Jobs from the past - Number 78

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Polo Ralph Lauren 2009

As part of their internal communications programme, Polo Ralph Lauren commissioned the Pink Group to create bespoke procedure manuals that could be rolled out to all their factory outlet stores across Europe. There were two manuals, each being produced as ring binders so they could be easily updated.

Image courtesy of The Pink Group

At Fenner Paper we do a very unusual product called Flaxprint Litho Printable Bookcloth. It is a genuine bookcloth which is litho printable. The cover is printed conventional offset litho in CMYK with a blue (Pantone 289) being printed as a special. Like all bookcloth, it is one sided, in this case with a lightweight paper reverse, so it can be mounted onto board to form a casebound cover or slipcase ...and as you can see, it works just perectly. 

Image courtesy of The Pink Group

The size of each binder is 310x255, portrait with a 50mm spine width. Each manual was translated into five languages and features easily updatable tabbed inserts. The covers are also hot foil blocked with a clear foil as you can see from the below image:

Detail of solid colour and hot foil blocking:

Flaxprint 74lb cover, really is an amazing product. As far as I am aware this is the only genuine bookcloth (as opposed to paper) which is litho printable and offers such amazing versatility. Having the ability to print an image and solid colours on a casebound book on a genuine cloth, rather than a paper alternative, offers a huge range of possibilities. In comparison with paper, a cloth is much, harder wearing which is why it has been used in this case. The below image shows the close detail of the weave and print detail, including reversed out white logo.

Click on image to enlarge and see the detail of the weave

....and I still happen to have one of the 'running sheets' from the job, so you can see below with the colour bars, before it was made up into a binder.

Design is by The Pink Group, Creative Director is Spencer Peppiatt.

I doubt the images are doing this project the justice it deserves but hopefully I have given some insight to this great feeling binder. If you are not familiar with Flaxprint and would like a sample, please get in touch.

http://thepinkgroup.co.uk/

Posted by Justin Hobson 02.04.2016

Hobsons Beer?

Now there are some people out there who think my name is Justin Fenner! ...but actually my name is Justin Hobson. So imagine my surprise when I discovered that there is a brewery called HOBSONS. This brewer with their smart identity is based in Worcestershire and they brew many ales with interesting names such as Twisted Spire, Town Crier, Shropshire Stout and my personal favourite 'Old Prickly'

 

I am particularly impressed by this fab beermat for Old Prickly. It's actually Typewriter Art by an artist called Keira Rathbone who's featured on this blog before here. 

Detail of beermat...  

Given the date, there will be some of you who might be thinking this is another elaborate April Fool's day joke (like my now infamous Royal Wedding post!) but I can assure you it's not, just have a look at the HOBSONS website: http://www.hobsons-brewery.co.uk/

Posted by Justin Hobson 01.04.2016

8 Lloyd's Avenue

I've written many posts on this blog which includes the phrase "...just the cover makes the difference!" The cover on this property brochure certainly does - it's simply a stunning piece of design with amazing hot foil blocking.  

The size of the brochure is A4, portrait and has a 4pp cover with a 12pp text. The cover is hot foil blocked in metallic gold foil and white matt foil. The cover is produced on our Notturno 450gsm and the text pages printed offset litho in four colour process on 'house silk' 200gsm

Click on images to enlarge

For those not familiar with the Notturno range, it is a range of black papers and boards from Cordenons. The range has a wide range of substances 90, 110, 140, 170, 200, 250, 300, 350, 390, 450 and 700gsm - a pretty big range!

A lovely finishing touch is the use of brass wire stitches

Print and the superb hot foil blocking is by CPI Colour. It's worth noting that CPI have their own 'in house' foiling facilities in Croydon, including their own blockmaking. 

Art direction and design is by London design studio Cre8te. Print is by CPI Colour with James Lager handling the project.
www.8lloydsavenue.London
http://www.cre8tedesignuk.com/
http://www.cpicolour.uk/

Posted by Justin Hobson 29.03.2016

Introducing new Crush Grape

Many of you will know about our lovely range called CRUSH from Favini. The paper is made partly using the residue from the industrial processing of crushed citrus fruit, coffee, nuts, olives, kiwi, corn, lavender and cherries. These agro-industrial "end of life" products replace up to 15% of conventional tree pulp. The range is available in 100, 120, 250 and 350gsm and the shades are natural, earthy tones and the feel of the paper is natural and tactile. We originally launched the range in 2013 and there have already been additions to the range last year.

Favini has recently been working with champagne house Veuve Clicquot to develop a range of packaging using the left over grape residues from the production of their champagne, which has resulted in this new Veuve Clicquot packaging, Naturally Clicquot.

The packaging won the Formes De Luxe prize at the Luxepack exhibition in Monaco last September and you can read about the project HERE:

"Every year this prestigious prize is awarded to the most innovative and creative packaging and is selected from a group containing the best internationally renowned companies. Naturally Clicquot 3 comes from a creative reuse of byproducts from Veuve Clicquot’s own champagne production process. By implementing their vision to continually reduce their environmental impact, now means that after being pressed, the residue of grape skins can be used in a new way. Through Favini’s know-how in the creation of papers made of residues from agro-industrial productions, the skin is dried and then milled to become a raw material for the production of a unique ecological paper, saving 25% of virgin pulp. Favini introduced the residues into the paper production cycle, mixing them with water and natural fibres, which in turn reduces the use of cellulose from trees. Veuve Clicquot said the new Naturally Clicquot 3 packaging is a unique product that gives a new life to the production residues from one of the most renowned champagnes, whilst replacing a quarter of virgin fibre use. Moreover, in perfect harmony with this ecological paper, the graphics are printed using solvent-free paints and labels adhered with a sugarcane-based compound."

