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Design is by The Chase. I think it was printed by the New Leaf Press in Manchester, who have since closed.
Lots of people send me nice stuff which uses interesting materials/finishing/processes (and hopefully some of our papers!). Sadly, I can't get to show these pieces of work to everyone ...so this is the best way to show others what people are up to. It's also my way of thanking those that I work with and take the time and trouble to send me lovely, interesting things. justin@fennerpaper.co.uk
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For those of you not familiar with Colorset, it is our range of coloured text and cover papers which is 100% recycled and more competitively priced than some other well known brands of coloured paper! A few years ago we started to bring in our Colorset range in 350gsm, so we now have ALL colours in 120gsm, 270gsm and 350gsm - all in B1 size (700x1000mm).
For those of you not familiar with Colorset, it is our range of coloured text and cover papers which is 100% recycled and more competitively priced than some other well known brands of coloured paper! Below is the updated swatch:

The size of the calendar is A2 (420x594mm). It is glued at the top edge and is drilled with seven holes for hanging and is "round cornered" as well. There is a page for each week and a total of 53 graphic/typographic designers have chosen their favourite typeface for a given letter and give a brief explanation for their choice - it's a great idea and really well executed.
I'm not going to list all 53 but they include people such as David Pearson, Alan Herron, Mike Dempsey, Jeremy Tankard, Phil Baines, Fernando GutiƩrrez and the list goes on...! Below is the whole lot in one spread which Li Rui kindly sent me.
Barrie Tullett and Philippa Wood who are lecturers at University of Lincoln and who run The Caseroom Press for The Ghost in the Fog (pictured left).
...and the list goes on - The Chase for their marvellous woodblock letters made from chocolate, Studio 8 for FUTU magazine and Henrik and Scott from A2/SW/HK for a clutch of awards.
Here's a very cheerful looking Paulus M. Dreibholz, happy with his well deserved Certificate of Excellence for the poster for the Institute of Architecture in Vienna.
It was an excellent evening which showed a fantastic array of international typographic excellence. It is REALLY important for our industry that we retain societies such as the ISTD and we must take every opportunity to try and encourage membership, thus ensuring their continued viability.


Photography is by Guy Farrow (v.nice!)
The project was handled by Creative Director Steve Royle at The Chase in Manchester. The Designer was Mike Roberts.