Jobs from the past - Number 126

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this publication is from 2017.

Sophie Jung - Come Fresh Hell or Fresh High Water
November 29, 2017 – January 13, 2018

Blain|Southern is a contemporary art gallery with galleries in London and Berlin. It was started in September 2010 by Harry Blain and Graham Southern, who had sold their previous gallery, Haunch of Venison, to Christie's.

 

Sophie Jung was invited by Tom Morton for the second in a series of exhibitions, collectively titled “Lodger”, a new series of exhibitions at Blain|Southern, running concurrent to the exhibitions in the central space, the series expands Blain|Southern’s programme into new territories. “Jung is a storyteller,” says the gallery, “she weaves free-wheeling, deeply idiosyncratic, and sharply funny narratives, which draw on everything from pop culture to philosophy, the idlest of thoughts to the most heartfelt of convictions. Both objects and language are prone to slippage in this work. Form and content is always shifting shape"

 

This is the catalogue for the exhibition... 

Size of the publication is A5 (210x148mm) portrait. The cover is on Heaven 42 170gsm silk coated paper from Sappi and the text is printed on our Offenbach Bible 60gsm.

The text pages are digitally printed in just black, including some images.

Click on images to enlarge

The text comprises 28pp on Offenbach Bible 60gsm plus 4pp inserts on Heaven 42 coated 115gsm as the image below:

The reproduction of the images on the Offenbach Bible 60gsm just in black, mono, is excellent as you can see from the image below.

With such lightweight materials, the thickness of the booklet is 2mm, but as you can see from the image below the spine is nice and neatly creased and folded...

The 28pp text on Offenbach Bible 60gsm is digitally printed on a Ricoh digital press and flops and folds superbly in the hand.

The excellent digital print (on this very lightweight 60gsm paper) is by Identity Print in Paddock Wood. Art direction and design is by Blain|Southern.

https://sophiejung.allyou.net/
https://www.blainsouthern.com/
http://www.identityprint.co.uk/

Posted by Justin Hobson 04.05.2020

Fault Lines

Freelands Foundation was founded by Elisabeth Murdoch and is based in Camden, London. The Foundation is run by Managing Director, Melanie Cassoff and Creative Director, Henry Ward. The Foundation’s mission is to support artists and cultural institutions, to broaden audiences for the visual arts and to enable all young people to engage actively with the creation and enjoyment of art.

Fault Lines is the title of the exhibition held at the foundation last year. Curated by Freelands Artist Programme Curator, Edward Ball, the show connected work from four UK-based artists whose sculptural works, and the material processes that underpin them, suggest a ripple of instability in their very foundations.

This is the literature produced to support the exhibition. The portrait format publication which consists of a 16pp outer text (186x124mm) on Offenbach Bible 60gsm and you can see the show through working positively with the word 'Lines' showing through...

The 12pp inner section is A5 (210x148mm) and is used to shows the work. The birdseye view below, shows the smaller outside text with the A5 inner.

The binding is saddle stitched, so it opens nice and flat. The outer text section on Offenbach Bible is printed in just one colour, which is a pantone special, in green.

The inner text section is printed offset litho in CMYK plus a special pantone (green) on our StarFine White 170gsm, an uncoated text paper which has printed beautifully, with the solid and the images looking brilliant.

The below image shows the superbly finished saddle stitching, nice neat and flat...

There are many posts on this blog, showing work printed on Offenbach Bible 60gsm which has lots of four colour, solid colours and really demanding printing. Arguably, this job, with just one colour type printed both sides, demonstrates more what Offenbach Bible is produced for. Genuine bible papers, are produced with exceptional opacity, good strength and archival quality. This publication shows just how good the opacity is and is just as demanding as many jobs which are covered in colour and images. The type looks exquisite - surely the combination of the typeface, the printing and the paper.

The whole publication flows beautifully - an inside out job in may ways with the heavier material on the inside and the lighter material on the outside.

