Showing posts with label Digital Printing. Show all posts
Showing posts with label Digital Printing. Show all posts

Thursday 25 June 2020

Stardream Print Processes book

Stardream is a market leading pearlescent and metallic paper range produced by the Cordenons paper mill in Italy. Many designers and printers have become fans of the light irridescent finishes and the dual sided deep metallic finishes which do truly shimmer. Stardream is used for a wide range of applications, including cover, presentation folders, invitations, greetings cards and luxury packaging.

This is the new "Print Processes book" which demonstrates the wide variety of print processes that you can achieve using this paper range.
The cover image is printed offset litho in CMYK on Stardream Copper 285gsm and the result is stunning - just look how good a CMYK image can look, even on a relatively deep shade such as the Copper. What many people forget is the litho inks are transparent, what this means is that if you print on a colour, the colour will come through and it also means that if you print on a pearlescent/metallic substrate, the printed result will be pearlescent/metallic and take on the shimmer of the surface printed on.
The size of the presenter is 230x220mm and the wiro-bound inserts are 210mm square. The first page is hot foil blocked using Foilco Ref 6815 copper foil on Stardream Anthracite 285gsm.
Click on images to enlarge
Page two is is printed using Thermographic printing (thermography) in red and black.
Thermo (as it is commonly called) is a great process and can produce a gloss or matt raised surface. In this instance, the result is a gloss finish, printed on Stardream Rose Quartz 120gsm
Stardream is also suitable for digital print processes and the below rainbow image is printed on Stradream Crystal Digital 240gsm on an HP Indigo Press
The next page is french folded and is lasercut...
Click on images to enlarge
The sample printed on the Stardream Silver (above & below) is just the most simple and yet effective sample. It is printed in just 1 colour offset litho as a halftone (or some people refer to it as a montone) and as mentioned before, because litho inks are transparent, the printed result is pearlescent/metallic and takes on the shimmer of the Stardream surface.
and the grand finale of the book, really is amazing at is is the simplest, yet crazily effective process. The below watchface is digitally printed in white using a dry toner press (this was a Ricoh)
...and here is a detail image
...and below shows the deep blue colour (Stardream Lapislazuli 285gsm) that it was printed on.
Digital white (toner) is an incredibly stunning effect and a very economical price, so it's definitely worth looking into.

My thanks to the paper mill, Gruppo Cordenons for supplying us with the tools to show the Stardream range in the very best light. If you would like one of these new books, please email me: justin@fennerpaper.co.uk

http://www.cordenons.co.uk/
http://www.gruppocordenons.com/en/
Posted by Justin Hobson 25.06.2020

Monday 4 May 2020

Jobs from the past - Number 126

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this publication is from 2017.

Sophie Jung - Come Fresh Hell or Fresh High Water
November 29, 2017 – January 13, 2018

Blain|Southern is a contemporary art gallery with galleries in London and Berlin. It was started in September 2010 by Harry Blain and Graham Southern, who had sold their previous gallery, Haunch of Venison, to Christie's.
 
Sophie Jung was invited by Tom Morton for the second in a series of exhibitions, collectively titled “Lodger”, a new series of exhibitions at Blain|Southern, running concurrent to the exhibitions in the central space, the series expands Blain|Southern’s programme into new territories. “Jung is a storyteller,” says the gallery, “she weaves free-wheeling, deeply idiosyncratic, and sharply funny narratives, which draw on everything from pop culture to philosophy, the idlest of thoughts to the most heartfelt of convictions. Both objects and language are prone to slippage in this work. Form and content is always shifting shape"
 
This is the catalogue for the exhibition... 
Size of the publication is A5 (210x148mm) portrait. The cover is on Heaven 42 170gsm silk coated paper from Sappi and the text is printed on our Offenbach Bible 60gsm.
The text pages are digitally printed in just black, including some images.
Click on images to enlarge
The text comprises 28pp on Offenbach Bible 60gsm plus 4pp inserts on Heaven 42 coated 115gsm as the image below:
The reproduction of the images on the Offenbach Bible 60gsm just in black, mono, is excellent as you can see from the image below.
With such lightweight materials, the thickness of the booklet is 2mm, but as you can see from the image below the spine is nice and neatly creased and folded...
The 28pp text on Offenbach Bible 60gsm is digitally printed on a Ricoh digital press and flops and folds superbly in the hand.
The excellent digital print (on this very lightweight 60gsm paper) is by Identity Print in Paddock Wood. Art direction and design is by Blain|Southern.

https://sophiejung.allyou.net/
https://www.blainsouthern.com/
http://www.identityprint.co.uk/
Posted by Justin Hobson 04.05.2020

Friday 7 February 2020

Herman Miller in Paris

Last year, Herman Miller opened their new office in Rue Saint Augustine in Paris.  Herman Miller needs no introduction to readers of this blog, as they are at the vanguard of ergonomic office furniture, equipment and home furniture. The company works with contemporary designers of the time which, in the past, have included Charles and Ray Eames and more recently Bill Stumpf and Don Chadwick with the now iconic Aeron chair.

