Typefaces are Original Sans and Caslon Ionic, both from Commercial Classics. All production is 'in-house' at the LCBA.
Posted by Justin Hobson 28.07.2021
Wednesday, 28 July 2021
LCBA Identity
The new type-led identity for the London Centre for Book Arts (LCBA) is by Studio Bergini which is run by Francesco Corsini and Kristian Hjorth Berge. The striking new identity makes excellent use of our Colorset range of 100% Recycled papers...
The gift cards (below) are hot foil blocked in-house at the LCBA using Colorset 270gsm in Pink Ice, Evergreen and Mango (in the middle!) and are triplexed.
There are also bookmarks and a whole host of other collateral...
Many thanks to Studio Bergini for the images. In a recent email with Fran, he reminded me that he was at a talk I gave at CSM back in 2014. He found my talk about different materials and printing processes inspiring, which is always lovely to know - thank you Fran.
Monday, 26 July 2021
Resonance 1
The Wapping Project is the creation of the Women's Playhouse Trust which was set up in 1981.
Throughout the 80s and the early 90s WPT’s artistic policy was defined by the playwrights it commissioned, produced and published, predominantly at the Royal Court Theatre, London. In 1993 it began to mount work in one of London’s most beautiful, derelict buildings in the East End, the Wapping Hydraulic Power Station; it is at this point that it became known as The Wapping Project, and established a worldwide reputation. It was always described by its founder and director, Jules Wright, as an idea consistently in transition. I have written about projects from this period on this blog before.
Mono image used for the centre spread
You can see the black wire used for the staples in this image and you can see them on the outside in the below image. It's a superb detail, a small touch, which works with the hot foil blocking in gloss black foil and makes all the difference.
Using the Offenbach Bible 60gsm means that the total thickness of the 48pp is only 2mm!
This publication titled 'Resonance 1' features an essay by Gareth Evans together with images by Berlin based photographer Karen Stuke.
Size is 210x148mm (A5) portrait and is saddle stitched. The 4pp cover is printed on Astralux 1 sided 'cast coated' board, which is high gloss one side and uncoated reverse. The cover is debossed and hot foil blocked. The deboss on the front cover just draws you in... 
The below image is taken against the light, so you can see the high gloss...
The 48pp text is printed on our Offenbach Bible 60gsm, which works beautifully. The publication is mainly text but these images by Karen Stuke are large format pinhole images that follow the journey of a Jewish child brought on a Kindertransport from Prague.
For interest the above right hand page is backed up by the image below, which demonstrates the excellent opacity. 
Printed offset litho in CMYK, the 48pp text flops and flows beautifully in the hand... 
Design is by Atelier Dyakova and the creative director is Sonya Dyakova. Printing is by Push and the printing on our Offenbach Bible 60gsm and the finishing is superb.
Posted by Justin Hobson 26.07.2021
Friday, 23 July 2021
One of a Kind
2020 would have been the 20th Anniversary of Teenage Cancer Trust’s Royal Albert Hall shows – a week long initiative bringing musicians and fans together once a year, to host show stopping performances and raise money for the support and care of young people going through treatment.
To mark this milestone, now a year on, ONE OF A KIND brings together 21 artworks from 21 designers, artists and musicians - screen printed, signed and open for auction. This unique collection of works will be exhibited at the Maddox Gallery, Westbourne Grove, W2 from Friday 23rd to Saturday 31st July, with bidding opening yesterday on Thursday 22nd July 2021.
All 21 artworks are silkscreen printed by Bermondsey based Screen-printer K2. All are printed on paper donated by Fenner Paper or our Hull based friends at GF Smith. The below artworks are those printed on paper supplied by Fenner Paper...
All the featured artists are as follows....