The publication is designed by Utile. Creative Director is Nicholas Duggins and designer is William Lyall. Print is by Identity Print, based in Paddock Wood with Paul Martin handling the project.

You can read more about the exhibition here.

https://www.freelandsfoundation.co.uk/
https://utile.studio/
http://www.identityprint.co.uk/

Posted by Justin Hobson 21.04.2020

Toast - The Making of a Pioneer

TOAST began with loungewear and nightwear, designed in a farmhouse in Wales. Founded by James and Jessica Seaton in 1997, the collections reflected a sense of ease and a slower, more thoughtful way of life.

Today, led by Suzie de Rohan Willner, TOAST creates and curates simple, functional, beautiful clothing and homeware. TOAST has shops throughout the UK and can be found in concept stores across the US and Europe. With studios in both London and Swansea, TOAST continues to design and develop all collections in-house and is proud to be one of the few fashion brands with its own full pattern room – lined with calico toiles and full of pins, papers, chalks and spools of thread, it is a true place of making.

This publication is their wonderful look-book for the AW19 collection titled The Making of a Pioneer and begins with this preface:

Click on images to enlarge

The look-book is A4 size (297x210mm) portrait, saddle stitched with a 90pp text and is printed offset litho in CMYK throughout. 

The superb photography of Jo Metson Scott appears throughout the publication...

The reproduction is excellent as you can see from the image below, you can even see the detail in the dark areas of CMYK

The 90pp text is printed on Shiro Echo, White 90gsm which is 100% recycled and FSC accredited and as you can see, it works just beautifully...

Throughout the publication there are essays, including this one about Eva Hesse written by Corinne Julius

Click on images to enlarge

...and an article titled Inside the Kew Herbarium written by Matt Collins, with photography by Kendal Noctor.

House and Home photography is by Noemie Reijnen.

It's hard to know where to stop, these spreads are just so good, the mono image (reproduced in CMYK) is superb.

The look-book flops and folds in the hand beautifully...

Creative Director is Luciana Newell, who's work has appeared on this blog before. Graphic designer is Mia Shurey. The excellent print and finishing is by Westdale Press, based in Cardiff.

A superbly produced publication; art direction, photography, design, writing and printing is all truly excellent.

https://www.toa.st/uk/

http://www.westdale.co.uk/
http://www.jometsonscott.com/

Posted by Justin Hobson 16.04.2020

The SPAB Approach

The Society for the Protection of Ancient Buildings was founded by William Morris in 1877. The organisation was established in response to the work of Victorian architects whose enthusiasm for harmful restoration caused irreparable damage. Today the SPAB encourages excellence in new design to enrich and complement the built historic environment. They train new generations of architectural professionals and building craftspeople to shape this landscape with sensitivity and skill, and play a statutory role as adviser to local planning authorities.

This beautifully designed publication serves as the introduction to the society and gives insight into the historical background, conservation philosophy and is the first major manifesto publication.

Size is 240x190mm, portrait and is saddle stitched. The 4pp cover is on Colorset Natural 170gsm with a 24pp text on Redeem 100% Recycled 100gsm.

Click on images to enlarge

Redeem 100% Recycled is a neutral white shade and really works with the subject matter, both with the images and most importantly, the pages which are purely type...

Click on images to enlarge

Spine is neatly creased and saddle stitched. The booklet is printed offset litho by Herald Graphics who are based in Reading.

The cover printed on Colorset Natural 170gsm has a wonderful image of a wood engraving printed on the outside and this really works with the tactility of the 100% Recycled paper...

A really lovely feature is the debossed 'plate sunk' panel in the cover, which I hope you can make out in the image below.

It's a lovely touch that perfectly finishes this superbly crafted publication. Graphic design and typography is by Sara Chapman at the letter g.

https://www.spab.org.uk/

https://www.letterg.co.uk/

http://www.heraldgraphics.co.uk/

Posted by Justin Hobson 24.02.2020