Showing posts with label Gardapat 13. Show all posts
Showing posts with label Gardapat 13. Show all posts

Wednesday 15 November 2023

The Rough Stuff Fellowship book

The Rough-Stuff Fellowship was established in a pub near the Welsh/English border in 1955, making it the oldest off-road cycling club in the world. Recently, the club appointed an archivist, and the photos, hand-drawn maps and memories poured in – an unexpected treasure trove of incredible value and beauty. The photos are full of the joy of riding your bike and evocative of a bygone style – of a time when you might set off on a club ride wearing a shirt and tie, a deerstalker or a bobble hat, and no ride was complete without a stop to brew up some tea and smoke a pipe.

In their own quiet, very British way, these men and women were pioneers, pedalling and carrying their bikes and pitching their tents where angels feared to tread. Mountain bikes, gravel bikes, bikepacking – they all followed in the tyre tracks of the RSF. This book celebrates their style and their spirit. It is a document not only of the history of cycling off the beaten track, but of British outdoor culture...
This book is published by Isola Press. Size is 270x210mm, portrait and is section sewn, limp bound in a soft cover. The 208pp text is printed on Gardapat 13, Kiara 135gsm.
For readers not familiar with GardaPat 13, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt - some which incorporate the word matt in the name, but aren't! Apart from the high quality matt surface, this paper has an extraordinarily high bulk (thickness).
There is a 20pp illustrated text section printed on Popset Fawn (below)
It is hard to describe the 'dead flat' mattness that is a characteristic of this coated paper but the print result is totally flat as you might see in the below images...
Gardapat Kiara is a neutral white shade and is perfect for colour reproduction as well as the mono images.
I mentioned about the bulk of this paper and I thought it might be helpful if you could actually see what this means! The 208pp book using Gardapat 13 gives a spine that is 20mm thick, as you can see in the below picture...
The text is printed on Gardapat13, 135gsm which has a bulk (thickness) of 175microns which gives a spine thickness of 20mm (see above pic); but to give you a true comparison, if it were printed on another 135gsm matt paper (example Creator Matt, also made by the same mill group -Lecta) where the bulk is 115microns, it would mean the spine of this book would (only) be around 13mm thick. If you would like to know more about the relationship between gsm and mics, you can read a post I wrote HERE.

Design is by Myfanwy Vernon-Hunt at This Side. Published by Isola Press. Printed by Graphius in Belgium.

You can purchase this beautiful book for only £32 HERE

https://www.isolapress.com/shop/rsf-archives-2

Thursday 13 October 2022

The Wei Ligang Collection

Michael Goedhuis specialises in the best contemporary Asian and Western art. Their collection includes painting, sculpture, ink painting, bronzes and antiquities. They also represent contemporary artists and this brochure is for one such Chinese artist - Wei Ligang.
The size of the publication is 265x216mm, portrait with three hole sewn binding. It has a 4pp cover with 120mm flaps printed on our Colorset (100% Recycled) Dark Grey 270gsm and a 28pp text printed on Gardapat 13 Bianka 150gsm.
Click on images to enlarge
For readers not familiar with GardaPat 13, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt - some which incorporate the word matt in the name, but aren't! Apart from the high quality matt surface, this paper has an extraordinarily high bulk - this 150gsm text with a thickness of nearly 200mics. If you would like to read more about the bulk, you can read it here.

Centre spread...
Detail image showing the exceptional reproduction and three hole sewing...
The text is digitally printed using an HP Indigo digital press and the results are superb, beautifully showing the artworks. As many readers will know, many materials have to be "Sapphire Treated" to work successfully on HP Indigo presses, however this project has been printed without sapphire treatment.
Click on images to enlarge
The 28pp text flows nicely in the hand, feeling substantial but not overly heavy.
Detail of the three hole sewing on the spine......
Detail of the hot foil blocking on the outside front cover.
Design and Art Direction is by Ornan Rotem at Sylph Editions.

