXTIES paper, which is 60gsm. These sheets are 320x450mm and is also surprisingly printed in white....

The white is printed on the front, but as you can see from the image below, even though it is printed white, you can still see the show through

This new SIXTIES is 60gsm and is a fine quality, similar to our Offenbach Bible in many ways but with one major difference - unlike a genuine bible paper which has a high opacity, this new paper has the same translucency as a tracing paper - but it feels like a normal paper! ...as I hope you can see from the picture below:

...and this further sheet which is printed in black (and a small amount of red) on both sides of sixties making an image out of type.

The results are truly superb and it is great when a printer takes the time and trouble to examine and experiment with new materials that they then show to their customers.

My thanks to Graeme Ferguson at Kestrel for sending me these samples and for taking the time to experiment with their new processes on these new materials.

http://www.kestrelpress.com/

Posted by Justin Hobson 27.03.2018