'Until the Last Oak Falls'

Today a Kickstarter project was launched which is well worth a look and is worthy of your support...

Adrian Fisk is a photographer/film-maker; his work has featured in the world’s top current-affairs periodicals and he works for top advertising, design and PR agencies and major international brands. He spent five years documenting youth counter-culture against the 1990s socio-political backdrop of environmental protests, illegal raves and anti-globalization. 'Until the Last Oak Falls' contains a collection of powerful, compelling and important photographs, many never seen before, that he made documenting the early days of the British direct action environmental movement from 1995 - 1999.

An essay written by Jay Griffiths (author of Why Rebel) will feature facsimiles of printed protest ephemera from the 90’s. The book will be 160pp and the size is 170mm wide by 240mm high. This format ensures minimal paper wastage and a maximum page size from industry standard paper sheets. You can read lots more about the project HERE.

Design is by Zoë Bather and Linda Byrne.

Launched today with a £16,000 goal ...it's only with your support that this book will happen. Go on - you know you want to!

https://www.kickstarter.com/projects/untilthelastoakfalls/until-the-last-oak-falls?ref=discovery&term=adrian%20fisk

Posted by Justin Hobson 06.10.2021

Jobs from the past - Number 143

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good projects from years gone by and this is from 2014.

The Big Book Bonanza - 2014

This is the  'The Big Book Bonanza' catalogue which showcases the new Autumn releases from HarperCollins publishers. Throughout the publication are wonderful psychedelic Kaleidoscope style illustrations by Emily Forgot. 

Size of the catalogue is 210mm square, saddle stitched. It is printed on our Omnia - 4pp cover on 320gsm and 32pp text on 150gsm.

Click on images to enlarge

The choice of material for this job was important, the reason being that the strong illustrations on the divider pages meant that it had to print solids really well but there's also lots of great commissioned photography included, so it was important to have a material which worked for both without compromising either and as I hope these pictures show, it looks really good.

Click on images to enlarge

The other very good reason that Omnia was chosen was the use of metallic gold pantone 'special' ink. On most traditional uncoated papers, metallics can look flat and with gold can just look a bit brown, but as I hope the below image demonstrates, metallic gold really does look metallic on Omnia.

Design and art direction is by Zoë Bather.

The catalogues are printed offset litho in four colour process plus metallic gold special. Print production was handled by Alan Mountain at Forward Print (sales@forward-print.com)

www.harpercollins.co.uk
www.zoebather.co.uk
http://www.emilyforgot.co.uk/

Posted by Justin Hobson 03.10.2021

No Time to Die

Unless you are a hermit, you could not have missed the fact that the new James Bond film, No Time to Die was released in the UK yesterday. The release has been delayed for 15 months due to the global pandemic.

What better time to review these superb invitations produced for Skyfall, which as you will read below, was also a movie put on hold, although that was due to the financial recession...

SKYFALL 2012

The James Bond franchise is a global phenomenon and one which over the years has made those involved in the production and marketing a lot of money. However many people may not remember that due to the recession, Bond film number 23 (as Skyfall was then known) was put on hold in 2010 due to lack of cash. Having originally meant to be released in 2011, it was eventually released in October 2012.

Film Premieres of this scale demand lavish and expensive invitations and collateral. In quality terms they must live up to and possibly exceed, the expectations of the forthcoming film.

Below is a small 4pp wallet (with pocket) which is 180mmx107mm, printed offset litho in CMYK plus a gold special colour on Omnia 280gsm with the ticket printed CMYK and hot foil blocked in metallic gold foil on Omnia 280gsm duplexed to 560gsm.  

Click on images to enlarge

The ticket is also hot foil blocked on the reverse.

The launch of this type of film requires several events and these represent tickets for the screenings at The Royal Albert Hall, the Odeon Leicester Square and the after show party at the Tate. As you will notice from the reverse of the wallet (below) the litho printed gold actually looks gold! ..this is a feature of Omnia and where is scores over ordinary uncoated papers.

Below is the ticket for the Odeon Leicester Square which is 99x210mm, Landscape.

The ticket is printed in CMYK plus gloss black foil, which you can hopefully see in the picture below.

This ticket which is also printed on Omnia 280gsm is mounted on our Sumo 2000microns which makes the invitation 2.5mm thick!

Printing is by Identity Print, based in Paddock Wood, Kent and they made a superb job of it - colour reproduction and solids are superb - the hot foil blocking is perfectly executed (Identity are one of the few printers to have hot foil blocking facilities 'in-house')

http://www.identityprint.co.uk/
http://www.007.com/

Posted by Justin Hobson 01.10.2021

LCBA at 83% of its goal - 7 days to go!

The London Centre for Book Arts is an artist-run open-access studio and education centre dedicated to all thing books. Simon and Ira founded LCBA in 2012 with the goal of creating a space where artists, designers and the wider community could share resources and expertise to create and edition books and publications – becoming the first and only centre of its kind in the UK. A space open to everyone, regardless of background, education, or experience.

