Wednesday, 8 January 2014

John Bellany: A Passion For Life


This is a private view invitation for a major exhibition titled 'A Passion for Life' devoted to one of Scotland’s most outstanding contemporary artists John Bellany.  Works from a career spanning over fifty years have been brought together in this retrospective exhibition also celebrating his 70th birthday year held at the Scottish National Gallery in Edinburgh, last year. On display were paintings, watercolours, drawings and prints, many of which have rarely, if ever, been exhibited.
The invitations which are printed on our Omnia 320gsm and which (as you can see) faithfully reproduces the detail and of Bellany's work.

This invitation is a 4pp, portrait, A5 (210x148mm) format and is printed offset litho. The colour reproduction is strong and vivid and the whole invitation has a matt, tactile look and feel.
The inside of the invite is printed with a flat red solid with reversed out type. Again, the red solid is dead flat, tactile and looks great.
You can read more about the exhibition here:
http://www.nationalgalleries.org/whatson/exhibitions/john-bellany/

Design and Art direction is by Freytag Anderson, a Glasgow based studio run by creative partners Daniel Freytag and Greig Anderson. A beautifully executed piece of work.

Printed by J. Thompson Colour Printers, who are one of Scotland's leading printers (who co-incidentally have a stunning array of printing presses)

www.nationalgalleries.org
www.freytaganderson.com
http://www.jtcp.co.uk/
Posted by Justin Hobson 08.01.2014

Monday, 6 January 2014

Jobs from the past - Number 51

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Manchester Dogs Home Annual Review
2001-2002

This is a stunningly produced charity annual report. Manchester based agency, The Chase provided creative services for the dogs home on a pro-bono basis which resulted in many great pieces of literature being produced in the early 2000's. This report, under the title, 6,796 Dogs, was produced by the London office of The Chase and was much talked and written about, winning several awards. 
Size of the report is 420x297mm, portrait and is a 28pp 'self-cover' and is unbound. It was produced on our Optimale, Blanc Naturel 120gsm (which sadly is no longer available, since the mill closed).
The superb photography is by Manchester based photographer, Mat Wright.
Above, one of the illustrated images made up using binary code characters.
Picture below, showing the fact that it is unbound - left loose, just like a newspaper:
The report won the DesignWeek Award for Annual Reports in 2003, was nominated for a D&AD award, received a Gold award from the Art Directors Club together with various other accolades and regional awards.

Creative Director on the project was Harriet Devoy at The Chase in London, senior designer was Stephen Royle. Harriet moved to Apple in 2007 and Steve has since returned to his roots in Manchester and is creative director at The Chase in Manchester.
 
The report was printed offset litho by New Leaf Press, based in Manchester who made a beautiful job of printing the project. The project was sponsored by the Co-Operative Insurance Services (CIS) who funded the printing, so it's only fair that over ten years later, they should get some credit. 
Posted by Justin Hobson 06.01.2014

Friday, 3 January 2014

Time to Reflect

Welcome to 2014!

I've received this lovely 'new year' promotion from London based, Magpie Studio. It's an engraved mirror which is encased in a piece of cork, inviting the recipient to take time to reflect on the year gone by and let's face it, we all need some time to reflect....

The size is 190x200mm and the piece of cork is 12mm thick. The piece of mirrored acrylic is 4mm thick, which is sunk, flush fitting, into the cork
Silkscreened on the reverse in white.
...and here are the words:
It arrived, perfectly packaged in a slipcase...
Even though it's not paper related, it's a really nice and beautifully executed piece to start off the new year - thanks for sending it to me.
 
Posted by Justin Hobson 03.01.2014


Monday, 30 December 2013

Fenner Paper 2014 Diary

Just before Christmas, I received a very nice e-mail from Kim Shaylor at London based print management company,  Paper|Scissors| Stone. Kim's e-mail shows a picture of a tired and well loved 2013 diary, next to her brand spanky new 2014 diary, which she had just received. An excellent demonstration of how well used and valued our diary is to her!
If you are a deserving user of our materials, you should have already received your new 2014 diary in the post, here's a sneak preview, if you haven't yet received it.  
 
