Sad demise of The Colourhouse

On Friday, Printweek reported that The Colourhouse, a London based printing company, has gone into liquidation (in laymans terms that means they've gone bankrupt).

http://www.printweek.com/print-week/news/1140263/runs-colourhouse

It's very sad news as they have been an excellent quality print company in the design and corporate sector. Over the years, they won many printing awards and accolades, including many PrintWeek and Printing World awards as well as a fair share of the various paper company awards that used to take place in the 90's

The Colourhouse was started in 1993 and it's beginnings, certainly were colourful! In the  1980/1990's there was a printer called Litho-Tech based in Bermondsey Street and they were among the printing elite, along with such names as CTD, Oakley Press, Balding & Mansell, Summerhall Press, Westerham Press etc. that were producing really excellent print for the corporate print market, notably design lead, Annual Report & Accounts.

In 1993 a vacant unit opposite Litho-Tech came up for lease and there was much speculation as to who would be moving in. The power was connected, there were rumours that a printers was moving in, but little did Paul Watson (MD of Litho-Tech) realise that it was some of his staff that would walk across the yard and set up The Colourhouse from a standing start!

Scotty (Malcolm Cooper), the owner of repro company Scott Colour (which produced Litho-Tech's repro, film and plates) production director Terry Rudd and salesman David May formed the backbone of the new company which started printing virtually immediately. The Colourhouse quickly gained a reputation for high quality print and produced many annual reports. Litho-Tech who were not happy with their new neighbours, moved to Kennington Park and The Colourhouse ruled Bermondsey for the remainder of the 90's.

David May was ousted in 1997 with Mike Roberts and David Arkell taking over responsibility for sales. Having outgrown the factory in Bermondsey they moved to Deptford in 2002 and expanded with more presses, finishing equipment and a bigger sales force.

In the late 2000's, they commissioned a new identity by Sea with photography by Simon Phipps. Further investments in press technology culminated at the end of last year with a brand new  Heidelberg Speedmaster XL106 being installed. In line with many commercial printers, they have seen tough times in recent years and also had the misfortune of having taken a sizeable bad debt last year with the collapse of a charity marketing agency, CSDM.

Nearly one hundred jobs have been lost which is terrible for all those involved and there will be a long list of creditors who will never be paid. It marks the sad demise of one of the last, large, London based printers.

http://www.printweek.com/print-week/news/1140263/runs-colourhouse

 

Posted by Justin Hobson 04.11.2013

Westerham Press set to close

St Ives has announced the closure of the award-winning report and accounts and fine art printer St Ives Westerham Press (together with its Blackburn print site). Although it has been phrased as an "intention to close" (because of employment legislation) it is certain that it will close, thus marking an end to a sixty year history.

Westerham Press has been one of the most important offset litho sheet-fed printers in the UK, both from an innovation and quality point of view, since I have been involved in the industry. This move signals the further diversification of the St Ives group away from the core activity of printing.

The full article on Printweek is here:
http://www.printweek.com/Business/article/1103549/St-Ives-Direct-announces-Westerham-Press-Blackburn-closures/

Earlier in the year I wrote about the passing away of the founder of Westerham Press:
http://justinsamazingworldatfennerpaper.blogspot.com/2011/03/rowley-atterbury-printer.html

Sadly, there is little positive news in the print (or paper) industry at the moment.
http://www.westerhampress.co.uk/westerham
http://www.st-ives.co.uk

Posted by Justin Hobson 10.11.2011

Rowley Atterbury - Printer

© Granville Davies
http://www.gdphoto.org.uk/

Rowley Atterbury, founder of the Westerham Press, has died this week aged 90.

I was fortunate to have met Rowley a few times at the start of my career in the paper/printing industry and I enjoyed our meetings and still have a letter he wrote me (about "bottom liners" ... he derided printers that sold too cheaply)

Many of you reading this may be wondering why I am writing about this person who many of you will never of heard of. Quite simply, he was one of the most important people in printing, design and typography in the last sixty years.

Rowley Atterbury served in the RAF in WWII and after a short stint at publisher Faber & Faber, he set up the Westerham Press in 1950. I remember him telling me that he set up in the building that had been the old sergeants mess at Biggin Hill aerodrome (but I may have got that wrong).


Beatrice Ward 1932

Rowley was passionate about printing and of course back in those days printing meant letterpress which was hot metal and therefore print and type (and design) were much more closely linked. He was an advocate of quality and worked and corresponded with the outstanding designers and typographic designers of the time including Beatrice Warde, David Kindersley, Robert Harling, Ruari McLean, Jan Tschihold ...to name but a few.

In those far off days of the 1950's, Letterpress printing was virtually the only print processes and the way in which all books, newspapers or any other kind of print could be put together. The transition to electronic type generation was complicated and, at the outset, very difficult. It came about not least because of Rowley Atterbury's pioneering attitude.

He became involved with a US based company called Rocappi (Research on Computer Applications to the Printing and Publishing Industries) Inc. which was researching into computerised data processing. Rowley Atterbury was a director of Rocappi along with mathematician Colin Barber and through the British Printing Corporation (BPC) they developed computer generated tape which was the first step on the road to automated typesetting and data processing.

An exhibition catalogue for the Goldsmiths' Company in 1965 was the first publication set using the Rocappi system ...the computer-generated tape making it possible to output three columns of type simultaneously without intervention of human hand (as opposed to one column by hand).

In 1965 Westerham Press moved into a state of the art, purpose-built factory in Westerham. There's a chapter in Rowley's book "A good idea at the time?" about the design of the factory being formulated around three core requirements:

• An office to organise and control the output of the factory
• An air-conditioned unit in which computers, cameras, scanners and filmsetting devices could operation in suitable conditions
• A large open-plan machine shop, tall enough for a web offset press with a gas dryer, for the process of printing on paper and finishing the work with various binding production lines. This area to be air-conditioned and humidity-controlled.

Each of these three areas to be independent and capable of development and expansion as techniques changed, without affecting the other two units. How many printing companies would formulate such a grand plan today?
It was not until the late 1960s, when the price of lead became very high, that letterpress printing became obsolescent  and Westerham Press invested heavily in offset litho ( ...in a factory designed for letterpress printing but with the versatility to change over to Litho)

He was a fellow of the Royal Society of Arts (RSA)  and in 1984 he was awarded the Bicentenary Medal, which over the years has also been awarded to such luminaries as Terence Conran, Wally Olins, Deyan Sudjic, Christopher Frayling, John Sorrell et al. This alone gives some indication as to just how important to our industry he was. He was also a member and one-time president of the Double Crown club and was involved in a huge number of bodies and organisations in the design and printing industry. He wrote Ruari McLean's obituary that appeared in The Guardian in 2006.

Westerham Press was acquired by the financial printing group Burrups in the 1980's (I think?) and subsequently absorbed into the St Ives group and still exists as it's own entity within the group. Rowley Atterbury stayed active in print in the 1990's with the Letterpress equipment that he kept along with his son Francis Atterbury. Francis continues the family tradition, running the Hurtwood Press who are consultants in fine art printing.
He was a goliath in our once great printing industry. He will be sadly missed.

http://www.hurtwoodpress.com/
http://www.westerhampress.co.uk/
http://www.printweek.com/news/1063003/Westerham-Press-founder-Atterbury-dies/

Posted by Justin Hobson 31.03.2011