...and the good news is they have now applied their experiences to make a new addition to the CRUSH range - CRUSH Grape!
New Crush Grape, is available in the standard substances of the other products (100, 120, 250 and 350gsm) with the addition of an additional 90gsm with "wet strength" properties, making it suitable for labelling applications such as wine bottle labelling.

Here is the new swatch (branding by Silk Pearce)

Crush is FSC certified, GMO free, contains 30% post-consumer recycled waste and is produced with 100% green energy. The production process and the product are protected by European patent. Including the new Grape, the range now consists of ten shades.

If you would like samples, please get in contact and I'll send you a new swatch.
http://www.favini.com/gs/en/fine-papers/crush/all-about-crush/
http://www.favini.com/en/news/crush-the-grapes-and-get-paper/
http://www.favini.com/wp-content/uploads/2015/10/PPI-Paperboard-Packaging-Online-ottobre.pdf
http://www.packagingnews.co.uk/news/materials/corrugated/ds-smith-and-favini-help-veuve-clicquot-win-award-28-10-2015

Posted by Justin Hobson 24.03.2016

Pearlfest 2016

The other week, the glamorous reception area at Pearlfisher was turned into a pop up silkscreen print studio.

Gary Parselle from The Private Press set up his temporary silkscreen print workshop, so the whole creative team got their hands dirty experiencing hand silk screen-printing for themselves.

Just using a few colours, plus a few different screens and our lovely Colorset 100% recycled paper.

...and hey presto, lots of different results

...we were asked to supply a selection of different colours from our Colorset range in 270gsm. For those of you not familiar with this collection, Colorset has 26 colours and is made from 100% Recycled fibres. All colours are available in 120, 270 and 350gsm. Amongst other uses, it's become a firm favourite with Silkscreen printers.The colours you see here are Deep Orange, Mango, Lemon, Lime, Aquamarine, Magenta, Pink Ice, Ash, Solar, Nero, White and Natural.

The workshop was run by Gary Parselle from The Private Press who's studio is based in Brighton. The event was arranged by Jenny Cairns and Managing Director Darren Foley.
Small scale events like this are such a great idea. It exposes a whole team to a shared creative experience and with a "pop up" like this, no need to travel!

http://www.pearlfisher.com/

www.theprivatepress.org

Posted by Justin Hobson 22.03.2016

Sprayed invitations

These are the invitations to last Summer's exhibition at the Gagosian Gallery in London, called Sprayed.

This extensive exhibition spanning four generations explores the myriad ways in which artists have employed the impulsive yet de-personalized and non-gestural forces of spray. It begins with Paul Klee's work on paper Seltsames Theater (1929), where he improvised with a blowpipe to achieve hazy background effects in a circus scene. This tentative experiment presaged the bold and diverse artistic licence that would come with the post-war advent of aerosol paint as a consumer product and the use of the industrial paint compressor.

Click on images to enlarge

Printed in CMYK onto a selection different colours of Colorset 120gsm colours, the sheets have been mounted front and back onto 1250mics Greyboard. Size of the invites are 200x250mm.

 The invitations reflect the catalogue

The exhibition features works from over fifty artists and is organised by Jona Lueddeckens and Greg Bergner.

Design of the invitations and catalogue is by Graphic Though Facility. Print, production and finishing is by Pureprint.

http://www.gagosian.com/exhibitions/sprayed--june-11-2015
http://www.graphicthoughtfacility.com/
http://www.pureprint.com/

Posted by Justin Hobson 17.03.2016

What is ...Spiral Binding?

What is ...Number 27
Regular followers of this blog will know that in the middle of the month, I publish a "What is ....? post. The article covers various aspects of paper, printing and finishing in greater depth. However, many of these subjects are complex, so these posts are only intended to be a brief introduction to the topic.

What is ...Spiral Binding?
Spiral binding, also known as plastic coil binding is a useful, functional binding method and a worthy alternative to Wiro Binding. The advantages are that the text pages lie completely flat when open and that the plastic is virtually crush resistant, unlike wire-o, which when bent, will never truly regain it's shape.

Here's an example of a project which has been spiral bound using a clear (transparent) spiral

 ...a close up of the spine:

The binding elements are available in 16 standard colours and can even be bespoke manufactured to special colours for large enough runs. They come in standard sizes from 6mm to 50mm in diameter.

Image courtesy of Dash Finishers: http://dashfinishers.co.uk/

Using a specialist binding machine, these elements are “spun” through punched holes in book blocks and crimped in place. Below is the Hato Press studio Cookbook, bound in a deep red spiral.

Spiral binding is a popular option for products that are frequently handled in classroom and industrial settings such as calendars, children’s books, cookbooks, instruction manuals and even paper swatches!

One important consideration when using spiral binding is the "step up" which happens. As you might notice from the picture below the page on the right is stepped up and this is because it is made from one continuous spiral.

Below is a detail of the top of the spine

 ...and the bottom of the spine:

Therefore the one important piece of advice when using spiral binding is to avoid image or type read-overs over the spine. 

With thanks to Dash Finishers for the information and help.

http://dashfinishers.co.uk/?p=68

Posted by Justin Hobson 16.03.2016