 
As in previous years, the diary is 230x162mm, portrait and retains the popular 'month to view' format. The cover is one of our new metallic/pearlescent boards with a 'dotty' pattern - drop me a line if you would like samples and our Offenbach Bible 60gsm for the text.
If you haven't yet received a diary and feel you deserve one, please email me.

If you aren't a user of our papers and just fancy one anyway, they are available for purchase, plus packing and postage. E-mail me for prices.

justin@fennerpaper.co.uk
Posted by Justin Hobson 30.12.2013

Friday, 27 December 2013

Corpus Christi Christmas Card

This is the very beautiful Christmas card produced for Corpus Christi College, one of the colleges that makes up the University of Oxford. The card, features a specially commissioned woodcut of college founder, Bishop Fox. The college is building up to it's 500th anniversary, having been founded in 1517. The woodcut is itself, shows a statue of Bishop Fox, erected in 1817 to commemorate the 300th anniversary.
 
It is a 4pp card, 180x130mm, portrait, printed CMYK on the outside, one colour, black on the inside. It is printed on our Colorset Natural 350gsm, which has a warm, off white shade and a tactile, natural feel which works well with the woodcut. Colorset is 100% recycled.
Close up of the woodcut:
Picture showing the reverse of the card with the 500th anniversary motif:
The woodcut is by Jane Randfield, an illustrator and printmaker based in the west country. Here are some pictures of the woodcut in progress from Jane's tumblr site:
Design is by Peloton, who are based at Paintworks in Bristol. Creative director on the project is Karen Bird. Printing is by Taylor Brothers, based in Bristol.
 
...and thanks to Karen for the kind note and file copies:

www.ccc.ac.uk
www.pelotondesign.co.uk
http://janerandfield.tumblr.com/
www.taylorbrothers.uk.com
Posted by Justin Hobson 27.12.2013

Friday, 20 December 2013

Watchtower Blues

In 2008, Peter Saville was reported as saying that Record sleeve art, as a medium was dead. Maybe so in mainstream culture, but there are pockets of people in the creative arts who are still innovating and designing for the record sleeve. This is the sleeve for a 10 inch EP (45rpm) titled Watchtower Blues by The Shooting Stars, a new band described as a western 'n' rockin!

The size of the cover is 270mm square and has been produced by artist and letterpress printer Helen Ingham at Hi-Artz Press (who is also is one of the six band members)  ...and it houses a record in Green Vinyl - very,very cool...
Picture showing front and back covers:
The sleeves have been produced in two colour letterpress (red and green) - yes just two colours! look at the colours, overprinted colour and the tint graduation - pretty impressive stuff.

The sleeve has been produced on our Kapok 500gsm, which is a natural, brown coloured board, very stiff and slightly 'polished' on the surface. The sleeves are folded on one edge and the two other closed edges are sewn in a buff coloured thread:
Helen Ingham is an artist, illustrator and letterpress printer based in Luton. Helen also runs the letterpress workshop at Central St. Martins and is a regular demonstrator at the letterpress workshop at the St Brides Foundation. This record sleeve is just beautifully produced, a really lovely object. Thank you to Helen for sending me a copy.

You can see their debut on the following link:
http://www.youtube.com/watch?v=pNyHQTbYGbY

Records available from:
http://www.rhythmrock-it.com/
Helen Ingham: http://www.hi-artz.co.uk/
Posted by Justin Hobson 20.12.2013

Wednesday, 18 December 2013

Bank of England redefines recycling!

As regular readers of this blog will know, from time to time I write about issues which are of more general interest than just paper and print.  This article concerns paper, print and money....

Today the Bank of England announced that after public consultation it would introduce polymer (plastic) banknotes in 2016.

However it looks like the bank has been involved in some rather dodgy "greenwashing". Don't take my word for it, judge for yourself...