Printing and the terrific finishing - which was all achieved in house is by Identity Printers, based in Paddock Wood in Kent.

https://www.michaelgoedhuis.com/
http://www.sylpheditions.com/
http://www.identityprint.co.uk/
Posted by Justin Hobson 13.10.2022

Friday 18 March 2022

GardaPat 13 ...have you seen it?


Fenner Paper became the exclusive UK distributor of a coated paper range called GardaPat 13 back in 2018. Although new to us, it wasn't a new paper, it has been produced for many years (decades even!) and is the top rated paper for use in the production of high quality photographic books by the well known publishers in Switzerland, Germany and Italy.
 
The paper is manufactured by Cartiere del Garda, a paper mill on the shore of Lake Garda in northern Italy.
New Gardapat 13 swatch
So what makes GardaPat 13 different to other coated paper?

To make it easy, I've summarised it in three points here:
  1. It is a genuine, dead flat matt finish.
  2. The "13" means it has a 1.3 bulk, so it feels much, much thicker than other coated papers.
  3. It comes in three shades, KLASSICA, KIARA and BIANKA
Simple as that, it's beautiful paper!

Gardapat BIANKA is the whitest shade in the range. The original KLASSICA has the warmest shade with KIARA having a more neutral white shade. Contrary to popular belief, studies show that using a higher white paper does not improve colour reproduction, so using a neutral white paper actually increases the colour gamut! Using a sophisticated and warm paper is pleasant for the eye to read and perfect for use both in literature for the arts and luxury brands. Both KLASSICA and KIARA are made without the use of Optical Brightening Agents (OBA’s)

The weight range is from 90gsm and goes up to 250gsm (Bianka only up to 150gsm). Now many of you reading this may be thinking 250gsm isn't heavy enough but you would be wrong! This 250gsm is 325microns thick. To put it into context a normal printers 'house silk' in 300gsm is only 280microns! ...therefore GardaPat 250gsm is as bulky as a 350gsm silk!
If you would like a swatch, drop me an email justin@fennerpaper.co.uk
 
Posted by Justin Hobson 18.03.2022

Thursday 22 October 2020

The Ink Art of China

Michael Goedhuis specialises in the best contemporary Asian and Western art. Their collection includes painting, sculpture, ink painting, bronzes and antiquities. They also represent contemporary artists and this catalogue shows the work of Ink Artists.
The size of the publication is 265x216mm, portrait with three hole sewn binding. It has a 4pp cover with 120mm flaps printed on a blue cover board from another well known Hull based paper merchant (!) with a 40pp text printed on Gardapat 13 Kiara 135gsm.
For readers not familiar with GardaPat 13, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt - some which incorporate the word matt in the name, but aren't! Apart from the high quality matt surface, this paper has an extraordinarily high bulk - this 135gsm text with a thickness of 175mics. If you would like to read more about the bulk, you can read it here.
Click on images to enlarge

Detail of the 3 hole sewing in the centre spread...
The text is digitally printed using an HP Indigo digital press and the results are superb, beautifully showing the artworks. As many readers will know, many materials have to be "Sapphire Treated" to work successfully on HP Indigo presses, however this project has been printed without sapphire treatment. 
Detail showing the three hole sewing on the spine...
The 40pp text flows nicely in the hand, feeling substantial but not overly heavy. 
Click on images to enlarge

Design and Art Direction is by Ornan Rotem at Sylph Editions. Printing and the terrific finishing - which was all achieved in house is by Zone Graphics, based in Paddock Wood in Kent. 

Posted by Justin Hobson 22.10.2020

Monday 17 February 2020

The Rough Stuff Fellowship Archive book

The Rough-Stuff Fellowship was established in a pub near the Welsh/English border in 1955, making it the oldest off-road cycling club in the world. Recently, the club appointed an archivist, and the photos, hand-drawn maps and memories poured in – an unexpected treasure trove of incredible value and beauty. The photos are full of the joy of riding your bike and evocative of a bygone style – of a time when you might set off on a club ride wearing a shirt and tie, a deerstalker or a bobble hat, and no ride was complete without a stop to brew up some tea and smoke a pipe.

