De La Warr Pavilion Summer Events Guide

This is last Summer's events guide for the De La Warr Pavilion. The De La Warr pavilion is on the seafront in Bexhill in Sussex and is an iconic modernist building by the architects Erich Mendelsohn and Serge Chermayeff which opened in 1936. Following a major renovation in 2005, the pavilion hosts many shows, exhibitions and cultural events. 

The finished size is 210x111mm, folding out to 420x553mm and is a 20pp concertina letter fold. Side view.... 

Click on images to enlarge

 Below image shows the concertina folding...

This guide is printed on our StarFine White 130gsm which means that rather than feeling like the vast majority of mass produced leaflets printed on a bit of silk or gloss, this has real character and value. The design is such that the listings of the exhibitions, activities and events are all listed on one side (outside)

Click on images to enlarge

 ...with the inside being reserved for a full size image from the exhibition. The below image taken from the HOW CHICAGO! exhibition.

Gladys Nilsson, A Cold Mouth 1968

The De La Warr identity and design (including the website) is by Playne Design who have studios in London and Hastings. Creative Director is Clare Playne. Print production is handled by Simon Hack. You can read more about the creation of the new identity here:

https://playnedesign.co.uk/our-work/de-la-warr-pavilion/#branding-modernist-cultural-icon

The project is printed offset litho in CMYK by Empress Litho with Jason Maclaren handling the project - and my thanks to Jason for very kindly sending me some file copies.

https://www.dlwp.com/

https://playnedesign.co.uk/

https://www.empresslitho.com/

Posted by Justin Hobson 06.05.2020



Jobs from the past - Number 126

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this publication is from 2017.

Sophie Jung - Come Fresh Hell or Fresh High Water
November 29, 2017 – January 13, 2018

Blain|Southern is a contemporary art gallery with galleries in London and Berlin. It was started in September 2010 by Harry Blain and Graham Southern, who had sold their previous gallery, Haunch of Venison, to Christie's.

 

Sophie Jung was invited by Tom Morton for the second in a series of exhibitions, collectively titled “Lodger”, a new series of exhibitions at Blain|Southern, running concurrent to the exhibitions in the central space, the series expands Blain|Southern’s programme into new territories. “Jung is a storyteller,” says the gallery, “she weaves free-wheeling, deeply idiosyncratic, and sharply funny narratives, which draw on everything from pop culture to philosophy, the idlest of thoughts to the most heartfelt of convictions. Both objects and language are prone to slippage in this work. Form and content is always shifting shape"

 

This is the catalogue for the exhibition... 

Size of the publication is A5 (210x148mm) portrait. The cover is on Heaven 42 170gsm silk coated paper from Sappi and the text is printed on our Offenbach Bible 60gsm.

The text pages are digitally printed in just black, including some images.

Click on images to enlarge

The text comprises 28pp on Offenbach Bible 60gsm plus 4pp inserts on Heaven 42 coated 115gsm as the image below:

The reproduction of the images on the Offenbach Bible 60gsm just in black, mono, is excellent as you can see from the image below.

With such lightweight materials, the thickness of the booklet is 2mm, but as you can see from the image below the spine is nice and neatly creased and folded...

The 28pp text on Offenbach Bible 60gsm is digitally printed on a Ricoh digital press and flops and folds superbly in the hand.

The excellent digital print (on this very lightweight 60gsm paper) is by Identity Print in Paddock Wood. Art direction and design is by Blain|Southern.

https://sophiejung.allyou.net/
https://www.blainsouthern.com/
http://www.identityprint.co.uk/

Posted by Justin Hobson 04.05.2020

May Day ...a preview of our new range

May Day was traditionally celebrated as a festival announcing the arrival of Spring and has since become a holiday, so what better day than to give you a sneak preview of our brand new springlike handmade paper range...

Here is the paper in the packets - the edge looks a bit rough ...that's because it is handmade and has a 'deckle edge' which is the natural edge of the paper.



Click on images to enlarge

As you can see from the images, the surface of the paper contains flower petals and looks wonderful. Aside from the stunning visual effect of the petals, the paper also contains flower seeds! Because great care has been taken in the making process, using 100% cotton, without chemicals and dried naturally only by air means that they will germinate and flower... 

Below is a detail image of the new paper...

Click on image to enlarge

The size of the paper is an imperial size called Royal, which in metric is 560mm x 760mm.

Given the current virus lockdown situation, there are no swatches available yet but more information will be available in the future, but if you want a sample (a very small sample) just email me: justin@fennerpaper.co.uk

Posted by Justin Hobson 01.05.2020

The Weeping Cufflinks

This is the latest poetry publication from Tom Sharp and is described as "a capitalist folk-horror cautionary tale in the manner of a Jacobean pamphlet". It is designed and woodcut illustrated by Katherina Tudball. This is their third creative collaboration and a part of the Faery Fellers project.

Size is 230x145mm, portrait and is a 24pp self cover printed on our Redeem 100% Recycled 100gsm.

