Showing posts with label Omnia. Show all posts
Showing posts with label Omnia. Show all posts

Tuesday, 4 November 2025

Jobs from the past - Number 182

Regular followers of this blog will know that for my first post of every month I try (but not always!) to publish a "job from the past" so that I can show some of the really good work from years gone by - this project is from 2014

PREEN LINE SS2014

This is the Spring/Summer 2014 look-book for Preen Line, which is the "contemporary line" range with the more economical price tag from London fashion house PREEN.

It's a lovely oversize 333x240mm, portrait, saddle stitched format. It is a 28pp "self cover". This means that it is printed on the same material throughout, so the cover is on the same weight as the text. It works well on this job as it feels really substantial. A big part of that is the format and the fact that it is printed on our Omnia 150gsm, which has a high bulk and therefore you really don't notice that the cover is no heavier ...and, most importantly, the text flows nicely in the hand and lies nice and flat.
As you can see from the images, there is lots of rich colour and blue is prevalent - and it just looks beautiful on the Omnia - just gorgeously even and crisp reproduction. In particular the images with CMYK dark areas - with lots of ink going down, looks great on the Omnia, reproducing bright vibrant colours as well and the darker images as well, whilst retaining all the detail.
Design is by Mark and Chris Thomson at Studio Thomson. Photography is by Nick Dorey and the superb print by Push, although sadly (like many printers) they are no longer in operation.

https://www.preen.eu/
https://www.studiothomson.com/
Posted by Justin Hobson 04.11.2025

Friday, 22 August 2025

Joe Caroff RIP

Joe Caroff died on August 17, just a day short of turning 104 years old. He was an American graphic designer known for film posters and corporate design work and worked on over 300 films. Caroff created the 007 pistol logo for the James Bond movie franchise for which he was allegedly paid only $300. Initially intended for use on film studio letterheads, it went on to become an instantly recognisable piece of branding for the movie franchise. You can read his New York Times obituary here, however even more interesting is an excellent article written by Steven Heller for PRINT magazine in 2021, titled The Most Prolific Designer You’ve Never Heard Of

...and what better time to review these superb invitations produced for Skyfall...

SKYFALL 2012

The James Bond franchise is a global phenomenon and one which over the years has made those involved in the production and marketing a lot of money. However many people may not remember that due to the recession, Bond film number 23 (as Skyfall was then known) was put on hold in 2010 due to lack of cash. Having originally meant to be released in 2011, it was eventually released in October 2012.

Film Premieres of this scale demand lavish and expensive invitations and collateral. In quality terms they must live up to and possibly exceed, the expectations of the forthcoming film.
Below is a small 4pp wallet (with pocket) which is 180mmx107mm, printed offset litho in CMYK plus a gold special colour on Omnia 280gsm with the ticket printed CMYK and hot foil blocked in metallic gold foil on Omnia 280gsm duplexed to 560gsm.  
Click on images to enlarge
The ticket is also hot foil blocked on the reverse.
The launch of this type of film requires several events and these represent tickets for the screenings at The Royal Albert Hall, the Odeon Leicester Square and the after show party at the Tate. As you will notice from the reverse of the wallet (below) the litho printed gold actually looks gold! ..this is a feature of Omnia and where is scores over ordinary uncoated papers.
Below is the ticket for the Odeon Leicester Square which is 99x210mm, Landscape.
The ticket is printed in CMYK plus gloss black foil, which you can hopefully see in the picture below.
This ticket which is also printed on Omnia 280gsm is mounted on our Sumo 2000microns which makes the invitation 2.5mm thick!
Printing is by Identity Print, based in Paddock Wood, Kent and they made a superb job of it - colour reproduction and solids are superb - the hot foil blocking is perfectly executed (Identity are one of the few printers to have hot foil blocking facilities 'in-house')

https://www.identityprint.co.uk/
https://www.007.com/
Posted by Justin Hobson 22.08.2025

Tuesday, 11 March 2025

The Marrakech Collection

Olivia von Halle is a British luxury nightwear brand that launched at London Fashion Week in September 2011. The brand can be found in nearly 100 stores in 20 countries including Harrods, Selfridges, Neiman Marcus, Saks Fifth Avenue and online with Net-a-Porter.com.