In their own quiet, very British way, these men and women were pioneers, pedalling and carrying their bikes and pitching their tents where angels feared to tread. Mountain bikes, gravel bikes, bikepacking – they all followed in the tyre tracks of the RSF. This book celebrates their style and their spirit. It is a document not only of the history of cycling off the beaten track, but of British outdoor culture...
This book is published by Isola Press. Size is 270x210mm, portrait and is section sewn, limp bound in a soft cover. The 208pp text is printed on Gardapat 13, Kiara 135gsm.
For readers not familiar with GardaPat 13, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt - some which incorporate the word matt in the name, but aren't! Apart from the high quality matt surface, this paper has an extraordinarily high bulk (thickness).
There is a 20pp illustrated text section printed on Popset Fawn (below)
It is hard to describe the 'dead flat' mattness that is a characteristic of this coated paper but the print result is totally flat as you might see in the below images...
Gardapat Kiara is a neutral white shade and is perfect for colour reproduction as well as the mono images.
I mentioned about the bulk of this paper and I thought it might be helpful if you could actually see what this means! The 208pp book using Gardapat 13 gives a spine that is 20mm thick, as you can see in the below picture...
The text is printed on Gardapat13, 135gsm which has a bulk (thickness) of 175microns which gives a spine thickness of 20mm (see above pic); but to give you a true comparison, if it were printed on another 135gsm matt paper (example Creator Matt, also made by the same mill group -Lecta) where the bulk is 115microns, it would mean the spine of this book would (only) be around 13mm thick. If you would like to know more about the relationship between gsm and mics, you can read a post I wrote HERE.

Design is by Myfanwy Vernon-Hunt at This Side. Published by Isola Press. Printed by Graphius in Belgium.

You can purchase this beautiful book for only £28 HERE

https://www.isolapress.com/shop/rsf-archives-2

Friday 5 January 2018

GardaPat 13

Some exciting news to start 2018...
 
Fenner Paper are now the exclusive UK distributor of a coated paper range called GardaPat 13. Although this is a new product to us, it isn't a new paper, it has been produced for many years and is the top rated paper for use in the production of high quality photographic books by the well known publishers in Switzerland, Germany and Italy.
 
The paper is manufactured by Cartiere del Garda, a paper mill on the shore of Lake Garda in northern Italy.
New Gardapat 13 swatch
So what makes GardaPat 13 different to other coated paper?

To make it easy, I've summarised it in three points here:
  1. It is a genuine, dead flat matt finish.
  2. The "13" means it has a 1.3 bulk, so it feels much, much thicker than other coated papers.
  3. It comes in three shades, KLASSICA, KIARA and BIANKA
Simple as that, it's beautiful paper!

Gardapat BIANKA is the whitest shade in the range. The original KLASSICA has the warmest shade with KIARA having a more neutral white shade. Contrary to popular belief, studies show that using a higher white paper does not improve colour reproduction, so using a neutral white paper actually increases the colour gamut! Using a sophisticated and warm paper is pleasant for the eye to read and perfect for use both in literature for the arts and luxury brands. Both KLASSICA and KIARA are made without the use of Optical Brightening Agents (OBA’s)

The weight range is from 90gsm and goes up to 250gsm (Bianka only up to 150gsm). Now many of you reading this may be thinking 250gsm isn't heavy enough but you would be wrong! This 250gsm is 325microns thick. To put it into context a normal printers 'house silk' in 300gsm is only 280microns! ...therefore GardaPat 250gsm is as bulky as a 350gsm silk!
If you would like a swatch, drop me an email justin@fennerpaper.co.uk
 
http://www.lecta.com/en/cartiere-del-garda
Posted by Justin Hobson 05.01.2018