dzek

Marmoreal is an engineered marble for architectural surfaces developed by Dzek in collaboration with the British designer Max Lamb. The graphic and immersive visual qualities of this engineered marble have also been harnessed in pieces of furniture, developed to illustrate the material’s capabilities beyond the typical two-dimensional expressions common to architectural surfaces.

This piece of literature works as both product information guide and promotional poster. Size is 838 x 590mm folding down to 148mm square. It folds into a 40pp broadsheet with an additional 8pp of 100mm high flaps.

It is concertina folded both horizontally and vertically as you can see in birdseye image below... The whole publication is printed offset litho on our Offenbach Bible 60gsm and it looks and feels absolutely gorgeous - it flops and folds in a delightful way when handling the publication as I hope these images demonstrate.

which folds out flat as below

The below image shows the way it concertina's from top to bottom (vertical folds) before folding horizontally.

The striking Marmoreal poster, which shows this amazing material...

Reverse, with details about the material together with images and the items of furniture made using Marmorial.

Photography is by Frank Hülsbömer. The publication is printed offset litho in CMYK and the colour reproduction on the Offenbach Bible is excellent, as you can see in the detail image below.

Field Projects, a London based studio, is responsible for the superb art direction and design. Creative Director on the project is Tom Watt.

...and many thanks for Tom for kindly sending me file copies and a lovely note.

https://dzekdzekdzek.com/marmoreal#marmoreal
http://maxlamb.org/157-marmoreal/
http://www.field-projects.com/
https://www.frankhuelsboemer.de/

Posted by Justin Hobson 14.07.2020

Jack Davison Posters

This is a superb set of three A1 posters produced for the book launch of ‘Photographs’, by Jack Davison, at the New York Book Fair last September...

Jack Davison is a young English photographer who has an enviable reputation and client list including British Vogue, New York Times Magazine, Hermes, Burberry, Modern Weekly China, Nike, Margaret Howell and many more...

The launch at the book fair is Jack's first book, hence the production of posters for the book signing. The book is published by Loose Joints.

These A1 size posters are designed by Matt Willey and the really smart thing about them is that the posters can be arranged side by side, in any order, ad infinitum.

The posters are printed on our new weight of Offenbach Bible in 80gsm and are printed Offset litho in 2 colours - a Duotone combining Black and Pantone 485 red by Principal Colour in the UK.

If you aren't familiar with Offenbach Bible, it is the most wonderful sheet of paper. A genuine 'Bible Paper' means that it has a high opacity (for a light weight) archival quality and excellent strength. It also prints beautifully as you can see from the many other projects appearing on this blog. Originally available in 40, 50 and 60gsm, we have now introduced a heavy weight ...80gsm!

An edition of 200 of these posters is available through Loose Joints publishing with all proceeds from the sales of the posters going to Amazon Watch.

Matt Willey is now a partner at Pentagram in New York and kindly took a picture for me, showing the posters on display at the NY studio, sadly devoid of people due to the current lockdown...

Jack Davison is represented by Mini Title and the book was published by Loose Joints.

If you would like a samples of our lovely Offenbach Bible, just drop me an email:
justin@fennerpaper.co.uk

https://www.jackdavison.co.uk/
http://www.minititle.com/artists/jackdavison/
https://mattwilley.co.uk/

Posted by Justin Hobson 29.05.2020 

Jobs from the past - Number 126

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this publication is from 2017.

Sophie Jung - Come Fresh Hell or Fresh High Water
November 29, 2017 – January 13, 2018

Blain|Southern is a contemporary art gallery with galleries in London and Berlin. It was started in September 2010 by Harry Blain and Graham Southern, who had sold their previous gallery, Haunch of Venison, to Christie's.

 

Sophie Jung was invited by Tom Morton for the second in a series of exhibitions, collectively titled “Lodger”, a new series of exhibitions at Blain|Southern, running concurrent to the exhibitions in the central space, the series expands Blain|Southern’s programme into new territories. “Jung is a storyteller,” says the gallery, “she weaves free-wheeling, deeply idiosyncratic, and sharply funny narratives, which draw on everything from pop culture to philosophy, the idlest of thoughts to the most heartfelt of convictions. Both objects and language are prone to slippage in this work. Form and content is always shifting shape"

 

This is the catalogue for the exhibition... 

Size of the publication is A5 (210x148mm) portrait. The cover is on Heaven 42 170gsm silk coated paper from Sappi and the text is printed on our Offenbach Bible 60gsm.

The text pages are digitally printed in just black, including some images.

Click on images to enlarge

The text comprises 28pp on Offenbach Bible 60gsm plus 4pp inserts on Heaven 42 coated 115gsm as the image below:

The reproduction of the images on the Offenbach Bible 60gsm just in black, mono, is excellent as you can see from the image below.