It was only on reading my November issue of Private Eye (No 1353) this weekend, that I actually heard about the introduction of these notes and the Bank of England consultation. Given that I keep my eyes and ears open with regards to paper and print news, it has occurred to me that this hasn't exactly been promoted very widely!
Anyway, you can read the Private Eye article here:
http://www.private-eye.co.uk/sections.php?section_link=in_the_back&issue=1353

Personally I would prefer to keep the existing paper notes as I think they serve us pretty well. Paper is a natural product and so, in general, I would always prefer paper over a synthetic, oil based, product. However, I'm not a complete luddite and so was interested to quickly read the published research.
Chris Salmon

A press release which was the forward of the consultation quotes Chris Salmon, the Bank’s Executive Director, Banking Services and Chief Cashier: “The forthcoming consultations demonstrate the Bank’s commitment to transparency in relation to banknote issues, and are aimed at enhancing awareness and understanding of polymer so that the public can feed into the Bank’s decision in an informed way. I am looking forward to participating in a number of consultation events over the next two months.”

I was looking forward to the transparency, understanding and awareness that the report would shed and approached it with an open mind.

Unfortunately there is one paragraph in the environmental impact document which made my blood boil!

"At the end of their life, current Bank of England banknotes are shredded, compacted and then used with other organic materials in the manufacture of agricultural compost. The Bank will recycle polymer banknotes. There are a number of viable options and we are considering these in more detail. For the purposes of the study we assumed that polymer banknotes would be recycled by creating energy directly from waste in a specially designed plant....."

Yes, you might want to read that underlined sentences again...
Yes, you are correct. Burning the plastic notes (to make energy) has been called RECYCLING!

Some people might look at this as a case of semantics, others (definitely me included) think this is deliberately misleading. This report has been written by the Bank of England, by intelligent, well paid, highly educated, literate people, yet this is the most cynical piece of "greenwash" writing I've ever read! You can read the full report here:
http://www.bankofengland.co.uk/banknotes/polymer/Documents/environmentalimpact.pdf

Now don't get me wrong, I do understand that burning plastics in an efficient and controlled way using the latest combined heat and power (CHP) technology is considered a very environmentally friendly way of disposing of waste, however, burning something surely, CANNOT BE DESCRIBED AS RECYCLING. Even if, in the world of the large eco-cost/benefit analysis companies (which lets face it, is big business these days) they describe burning as recycling, it certainly is NOT what the general public understands by the use of the word.

The problem is that using this potentially misleading sentence in a report makes one doubt the veracity of the rest of the report. This sentence alone, surely overshadows any genuinely positive points about the polymer notes.

Something that is further concerning me is that the Polymer notes are being supported by Two Sides, which is the print and paper industry initiative. They appear to have regurgitated the BofE press release and swallowed the lot! In the Two Sides article on their site they state "polymer banknotes are more environmentally friendly..." sounds like they're stating a fact to me!
http://www.twosides.info/UK/Bank-of-England-Press-Release-On-Polymer-Banknotes
http://files.twosides.info:8080/content/newsPDF_1671.pdf

...as do the BPIF (British Printing Industries Federation
http://www.britishprint.com/page.asp?node=43&action=view_news&tid=8807&sec=hi&page=1

In conclusion: I don't know if the proposed polymer notes are a good idea or not - there are bound to be pros and cons. However I object to the fact that burning plastic is called "Recycling" and no one apart from me seem to be disputing it!

I shall be writing to the Governor of the Bank of England. If you would like to do the same please do.

Further reading:
http://www.innoviasecurity.com/Resources/Guardian-Basics/Guardian-facts-and-figures.aspx
http://www.bankofengland.co.uk/banknotes/polymer/Documents/publicconsultation.pdf
http://www.twosides.info/UK/Bank-of-England-Press-Release-On-Polymer-Banknotes
http://www.chpa.co.uk/what-is-chp_15.html
http://files.twosides.info:8080/content/newsPDF_1671.pdf
http://www.britishprint.com/page.asp?node=43&action=view_news&tid=8807&sec=hi&page=1
Posted by Justin Hobson 18.12.2014