This is a beautifully designed and well executed piece of internal communication. To introduce staff to the area and their new community, the design team at Herman Miller created this wonderfully illustrated map which shows the cafes, bars, restaurants and shops in the locality. 
The size of the map is A6 folding out to A3. Below image shows the front...
Folding out to this...
Which then concertina folds out like so...
And the inside reveals this amazing map...
Click on images to enlarge
Design is by Tracy Stone and the wonderful illustrations are by Andy Council. It is digitally printed on our Offenbach Bible by Hampton Printing who are based in Bristol.

https://www.hermanmiller.com/en_gb/
https://www.andycouncil.co.uk/
http://www.hampton-printing.co.uk/
Posted by Justin Hobson 07.02.2020

Monday 25 November 2019

Suntory Craft Cocktails

Founded in 1899, Shinjiro Torii built the House of Suntory with a singular vision: to craft quintessentially Japanese spirits that would suit the delicate palate of his people. Suntory Whisky Toki creates a blended Japanese whisky that is both ground-breaking and timeless. Roku Gin is the first gin from Japan's legendary Suntory, made using six Japanese botanicals that provide a whistle-stop tour of the four seasons. Haku is the premium Japanese craft vodka from the House of Suntory. Made with 100% Japanese white rice, the name Haku means "white" in Japanese.
These craft cocktail menus are A5 (210x148mm) size. The paper chosen is our Modigliani, Candido 260gsm which reflects the tactile, natural subject matter. Modigliani Candido 260gsm - it is a feltmarked paper with a texture reminiscent of a watercolour paper and the finished result is superb...
Click on images to enlarge
...and what you probably wouldn't be able to guess is that these cards have been digitally.printed! They are printed by McAllister Litho in Glasgow using their Konica Minolta bizhub digital press.
Click on images to enlarge
Above, you can see the detail image showing the texture of the paper. This is one of those projects where just choosing the right material that works with the subject and imagery makes these A5 cards a 'stand out piece of print'.

Posted by Justin Hobson 25.11.2019

Friday 13 September 2019

Victorian Blogging ...an exhibition

Yesterday evening, the opening event for the exhibition titled Victorian Blogging opened at the Conway Hall.

Conway Hall is the oldest surviving freethought organisation in the world. The only surviving ethical surviving ethical society in the world, it is named in honour of Moncure Daniel Conway (1832 – 1907), anti-slavery advocate, out-spoken supporter of free thought and biographer of Thomas Paine.
The exhibition is about the humble Pamphlet, the original type of blog. Since the invention of the printing press in the fifteenth century, pamphlets have been used for a variety of purposes – from reports of meetings and court cases to reproducing political speeches, from spreading religious messages to spreading gossip and tall stories – but their great strength lies in the weaponry of their words for political and social protest. Where previously the political elite had been able to easily keep information from the masses, pamphlets opened access to ‘ordinary people’, enabling them to begin to criticise their political and religious masters and demand involvement in the decisions that affected their daily lives.
This exhibition will showcases the key campaigns, movements and agitators represented in Conway Hall Library’s nineteenth-century pamphlet collection. It is part of the Conway Hall's National Lottery Heritage Funded project to digitise the pamphlets and make them freely available online.

This is the publication that accompanies the exhibition. It's an 18pp concertina folded publication, size is 104 x 146mm, folding out to 308 x 438mm.
It is digitally printed on our Redeem 100% Recycled 100gsm and as you can see, the result is superb. The paper is uncoated with a neutral white shade giving the publication a feel which really works with the subject and is sympathetic with the period.
Design is by Gareth Humphreys. Digital printing is by Typecast Colour in Paddock Wood.

You can read more about the exhibition which runs until the end of January here:
https://conwayhall.org.uk/event/victorian-blogging-the-pamphleteers-who-dared-to-dream-of-a-better-world/

Posted by Justin Hobson 13.09.2019

Thursday 16 August 2018

Made of Manchester

Two years in the making this 'Made of Manchester' photo book documents more of Manchester from the photographer, Paul Grogan's, perspective. A limited first edition of only 100 copies, the book is beautifully designed by Manchester based branding and web agency Think Design Manchester.

With a foreword by local Celebrity Chef, Andrew Nutter and a contribution from local wordsmith and poet, David Scott who said of the book, “With a rich history that’s been well-documented I thought I had seen Manchester from every angle; and that’s where the charm of Paul’s photography lies. He captures our city with a fresh perspective; through his use of light, shadows and composition you get to see some our most famous landmarks with an unobserved twist; there are also plenty of surprises in how striking he can make Manchester’s deep-seeded urban decay."
Click on images to enlarge
 
Size of the book is 210mm square and is perfect bound. There is a 4pp cover on Omnia White 280gsm with a 96pp text on Omnia, White 150gsm.
The content has some wonderful spreads, with some wonderfully cropped images and a combination of colour and mono images.
Click on images to enlarge
The 96pp text is bulky but the book still flows well with the pages turning easily.
The 96pp text on 150gsm gives the book a 10mm spine
The book is printed and finished by Manchester's own Galloways Print. As it is a limited edition of just 100 copies, it is printed digitally on their Heidelberg Linoprint, which is a toner based digital press and the result is superb. 
Paul Grogan lives and works in the Manchester area, having also graduated from MMU in 1997 - so he is a Mancunian through and through, giving him this unique perspective of the city. You can buy the book here.
 
Posted by Justin Hobson 16.08.2018