Freelands Foundation was founded by Elisabeth Murdoch and is based in Camden, London. The Foundation is run by Managing Director, Melanie Cassoff and Creative Director, Henry Ward.
The
Foundation’s mission is to support artists and cultural institutions, to broaden audiences for the visual arts and to enable all young people to engage actively with the creation and enjoyment of art.
Fault Lines is the title of the exhibition held at the foundation last year. Curated by Freelands Artist Programme Curator, Edward Ball, the show connected work from four UK-based artists whose sculptural works, and the material processes that underpin them, suggest a ripple of instability in their very foundations.
This is the literature produced to support the exhibition. The portrait format publication which consists of a 16pp outer text (186x124mm) on Offenbach Bible 60gsm and you can see the show through working positively with the word 'Lines' showing through...
The 12pp inner section is A5 (210x148mm) and is used to shows the work. The birdseye view below, shows the smaller outside text with the A5 inner.
The binding is saddle stitched, so it opens nice and flat. The outer text section on Offenbach Bible is printed in just one colour, which is a pantone special, in green.
The inner text section is printed offset litho in CMYK plus a special pantone (green) on our StarFine White 170gsm, an uncoated text paper which has printed beautifully, with the solid and the images looking brilliant.
The below image shows the superbly finished saddle stitching, nice neat and flat...
There are many posts on this blog, showing work printed on Offenbach Bible 60gsm which has lots of four colour, solid colours and really demanding printing. Arguably, this job, with just one colour type printed both sides, demonstrates more what Offenbach Bible is produced for. Genuine bible papers, are produced with exceptional opacity, good strength and archival quality. This publication shows just how good the opacity is and is just as demanding as many jobs which are covered in colour and images. The type looks exquisite - surely the combination of the typeface, the printing and the paper.
The whole publication flows beautifully - an inside out job in may ways with the heavier material on the inside and the lighter material on the outside.
The publication is designed by
Utile. Creative Director is Nicholas Duggins and designer is William Lyall. Print is by
Identity Print, based in Paddock Wood with Paul Martin handling the project.
You can read more about the exhibition
here.
https://www.freelandsfoundation.co.uk/
https://utile.studio/
http://www.identityprint.co.uk/
Posted by Justin Hobson 21.04.2020
This is a really lovely piece of sales literature designed to work as a handout or a mailing piece. It has a lovely quality feel and is produced with high production values which show throughout.
The Crown Estate is an independent commercial business, created by Act of Parliament. They invest in and manage some of the UK's most important assets and have a diverse portfolio of UK buildings, shoreline, seabed, forestry, agriculture and common land. The business generates valuable revenue for the government and over the last 10 years has contributed £2.6 billion.
Creative Print is manufactured by Euler in Germany, which is part of the Koehler Paper Group. The range carries the "Blue Angel" certification. Introduced in 1978, the Blue Angel scheme is the oldest ecolabel in the world, and it covers some 10,000 products in some 80 product categories. The scheme is rigorously policed and gives total credibility to any product that is awarded the label, which I'm sure is just one very good reason that this paper was chosen to print this report on. Below is the credit page which appears in the back of the report which references the Blue Angel accreditation. 
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