- ANTHONY
BURRILL
- CHRISSIE
ABBOTT & KAE TEMPEST
- DAVID
SHRIGLEY
- DINES® (STUDIO
BLUP)
- ILL-STUDIO
& SOULWAX
- JAMES
JOYCE
- JAMES
LAVELLE
- JASON
EVANS & THOM YORKE
- JEHNNY
BETH & JOHNNY HOSTILE
- JULIAN
BROAD & PAUL WELLER
- KAI
& SUNNY
- KAM
TANG & YOUNG FATHERS
- KEVIN
CUMMINS & SCOTT KING
- LIAM
HODGES
- MARK
MATTOCK & STORMZY
- MATTY
BOVAN
- NICK
CAVE
- RYCA
& FATBOY SLIM
- SIMON
TAYLOR & UNDERWORLD
- SMITH
& LYALL & THE CHEMICAL BROTHERS
- WARREN
DU PREEZ & NICK THORNTON JONES & BJÖRK
Posted by Justin Hobson 23.07.2021
Tuesday, 20 July 2021
PMC Notes #12
Based in London’s Bedford Square, the Paul Mellon Centre for Studies in British Art is an educational charity that champions new ways of understanding British art history and culture. The Centre was founded in 1970 by the art collector and philanthropist Paul Mellon. It is part of Yale University and a partner to the Yale Centre for British Art.
It is printed on our Pergraphica Natural Rough, 150gsm for the cover and 100gsm for the text. The natural shade is just perfect to work with the style of publication and images used.
As you can see above, the lightweight materials flow really well in the hand and as you can see in the image below, the centre spread with a really heavy CMYK image, which has printed superbly.
The below image shows the superbly finished saddle stitching, nice neat and flat...
Design is by Baillie Card and Harriet Fisher. Printing is by Principal Colour with Steve Kirkham handling the project. A really superb piece of design and print.
PMC Notes is the the Centre's newsletter...
Size is A5, 210x148mm portrait and is saddle stitched. 4pp cover and 28pp text.
Thursday, 15 July 2021
Claymore - Type Specimen Book
This printed booklet from Jeremy Tankard serves two purposes; to show the weights and styles of Claymore and to present a short text, titled Principles of Type. The text comprises a collection of thoughts gathered over several years, and offered as a possible approach to the design thinking of a typeface.
Illuminated manuscripts and stained glass provide the inspiration for the colour pages, and the visual patterns of figured verse and calligrams are referenced for the translucent pages printed in black. In contrast to this, Principles of Type is set cleanly on Colorset Light Grey inserted as a booklet in the centre.
Below image shows the Principles of Type on the right hand side.
Size of the booklet is 152 x 230mm, portrait and is saddle stitched. The main text is printed on our Creative Print Diamond 170gsm, which is 100% recycled. The transparent sheets are printed on Sixties 60gsm. SIXTIES has the same translucency as a tracing paper - but it feels like a normal paper!
Principles of Type is an 8pp section, size is 187x121mm and is printed on Colorset Light Grey 120gsm.
Printed in three specials plus black on various uncoated papers. The specimen was designed to allow a degree of randomness when assembled; resulting in several versions and a final item which is more individual and unique. Below shows the variations... 
It's printed Offset Litho throughout by KMS Litho in Banbury.
Thanks to Jeremy Tankard for sending me file copies and his kind note. The specimen booklet is available HERE.
Monday, 12 July 2021
100% Tree Free Paper
Our friends at the Favini paper mill in Italy pioneered the use of alternative fibres. In the 1990's Maggie Philbin on BBC Tomorrow's World (...do you remember that?) introduced the original Favini ecological paper Alga Carta and the mill has continued development of other eco-products over the last thirty years.
Tree Free has been setting the standards for papermaking with zero impact on forestry for more than twenty years. Now with an improved recipe and a refreshed range that includes a new 380 gsm weight ideal for tags, cards and packaging, Tree Free uses 75% Bamboo Fibres with 25% cotton linters. Both are renewable annual crops which yield high quality fibres giving a natural tactile finish to the paper and excellent printability. 
To complete the story of sustainability, Tree Free is recyclable, biodegradable and made using EKOenergy from a hydro electric power station. Tree Free carries the FSC™ certification, even though like the name implies it has no impact on forests.
It is available in two shades, Bamboo Natural and Bamboo Cream. If you would like one of these lovely new swatches, please email me: justin@fennerpaper.co.uk
Posted by Justin Hobson 12.07.2021
Saturday, 10 July 2021
Letter to Gareth Southgate...
It was lovely of Her Majesty the Queen to write a letter to the England Manager...
I'm not sure what paper was used (I'm sure it's nice) but I hope it does the trick tomorrow evening and we can all complete the final line of the Fenner Paper Euro Wallchart, designed by David Coates.
Come on England!
Posted by Justin Hobson 10.07.2021
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