Rowley Atterbury, founder of the Westerham Press, has died this week aged 90.
I was fortunate to have met Rowley a few times at the start of my career in the paper/printing industry and I enjoyed our meetings and still have a letter he wrote me (about "bottom liners" ... he derided printers that sold too cheaply)
Many of you reading this may be wondering why I am writing about this person who many of you will never of heard of. Quite simply, he was one of the most important people in printing, design and typography in the last sixty years.
Rowley Atterbury served in the RAF in WWII and after a short stint at publisher Faber & Faber, he set up the Westerham Press in 1950. I remember him telling me that he set up in the building that had been the old sergeants mess at Biggin Hill aerodrome (but I may have got that wrong).
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| Beatrice Ward 1932 |
Rowley was passionate about printing and of course back in those days printing meant letterpress which was hot metal and therefore print and type (and design) were much more closely linked. He was an advocate of quality and worked and corresponded with the outstanding designers and typographic designers of the time including Beatrice Warde, David Kindersley, Robert Harling, Ruari McLean, Jan Tschihold ...to name but a few.
In those far off days of the 1950's, Letterpress printing was virtually the only print processes and the way in which all books, newspapers or any other kind of print could be put together. The transition to electronic type generation was complicated and, at the outset, very difficult. It came about not least because of Rowley Atterbury's pioneering attitude.
He became involved with a US based company called
Rocappi (Research on Computer Applications to the Printing and Publishing Industries) Inc. which was researching into computerised data processing. Rowley Atterbury was a director of Rocappi along with mathematician Colin Barber and through the British Printing Corporation (BPC) they developed computer generated tape which was the first step on the road to automated typesetting and data processing.An exhibition catalogue for the Goldsmiths' Company in 1965 was the first publication set using the Rocappi system ...the computer-generated tape making it possible to output three columns of type simultaneously without intervention of human hand (as opposed to one column by hand).
In 1965 Westerham Press moved into a state of the art, purpose-built factory in Westerham. There's a chapter in Rowley's book "A good idea at the time?" about the design of the factory being formulated around three core requirements:
- An office to organise and control the output of the factory
- An air-conditioned unit in which computers, cameras, scanners and filmsetting devices could operation in suitable conditions
- A large open-plan machine shop, tall enough for a web offset press with a gas dryer, for the process of printing on paper and finishing the work with various binding production lines. This area to be air-conditioned and humidity-controlled.
Each of these three areas to be independent and capable of development and expansion as techniques changed, without affecting the other two units. How many printing companies would formulate such a grand plan today?
It was not until the late 1960s, when the price of lead became very high, that letterpress printing became obsolescent and Westerham Press invested heavily in offset litho ( ...in a factory designed for letterpress printing but with the versatility to change over to Litho)
He was a fellow of the Royal Society of Arts (RSA) and in 1984 he was awarded the Bicentenary Medal, which over the years has also been awarded to such luminaries as Terence Conran, Wally Olins, Deyan Sudjic, Christopher Frayling, John Sorrell et al. This alone gives some indication as to just how important to our industry he was. He was also a member and one-time president of the Double Crown club and was involved in a huge number of bodies and organisations in the design and printing industry. He wrote Ruari McLean's obituary that appeared in The Guardian in 2006.
Westerham Press was acquired by the financial printing group Burrups in the 1980's (I think?) and subsequently absorbed into the St Ives group and still exists as it's own entity within the group. Rowley Atterbury stayed active in print in the 1990's with the Letterpress equipment that he kept along with his son Francis Atterbury. Francis continues the family tradition, running the Hurtwood Press who are consultants in fine art printing.
He was a goliath in our once great printing industry. He will be sadly missed.
http://www.hurtwoodpress.com/
http://www.westerhampress.co.uk/
http://www.printweek.com/news/1063003/Westerham-Press-founder-Atterbury-dies/
Posted by Justin Hobson 31.03.2011
Today, I was lucky enough to attend the BN International annual event, which this year was a luncheon cruise on the river Thames. It was hosted by BNI, FJ Ratchford and Société d Enduction et de Flockage (SEF).
Now for those of you not familiar with the names of these compan-ies, they are mainly involved with materials for bookbinding, covering and all things mounted. Product names that you may have heard of but which may not realise are from these suppliers are Balacron, Reflections Bookcloth, Windsor and Colorado rayon cloths and of course, our own Flockage!
Most of the invited throng were customers involved in the covering industry, bookbinders, boxmakers, printers etc. Here I am talking to Roy Eve, organiser of the event and BNI head honcho in the UK.
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