ISTD Student Awards 2017

Last Friday, I was invited to  the International Society of Typographic Designers (ISTD) Student awards ceremony, hosted by Pentagram at their wonderful studio in Notting Hill with Pentagram partner, Angus Hyland, presenting the certificates to the successful students and tutors.

It was a beautiful summer evening, and as with all ISTD events it was a very warm and friendly occasion with beer, wine and nibbles all laid on.

This presentation evening is for the main Student Assessment scheme held in the UK and Ireland. Students from Universities and Institutions around the UK and Ireland answered a number of briefs written by the ISTD's Education team. This is an international education scheme and the assessments for other regions of the globe are on-going.

 

Below is ISTD education officer John Paul Dowling talking through the judging process.  

Pentagram partner, Angus Hyland, presented all the certificates and also an excellent goody bag. There were students from universities from all over the country and further afield, with one student from Moscow. The Vincent Steer award, which is the highest accolade, was awarded to Conor Foran a student from NCAD.

Contents of the goody bags was excellent, with items generously supplied by Cass Art and a copy of Logo published and donated by Laurence King.

My thanks to the ISTD board for inviting me and as I have said many times on this blog before, it's very important to support organisations such as the ISTD and events such as this. A big thank you to all those members of the ISTD who freely give their time for the benefit of others, in particular, Freda Sack, who has been such an important figure in the society for so many years.

www.istd.org.uk
www.pentagram.co.uk

Posted by Justin Hobson 10.07.2017



Alan Kitching's A-Z of Letterpress

Yesterday evening I was fortunate to be invited to the book launch of Alan Kitching's A-Z of Letterpress. This new book showcases Alan's extensive wood-letter fount collection that he has collected over the decades and which also celebrates the 25th anniversary of The Typography Workshop.

The book is a collaboration between Kitching and Angus Hyland and the book launch was held at Pentagram. Having devised a page layout together, Alan then set the entire book, printing an original in letterpress at The Typography Workshop, which was then used as artwork to produce the book (which was litho printed in China).

After an introduction by Laurence King, the publisher of the book, Alan gave a brief insight into the project which remarkably took less than a year to complete.

Alan Kitching, Angus Hyland and Laurence King

The hardback book boasts 1352 pieces of type and has 272 pages. Size is 196x152 mm

Images courtesy of Pentagram

You can read more about the book here:
http://new.pentagram.com/2015/04/new-work-alan-kitchings-a-z-of-letterpress/

Thank you to Pentagram and Alan Kitching for inviting me. It was a lovely evening with the usual friendly nature and good hospitality found at Pentagram.

Posted by Justin Hobson 23.04.2015

ISTD Student Awards 2014

Last Friday, I was invited to  the ISTD Student awards ceremony, hosted by Pentagram at their studio in Notting Hill with Pentagram partner, Angus Hyland, presenting the certificates to the successful students and tutors.

It was a beautiful summer evening, and as with all ISTD events it was a very warm and friendly occasion with beer, wine and nibbles all laid on.

This presentation evening was for the main Student Assessment scheme held in the UK and Ireland. Students from Universities and Institutions around the UK and Ireland answered a number of briefs written by the ISTD's Education team. This is an international education scheme and the assessments for other regions of the globe are on-going and in fact on Friday, there were two awards made to students from Sri Lanka.

ISTD organisers and board members, David Coates, Freda Sack and John Paul Dowling (new education director) talked through the judging process and gave their thanks to the tutors, without whom the scheme would surely flounder.

Before the presentation, Angus gave a short inspiring talk about his experiences in graphic design. Each certificate was awarded by Angus Hyland, of which there were over 100 and the students were each given 'goody bags' kindly provided by Cass Art. Fenner Paper also supplied some bags for the tutors (made from our Colorset Lemon 270gsm) which you can see hiding under the table...

Above is Eric Downer being presented with his certificate. Eric is the graduate from University of Portsmouth who won the top award at 'New Designers 2014' that I wrote about on this blog last week - he's had a busy week! (www.eric-downer.co.uk)

My thanks to the ISTD board for inviting me and as I have said many times on this blog before, it's very important to support organisations such as the ISTD and events such as this. A big thank you to all those members of the ISTD who freely give their time for the benefit of others, in particular, Freda Sack, who has been such an important figure in the society for so many years.

www.istd.org.uk
www.pentagram.co.uk

Posted by Justin Hobson 08.07.2014

Jobs from the past - Number 48

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 2008.

Beat IV
The Rime of the Ancient Mariner

Beat is the regular publication produced by illustration agency Heart. This edition is a fully illustrated edition of Samuel Taylor Coleridge’s epic seafaring poem, The Rime of the Ancient Mariner.


