Showing posts with label Andrew Collier. Show all posts
Showing posts with label Andrew Collier. Show all posts

Monday 1 November 2021

Jobs from the past - Number 144

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Heart of Glass - November 2002
This is the private view invitation for an exhibition at the Crafts Council Gallery in London. The invitation is the the opening of an exhibition titled Heart of Glass, featuring work of the artists Jean-Michel Othoniel, Tony Oursler, Katy Schimert, Kiki Smith, Jan Vercruysse, Not Vital and Robin Winters. 
Click on image to enlarge
The size of the invitation is A5 (148 x 210mm) Landscape and is silkscreen printed on one side in one colour (red). The viewing apertures are die-cut, providing eyeholes to look through which is really effective.
The invite is printed on our Kemikal, Cotton White 1500mics which is a natural feeling, neutral white thick board - 1.5mm thick. so it gives great thickness, although it isn't as dense as other thick material that we do such as Monoblack. As you can see from the image below, the thickness makes this invitation work fantastically.
Design is by Andrew Collier, who works freelance in London.

As I recall the silkscreen printing was produced by Artomatic, who also ran a print boutique in Great Sutton Street EC1. Sadly they are no loger in existence. I wrote about Artomatic on this previous post here: http://justinsamazingworldatfennerpaper.blogspot.co.uk/2009/07/job-from-past.html

http://www.craftscouncil.org.uk/
Posted by Justin Hobson 01.11.2021

Thursday 2 July 2015

Jobs from the past - Number 69

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Darren Regnier - Photographer - 1999
Click on images to enlarge
This is self promotional piece for London based photographer Darren Regnier. It's a well designed, simple, beautifully produced piece of print with high impact. The finished size is A6 (148x105mm) folding out to a 594x420mm poster.

The images used are simply stunning and another factor which is almost impossible to convey is that it's been printed on our Offenbach Bible 40gsm. It is superbly light an has a great "rattle" which it's just not possible to convey in pictures.
 Folding out to...
One of the things that is of interest, is that this piece was printed offset litho in just one colour - yes that's a halftone or monotone reproduction. Most people would expect this to have been produced out of four colour process.
 ...and rather than being printed as a special, the press was set up to print black and a "dollop" of process blue ink was added into the ink ducts, while the designer passed the job (I know, because I remember him telling me!)
Above shows the very restrained design element. Just says, what needs to be said. One of the things I particularly remember about this project was when I opened my small box of file copies - on opening, I was confronted by a "Warholesque" image, which I have recreated below: 
Design is by Andrew Collier who is a freelance designer based in London. I believe Darren Regnier is now a teacher. This promotional piece just looks and feels fantastic. - over the years, no one I've shown it to has failed to be impressed!
Print was offset litho by The House Of Naylor, one of the last printers based in Clerkenwell. They became Forme print but they are no longer in existence.
Posted by Justin Hobson 02.07.2015

Friday 1 May 2015

Jobs from the past - Number 67

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Heart of Glass - November 2002
This is the private view invitation for an exhibition at the Crafts Council Gallery in London. The invitation is the the opening of an exhibition titled Heart of Glass, featuring work of the artists Jean-Michel Othoniel, Tony Oursler, Katy Schimert, Kiki Smith, Jan Vercruysse, Not Vital and Robin Winters. 
Click on image to enlarge
The size of the invitation is A5 (148 x 210mm) Landscape and is silkscreen printed on one side in one colour (red). The viewing apertures are die-cut, providing eyeholes to look through which is really effective.
The invite is printed on our Kemikal, Cotton White 1500mics which is a natural feeling, neutral white thick board - 1.5mm thick. so it gives great thickness, although it isn't as dense as other thick material that we do such as Monoblack. As you can see from the image below, the thickness makes this invitation work fantastically.
Design is by Andrew Collier, who works freelance in London.

As I recall the silkscreen printing was produced by Artomatic, who also ran a print boutique in Great Sutton Street EC1. Sadly they are no loger in existence. I wrote about Artomatic on this previous post here: http://justinsamazingworldatfennerpaper.blogspot.co.uk/2009/07/job-from-past.html

http://www.craftscouncil.org.uk/
Posted by Justin Hobson 01.05.2015

Tuesday 4 February 2014

Jobs from the past - Number 52


Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Association Gallery Leaflets 1997-2000
The Association of Fashion & Advertising Photographers (AFAP, although it later became AFAEP when editorial photographers were embraced) was originally founded in 1968, changing its name to The Association of Photographers in 1993.
 
During the late 1990's the AOP had their gallery and exhibition space at 81 Leonard Street, EC2 and the gallery manager was Alex Steele-Mortimer. Being a self funded 'trade body', resources were extremely limited, although the subject, brief and raw material was fantastically creative.  Alex commissioned Frost Design for the promotional leaflets for quite a long period. They stick in my mind as being incredibly simple, yet because of their powerful use of cropped, interesting images, single colour print and quality paper they had a consistency and quality that stands high today.

The finished size is 210x95mm (roughly a DL format) and is 12pp, folding out to a flat size of 210x570mm.
The format of this leaflet works particularly well as the text concertinas into the folded spine. This works particularly well for this type of leaflet as because it effectively creates a spine and the foredge of text - some leaflets fall open in all directions! This is neat and tight and as a result feels less like a leaflet and more like a piece of less throwaway literature.  
Text on the inside reads at 90degrees to the outer. Some people may disagree but I find this a very easy to read and inviting publication.
 Picture below shows the way the text folds into the spine
The papers used were a variety of the period, and depended on the use of the one colour that they were being printed (don't forget this was a time when one colour litho printing was substantially cheaper than CMYK!). Materials used were Matrisse 140gsm, Modigliani Neve 145gsm, Redeem 100% Recycled 130gsm etc....
The crops of the fantastic images were always good. Below is the cover of June/Sept 97 edition with photograph by Spencer Rowell:
Below is a selection of covers from my collection.
Click on image to enlarge
Creative director was Vince Frost who now runs Frost in Australia. Various designers worked on these jobs in that period but I know for certain that Andrew Collier, Melanie Mues and Sonya Dyakova were responsible for the majority. They are all now independent designers working in London.

Print was offset litho by The House Of Naylor, one of the last printers based in Clerkenwell, they are no longer in existence.

http://www.the-aop.org/
www.muesdesign.com
www.atelierdyakova.com
http://www.frostdesign.com.au/
Posted by Justin Hobson 04.02.2014