It is a wonderful resource and over the last eight years, it has gone from strength to strength. At Fenner Paper, we collaborated with the LCBA For our 2018 diary. 

However, like many arts organisations and venues, the majority of their funding stream was wiped out overnight due to the pandemic. All workshops were cancelled and the open-access studio remained closed for most of 2020. Luckily, through a combination of support from the community, SPACE Studios, and London Borough of Tower Hamlets, they were able to keep the studio running - to re-open in the future!

They have launched a Kickstarter campaign to reopen LCBA to the public and to create a new exhibition space dedicated to book arts and publishing ...and it's 83% there with just 7 days to go!

They are asking for your help to repair, rebuild and reopen the studio to the public after Covid-19.

Why don't you get a real "feel good" factor and help get the LCBA Over the line with whatever you can afford...

https://www.kickstarter.com/projects/londonbookarts/london-centre-for-book-arts-is-reopening?ref=project_link

Posted by Justin Hobson 30.10.2021

Cabin Fever (3rd Wave)

Cross-disciplinary designer and printmaker, Paul Wolterink works across a range of media, believing "Anything can function as a carrier for information". From his roots as graphic designer, Wolterink's design vision is based on rapid instinctive 'design intuition' resulting in strong communication and simple visual language, that quickly burns on the retina - which is certainly true with this bright fluorescent print!

In Paul's own words...'CABIN FEVER' is created during the 3rd U.K. C19-wave/lockdown (Jan - March 2021) and is printed July 2021, and (despite our noble endless patience) reflects the lockdown-fatigue that struck me during this period. It's a short and vibrant visual scream in response to the challenging times we live(d) in. A real, and perhaps also slightly ironic, cry. After which we focusedly continue our paths again...

The size is 500x271mm and is hand silkscreen in 2 colours printed on our Matrisse 250gsm. An edition of 35 prints only, signed and numbered but produced in three colourways.

Paul goes on to say... Its typeface is 'Shatter' designed by Vic Carless in 1973. A expressive iconic letter that I not used in my work before, simply because there was no reason yet to work with it. But during this l3rd lockdown there was no doubt about it: Shatter HAD TO BE THE typeface to express this fatigue feeling with. Dutch people may know the typeface very well because of an famous album sleeve saying 'SKUNK', from a very popular mid 80s reggae band in the Netherlands named 'Doe Maar'. The print itself is claustophobically tight printed on its paper size. When framed it deliberately boxes the print just about. Sync to its expression 'CABIN FEVER'.

CABIN FEVER prémièred at Houghton Hall in Norfolk in the 'Rock, Paper, Scissors' show, which ended last week.

You can read more about the project and see the other colourways and buy the prints here...

http://portfolio.paulwolterink.com/filter/design/CABIN-FEVER-3rd-Wave

Posted by Justin Hobson 29.09.2021

Paper shortages?

...not quite, but there are some supply issues in the market!

At this time of year, there is usually a seasonal spike in demand, however this year millions of tonnes of commercial and publication papermaking capacity is being taken out of the market. Pulp prices have also increased sharply this year. Earlier this year I wrote about the closure of two StoraEnso mills in Kvarnsveden and Veitsiluoto mills which will actually cease production in the next couple of months, which takes more than a million tonnes of paper production out of the market.

The result is that papers which would normally be available from a mill in 4 weeks may now take 8 or 10 weeks, so planning ahead is a very smart idea!

You can read the Printweek article here...

https://www.printweek.com/news/article/paper-supply-crunch-buyers-urged-to-plan-well-ahead

Posted by Justin Hobson 27.09.2021

New Flora Recycled Swatch

If you aren't familiar with Flora, it is a part recycled text and cover paper with a deliberately recycled look and feel with specks and inclusions, so it looks deliberately flecky and specky. Flora is produced by Cordenons in Italy with 30% post consumer de-inked waste, together with 60% of virgin FSC pulp and with the "secret" ingredient of 10% of cotton fibres, which gives the paper a wonderful tactile feel.

All the shades have the specks and inclusions with the exception of the Gardenia shade which is a "clean" neutral white shade.

The range consists of nine shades in total including Anice, Giglio, Avorio, Tabacco, Noce, Gardenia and three new deeper shades Crusca, Canella and Ginepro.

Below shows the detail of the natural, deliberately visible, inclusions and fibres - this paper has a character all of it's own!

To demonstrate the printability, there is a printed sample produced on the Flora Gardenia 130gsm - which is the shade without the inclusions.

It really is a lovely range. Muted natural colours and excellent printability. Here are some previous projects which have used Flora to great effect: 

http://justinsamazingworldatfennerpaper.blogspot.co.uk/2014/08/lower-mill-estate.html

https://justinsamazingworldatfennerpaper.blogspot.com/2018/02/honest-burgers.html

If you would like one of our swatches, just email me: justin@fennerpaper.co.uk

Posted by Justin Hobson 24.09.2021