Click on images to enlarge

Below is centre spread. The binding is three hole sewn, in keeping with a style of binding that would have been familiar even in the 17th century ...before the invention of staples!

The below image shows the binding, using natural thread

Redeem 100% Recycled is a neutral white shade and is just perfect for this publication - many designers might have just used a cream paper, but this is just the right paper and really works superbly with the wonderful type and woodcut.

Detail of the woodcuts...

Click on images to enlarge

The below image shows the external image of the three hole sewing,

The printing, finishing and binding is by Boss Print who are based in Acton, West London. The edition is 1000 copies and you can buy a copy here.

https://www.thepoetryofitall.com/
https://www.faeryfellers.com/
https://www.bossprint.com/

Posted by Justin Hobson 28.04.2020

Crush - a truly sustainable paper

Many of you will know about our lovely range called CRUSH made by Favini in Italy. The paper is made partly using the residue from the industrial processing of crushed citrus fruit, coffee, nuts, olives, kiwi, corn, lavender cherries and grapes, these agro-industrial "end of life" products replacing up to 15% of conventional tree pulp. The range is available in 100, 120, 200, 250 and 350gsm and the shades are natural, earthy tones and the feel of the paper is natural and tactile.

The 15% process residues are combined with 40% recycled fibres (post consumer waste) and the remainder is FSC virgin pulp and the product is FSC certified. The range is produced using green energy and is carbon balanced at the mill gate (we can also supply the paper in the UK, certified as carbon balanced)

This is the current swatch which shows the colours and range of weights...

Below are more detailed images and hopefully you can see the small specs and inclusions in the paper. Corn, Citrus and Grape, pictured below, are totally natural shades produced without the use of any dies, which can result in an amount of shade variation from batch to batch.

Click on images to enlarge

The deeper shades are produced with the addition of environmentally friendly vegetable dies which ensure greater colour consistency...

To accompany the swatch, the mill have produced a wonderful photographic book called X-RAY, printed on a the Crush range (in CMYK) throughout.

Nick Veasey is an internationally renowned photographer and has specialised in using incredibly detailed X-Ray photography and can quite legitimately be described as an Xray artist.

Above images are CMYK, below the images are reproduced as Duotones.

Below image showing right hand page printed in Silver (Pantone 877)

The book is French folded and is 16pp (made using 8x french folded sections) which I hope you can see from the below image. The book is made using all the different shades in various weights and too complicated to list here!

The book is perfect bound and is beautifully finished with binding tape wrapped round the spine. The book has a dustjacket (with 118mm flaps).

Design and art direction is by Silk Pearce.

If you would like a copy of the X-Ray book, just ask me for one! Email justin@fennerpaper.co.uk

https://www.nickveasey.com/
https://www.favini.com/gs/en/
https://www.silkpearce.com/

Posted by Justin Hobson 24.04.2020

Fault Lines

Freelands Foundation was founded by Elisabeth Murdoch and is based in Camden, London. The Foundation is run by Managing Director, Melanie Cassoff and Creative Director, Henry Ward. The Foundation’s mission is to support artists and cultural institutions, to broaden audiences for the visual arts and to enable all young people to engage actively with the creation and enjoyment of art.

Fault Lines is the title of the exhibition held at the foundation last year. Curated by Freelands Artist Programme Curator, Edward Ball, the show connected work from four UK-based artists whose sculptural works, and the material processes that underpin them, suggest a ripple of instability in their very foundations.

This is the literature produced to support the exhibition. The portrait format publication which consists of a 16pp outer text (186x124mm) on Offenbach Bible 60gsm and you can see the show through working positively with the word 'Lines' showing through...

The 12pp inner section is A5 (210x148mm) and is used to shows the work. The birdseye view below, shows the smaller outside text with the A5 inner.

The binding is saddle stitched, so it opens nice and flat. The outer text section on Offenbach Bible is printed in just one colour, which is a pantone special, in green.

The inner text section is printed offset litho in CMYK plus a special pantone (green) on our StarFine White 170gsm, an uncoated text paper which has printed beautifully, with the solid and the images looking brilliant.

The below image shows the superbly finished saddle stitching, nice neat and flat...

There are many posts on this blog, showing work printed on Offenbach Bible 60gsm which has lots of four colour, solid colours and really demanding printing. Arguably, this job, with just one colour type printed both sides, demonstrates more what Offenbach Bible is produced for. Genuine bible papers, are produced with exceptional opacity, good strength and archival quality. This publication shows just how good the opacity is and is just as demanding as many jobs which are covered in colour and images. The type looks exquisite - surely the combination of the typeface, the printing and the paper.

The whole publication flows beautifully - an inside out job in may ways with the heavier material on the inside and the lighter material on the outside.

The publication is designed by Utile. Creative Director is Nicholas Duggins and designer is William Lyall. Print is by Identity Print, based in Paddock Wood with Paul Martin handling the project.

You can read more about the exhibition here.

https://www.freelandsfoundation.co.uk/
https://utile.studio/
http://www.identityprint.co.uk/

Posted by Justin Hobson 21.04.2020