Cover illustration by Jimmy Turrell

I've taken the following text from the Heart agency website: "Coleridge is thought to have been inspired to write his metaphysical masterpiece by the tales of the first maritime explorers. The underlying moral of the story is about the power and invisible laws of nature that man disregards at his peril. Whilst today the poem is considered a classic, an archetypal example of early English Romantic literature, when it was first published in 1798 the poem received less than complimentary reviews. Initial sales were put down to sailors, mistakenly thinking it was a book of sea shanties. The visual power of this poem has, however, proved an enduring inspiration for many artists such as Mervyn Peake, Alexander Calder and David Jones amongst others, with perhaps one of the most well known illustrated versions being Gustav Dore’s engravings of 1870. In Heart’s approach to the poem a contemporary rendition of a classic has been created, utilising a design inspired by the graphic language of old books". 



Illustrator: Barry Falls

Throughout the publication, each illustrator has produced a double-page spread to accompany sections of the poem. The whole publication is printed on our Omnia in the Natural shade. The material was chosen because of it's tactile nature and because the natural shade gave it an "aged" feel. The publication was printed CMYK but predominantly the colour used is blue and the Omnia will reproduce a beautifully solid blue.

Illustrator: Luke Best

Illustrator:Tom Gauld

The size of the publication is 330x235mm, portrait and is section sewn. It has a 4pp cover on Omnia Natural 320gsm, around which there is an 8pp "dust jacket" with 155mm flaps on Omnia Natural 150gsm. The 88pp text is printed on Omnia Natural 200gsm, which is very bulky and gives the book a 13mm spine.  

Illustrator: Lucinda Rogers

Illustrator: Adam Simpson

 

Illustrator: Aude Van Ryn

Beat IV is designed by Pentagram. Partner, Angus Hyland, is design director and designers on the project were Kyle Wheeler and Masumi Briozzo. Print and repro was handled by David Holyday.

Beat 4 was selected for the D&AD Annual, Creative Review’s ‘The Annual’ and won the DesignWeek award for Editorial Design. It is an inspired idea and amazingly well executed piece of literature.

www.heartagency.com

www.pentagram.com

d.holyday@googlemail.com

Posted by Justin Hobson 02.10.2013

ISTD Student Awards 2013

On Friday evening I was invited to the ISTD Student awards ceremony, hosted at the lovely Pentagram building in West London. Pentagram partner, Angus Hyland, presented the certificates to the successful students and tutors.

It was a beautiful summer evening, and as with all ISTD events it was a very warm and friendly event with the drinks provided (kindly sponsored by Mike Daines of eLexicons).

Angus Hyland presenting the awards

This presentation evening was for the main Student Assessment scheme held in the UK and Ireland. Students from Universities and Institutions around the UK and Ireland answered a number of briefs written by the ISTD's Education team. Judging took place in March and in total, there were 64 passes, 12 Merits and 5 Commendations. This year, the University of West England (Bristol) had most success, with 18 passes, merits and Commendations. Tutors are Gabriel Solomons and John Paul Dowling.

As a special presentation, Angus Hyland was awarded Fellowship of the ISTD in recognition of his contribution and typographic achievement over the years. The picture shows Angus receiving his certificate, presented by Alan Kitching.

After the presentation, Angus gave a short talk which included a description about his early beginnings as a designer and his start in typography using sheets of his parent's Letraset rub down lettering, sitting at the kitchen table!

 

The Student awards take place over all over the globe throughout the year, the next being the South African Assessments and then the Australasian Assessments covering Australia and New Zealand.

 

My thanks to the ISTD board for inviting me and as I have said many times on this blog before, it's very important to support organisations such as the ISTD and events such as this. A big thank you to all those members of the ISTD who freely give their time for the benefit of others, in particular, Freda Sack, who has been such an important figure in the society for so many years.

www.istd.org.uk
www.pentagram.co.uk

www.elexicons.com

Posted by Justin Hobson 09.07.2013

Beat 5



I've been fortunate enough to have been involved in every issue of the Beat series published by illustration agency Heart. Although the size has remained constant, every issue has been quite different whilst providing an exquisite showcase for their illustrators (...as an example, Beat 4 was designed by Angus Hyland's team at  Pentagram and is a fully illustrated edition the Rime of the Ancient Mariner http://www.heartagency.com/beat/4)

Beat 5 is described as a 'double issue' (at 148pp, it is twice the size of previous editions) and as with previous issues it showcases the work of each artist with words providing an insight into their working methods, inspiration, idiosyncrasies and foibles. Beat 5 is edited by Helen Osborne.

http://www.heartagency.com/artist/LaraHarwood/gallery/1

 

http://www.heartagency.com/artist/JimmyTurrell/gallery/1

http://www.heartagency.com/artist/TomGauld/gallery/1

http://www.heartagency.com/artist/AdamSimpson/gallery/1

 

The size of the publication is 330x235mm, portrait and is section sewn. The 4pp cover is on our Matrisse 350gsm, which is incredibly bulky, uncoated and tactile (really suits the illustration by Lara Harwood). The 148pp text is printed on Neptune Unique FSC 135gsm and looks truly amazing! Neptune is smooth uncoated with a dazzlingly white shade and the illustrations have reproduced amazingly (in no small way, due to the printer as well). 

http://www.heartagency.com/artist/MarionDeuchars/gallery/1

http://www.heartagency.com/artist/EdaAkaltun/gallery/1

http://www.heartagency.com/artist/RoderickMills/gallery/1

http://www.heartagency.com/artist/JosieJammet/gallery/1

http://www.heartagency.com/artist/DarrelRees/gallery/1

The beautifully crafted and considered design is by Jason Godfrey of Godfrey Design. Print production and repro is by David Holyday and the printing, which really is exceptional, is by Gavin Martin Colournet.