With such lightweight materials, the thickness of the booklet is 2mm, but as you can see from the image below the spine is nice and neatly creased and folded...

The 28pp text on Offenbach Bible 60gsm is digitally printed on a Ricoh digital press and flops and folds superbly in the hand.

The excellent digital print (on this very lightweight 60gsm paper) is by Identity Print in Paddock Wood. Art direction and design is by Blain|Southern.

https://sophiejung.allyou.net/
https://www.blainsouthern.com/
http://www.identityprint.co.uk/

Posted by Justin Hobson 04.05.2020

Fault Lines

Freelands Foundation was founded by Elisabeth Murdoch and is based in Camden, London. The Foundation is run by Managing Director, Melanie Cassoff and Creative Director, Henry Ward. The Foundation’s mission is to support artists and cultural institutions, to broaden audiences for the visual arts and to enable all young people to engage actively with the creation and enjoyment of art.

Fault Lines is the title of the exhibition held at the foundation last year. Curated by Freelands Artist Programme Curator, Edward Ball, the show connected work from four UK-based artists whose sculptural works, and the material processes that underpin them, suggest a ripple of instability in their very foundations.

This is the literature produced to support the exhibition. The portrait format publication which consists of a 16pp outer text (186x124mm) on Offenbach Bible 60gsm and you can see the show through working positively with the word 'Lines' showing through...

The 12pp inner section is A5 (210x148mm) and is used to shows the work. The birdseye view below, shows the smaller outside text with the A5 inner.

The binding is saddle stitched, so it opens nice and flat. The outer text section on Offenbach Bible is printed in just one colour, which is a pantone special, in green.

The inner text section is printed offset litho in CMYK plus a special pantone (green) on our StarFine White 170gsm, an uncoated text paper which has printed beautifully, with the solid and the images looking brilliant.

The below image shows the superbly finished saddle stitching, nice neat and flat...

There are many posts on this blog, showing work printed on Offenbach Bible 60gsm which has lots of four colour, solid colours and really demanding printing. Arguably, this job, with just one colour type printed both sides, demonstrates more what Offenbach Bible is produced for. Genuine bible papers, are produced with exceptional opacity, good strength and archival quality. This publication shows just how good the opacity is and is just as demanding as many jobs which are covered in colour and images. The type looks exquisite - surely the combination of the typeface, the printing and the paper.

The whole publication flows beautifully - an inside out job in may ways with the heavier material on the inside and the lighter material on the outside.

The publication is designed by Utile. Creative Director is Nicholas Duggins and designer is William Lyall. Print is by Identity Print, based in Paddock Wood with Paul Martin handling the project.

You can read more about the exhibition here.

https://www.freelandsfoundation.co.uk/
https://utile.studio/
http://www.identityprint.co.uk/

Posted by Justin Hobson 21.04.2020

ARKET Launch

ARKET is a modern-day market offering essential products for men, women, children and the home. ARKET’s mission is to democratise quality through widely accessible, well-made, durable products, designed to be used and loved for a long time. ARKET opened its first store on Regent Street, London in August 2017 and this is the launch invitation...

Size of the invitation is 148x105mm, which is concertina folded out to a finished size of 592x420mm. Below is a birds eye view...

Click on images to enlarge

The invitation is printed offset litho on our Offenbach Bible 60gsm ...and it looks and feels absolutely superb - it flops and folds in a delightful way when handling as I hope these images demonstrate. The above image shows the way it concertina's from top to bottom.
First fold, which concertina's out to 148x420mm

Fully unfolded to form a 32pp broadsheet...

The invitation is printed in just black, offset litho on one side only, although you might just be able to see ARKET as a shadow in the top quarter, which I hope you will be able to see better in the pictures below...

Click on images to enlarge

It is a very subtle effect, so how is it created? …the white letters are silkscreen printed by K2 Screen. Mathias Clottu worked with Mark Jenkins at K2 to create a bespoke white colour to match the tone of Offenbach Bible -  a pure white silkscreen would have been too visible. The below image shows the silkscreened reverse.

The below image shows how it looks with light behind it, although it was the subtlety of the matching white shade that was required and which works so beautifully on the finished piece...

Design is by Mathias Clottu Studio. Litho printing is by Xtraprint, silkscreen is by K2 Screen and it was concertina folded by ABS Finishers.

https://www.arket.com/
https://hmgroup.com/brands/arket.html
https://www.mathiasclottu.com/

http://www.xtraprint.co.uk/
http://www.k2screen.co.uk/

Posted by Justin Hobson 02.04.2020