Focusing on beautifully cut silk pyjamas in stunning exclusive prints, Olivia von Halle has quickly made a name for itself in the world of high-end nightwear. In 2013 the company was awarded the ‘Blue Butterfly Trust Mark’, which is given to brands and companies that have a positive impact on people and the planet.
This is the look-book for the Marrakech Collection. The publication is sub A4 - 290x205mm, portrait. It is a 16pp self cover format printed on Omnia 150gsm

Unlike many of the fashion look-books featured on this blog, which are printed offset litho, this has been digitally printed on an HP Indigo press. The colours are strong and punchy and the whole publication has a matt, tactile look and feel - in fact I can honestly say, every bit as good as litho!

Click on images to enlarge

Although Omnia was never originally developed for digital, we now keep it as a stock item with "sapphire treatment". This treatment is often applied to more unusual papers and provides a "key" so that the inks (which are different to litho inks) work on the paper surface. The great thing is the job just doesn't look and feel like a digital job. Below is a detail shot showing the excellent fleshtone reproduction.

 The self cover format means that it flows well with the pages turning nicely.

 A nice touch is the use of the white wire for the saddle stitches, in fact so white, you can't see them!

Graphic design is by Michael Knight, who runs his studio in East London called A New Mark. Print and finishing is by Gavin Martin.

https://oliviavonhalle.com/
https://anewmark.com/
https://www.gavinmartin.co.uk/

Posted by Justin Hobson 11.03.2025

Tuesday, 5 November 2024

Jobs from the past - Number 180

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by - this project is from 2014.

Ted Baker "Take the scenic route" Autumn/Winter 2014

This is an exquisite print campaign from Ted Baker, one of the UK's leading clothing brands. Recognised for using interesting themes and stories for its marketing, the company has become a desired designer label through engaging with customers through word of mouth rather than just advertising.
Titled "Take the scenic route" it showcases the Autumn/Winter collection and is shot on location at Pickering station on the classic North Yorkshire Moors Railway. The Pullman steam train evokes a strong period scene in which the clothing and accessories play the central part.
The publication contains womenswear, menswear and accessories "so try something new (at the drop of a stylish hat) and always take the scenic route with Ted."
The paper used throughout is our lovely Omnia text and cover range - 320gsm for the cover and 120gsm for the text. As you can see from the images, there is lots of bright colour and images with CMYK dark areas (especially as it's Autumn/Winter) - lots of heavy coverage going down and it looks great on the Omnia, reproducing bright vibrant colours as well and the dark winter colours, whilst retaining detail in the dark areas. ALSO...solid colours such as the solid black below, look just beautiful, flat, matt and tactile. 
This publication is produced in two sizes, 297x210mm (A4) portrait and 210x148mm (A5) format, both with a 4pp cover and a 72pp text.Perfect bound.
The superb printing was by Absolute Ink in East London who have sadly gone bust since. Design and art direction is by the in house team at Ted Baker.

The front cover and spine is hot foil blocked with metallic silver foil - beautifully done and reinforces the quality of the brand.
Image showing foiling on the spine - spine is about 6mm
 
All in all, this is a superb piece of print. This book also heralds the launch of the wonderfully named "Phormal" range of clothing!

https://www.tedbaker.com/
Posted by Justin Hobson 05.11.2024

Tuesday, 15 October 2024

Wembley Park by Quintain

Quintain are creating a new 85-acre neighbourhood, offering 8.8 million sq ft of mixed-use development, including over 500,000 sq ft of retail and leisure space. When finished, Wembley Park will get over 20 million visitors a year and have an annual retail spend comparable to Ealing Broadway, Camden Town and Victoria.
This stunning brochure is 290x230mm. Printed on Omnia throughout, the solid flat colours and images have reproduced beautifully.
The publication has a 4pp cover and a 40pp text, both on our Omnia, chosen because it would beautifully reproduce the photography with the retail images superbly - without forgetting the fleshtones and of course the solid areas of flat colour ...and it looks wonderful!
The spine is about 10mm and for those reading this who are thinking, that's awfully thick for a 40pp text, you'd be right, but read on...
Yes, it does only have 40pp, but it is lay-flat bound, which as you can see from the below image, lays completely open and totally flat...
So, how does it work? Sheets that have been printed on one side are folded and collated into their book form, which are mounted (glued) back to back to form a book block. The text pages are using Omnia 150gsm which makes each 'page' 370mics thick. The book block has then been bound into the pre-creased cover which forms an open V as there is no glue in the spine, as you can see in the images below...
...and the final spread is this amazingly bright fluorescent orange (printed a special)
The publication is printed offset litho in CMYK plus a special. Print is by Identity Print, based in Paddock Wood with Paul Martin handling the project.

Posted by Justin Hobson 15.10.2024