 

www.heartagency.com

http://www.godfreydesign.co.uk/

d.holyday@googlemail.com

http://www.gavinmartincolournet.co.uk/

Posted by Justin Hobson 23.05.2013

Jobs from the past - Number 31

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Ballpoint 

Exhibition Catalogue 2004

In 2004, Angus Hyland, a partner at Pentagram's London office, curated an exhibition celebrating 50 years of the Parker ballpoint jotter. Introduced in 1954, the Parker Jotter sold more than 150 million pens worldwide and was Parker's first ever ballpoint pen. Angus's aim was to explore and celebrate the artistic potential of the humble ballpoint pen. His inspiration came from a collection he had begun to make of the doodles and drawings made by his fellow Pentagram partners during their international meetings. A conversation with his wife, the illustrator Marion Deuchars, gave rise to the idea of an exhibition of artwork created using only ballpoint pens. The result was Ballpoint, a collection of works by over 50 fellow creatives from around the world.

I remember that I went along to Pentagram for a meeting with Angus together with Gary Bird from Gavin Martin. Angus briefed us about the project as a whole and the exhibition catalogue in particular. He showed us some of the submitted exhibits including the school desk (see below) which illustrator Billie Jean had submitted - not just a photograph, Billie went out and bought a desk, illustrated it and sent the whole desk to Pentagram - how cool is that!

A spread showing work by Ian Wright and Billie Jean.

The brief was to produce something that had the actual look and feel of a sketchbook rather than something that just reproduced the images. He didn't want a pastiche, just something that felt realistic ...and of course a solution that was also affordable. After discussing pagination and economical formats with Gary, the result is a book of 235x300mm, portrait, saddle stitched. The 72pp text was printed on our Redeem 100% Recycled 130gsm, which has the utilitarian feel but which would reproduce some of the more demanding images really well. The cover is Idaho Blu Sky 275gsm, which has an "excercise book feel" and colour and which worked really well with the blue binding tape that went down the spine. The tape is also used to create a pen holder - there is a full flap on the inside back cover which is glued  down allowing a slot with the loop of tape which cleverly holds the pen.

A spread showing a detail from Roderick Mills’ “The skies are full, 101 aircraft, 101 pens (no.2).”

Work by Angus Hyland and Marion Deuchars.

Invitation to the private view:

Images from the exhibition:

I wasn't sure how I could pick one or two people to highlight in this piece, so I've listed all the contributors here:

Ceri Amphlett, Lorenzo Apicella, Ron Arad, Alan Baker, James Biber, Nicholas Blechman, Anthony Burrill, Margaret Calvert, Nina Chakrabarti, Paul Davis, Mike Dempsey, Ryan Denton, Marion Deuchars, Stephen Doyle, Daniel Eatock, Jonathan Ellery, Sara Fanelli, Alan Fletcher, Jeff Fisher, Jason Ford, Tom Gauld, Michael Gillette, Fernando Gutiérrez, George Hardie, Thomas Heatherwick Studio, Julian House, Sharon Hwang, Angus Hyland, Benoit Jacques, Billie Jean, Kerr Noble, David Lancashire, Uwe Loesch, Ross Lovegrove, Fernando Medina, Abbott Miller, Roderick Mills, Flavio Morais, Christoph Niemann, Woody Pirtle, Shonagh Rae, Lucinda Rogers, Paula Scher, Sophie Smallhorn, Leonardo Sonnoli, DJ Stout, Adrian Taylor, Patrick Thomas, Peter Till, Aude Van Ryn, Ian Wright.

From my point of view, it was a great project to be involved with. It won  many awards including the 2005 DesignWeek Award for Promotional Brochures, the Best in Book Creative Review Annual 2005 and the main award in the Books and Exhibition Catalogues category at the 23rd International Biennial of Graphic Design in Brno in 2008 and probably many other awards I'm not aware of!

A particularly lovely touch (especially from my point of view) is the beautiful way in which our business cards were illustrated on the credits page:

Art direction is by Angus Hyland with artwork by Marion Deuchars. Designer on the project was Charlie Hanson. Charlie has since established her own studio together with Jessie Earle called Studio 10½. The exhibition was co-curated by Steven Bateman, PR and gallery coordinator at Pentagaram, he is now an established and revered wordsmith.

It was beautifully printed and finished by Gavin Martin in London.

If you've got a copy, you're lucky as it's an absolute gem!

http://www.parkerpen.com/
www.pentagram.co.uk
http://mariondeuchars.com/
www.tenandahalf.net
Steven Bateman: http://www.26.org.uk/members.asp?ID=3442
www.gavinmartincolournet.co.uk

Posted by Justin Hobson 04.05.2012