
Silkscreened in one colour on our Redeem 100% Recycled 315gsm.
Don't forget you would only have received one of these if you pre-ordered your copy of It's Nice That 2 ...so if you don't want to miss out next time, don't forget to pre-order!
Lots of people send me nice stuff which uses interesting materials/finishing/processes (and hopefully some of our papers!). Sadly, I can't get to show these pieces of work to everyone ...so this is the best way to show others what people are up to. It's also my way of thanking those that I work with and take the time and trouble to send me lovely, interesting things. justin@fennerpaper.co.uk

Silkscreened in one colour on our Redeem 100% Recycled 315gsm.
Don't forget you would only have received one of these if you pre-ordered your copy of It's Nice That 2 ...so if you don't want to miss out next time, don't forget to pre-order!
The first job that I recall being involved with was an invitation for PREEN by Thornton Bregazzi in 2005, printed on Redeem 100% Recycled 100gsm.
This casebound book has a 72pp text and is 250x350mm. It is printed on a combination of Omnia and a coated silk paper (not sure which one!) and has a fantastic quality about it.
...and here's one of the most beautiful and innovative pieces produced on our Flockage Litho. An invitation for Liberty to their Christmas viewing. It is totally unprinted on the flock side, just heat de-bossed [this is a process where you make a block as if for hot foil blocking, and using the foiling machine you simply de-boss using the combination of heat and pressure but with no foil. On the Flocked surface this has the effect of flattenning the pile, so that it becomes smooth and the effect is subtle yet very noticeable]
Anyway it was a fab party, thank you Mark and Chris. Unfortunately I only took a few party pics to share.
[Left] Here is Mark Thomson with Megan Simpkins from Gold East Paper.
Exhibition space at b-store with Studio Thomson exhibits:
...and a view through the window at b-store showing the books specially produced for the event.
www.studiothomson.com
The tree stumps were presented as a “ghost forest” in Trafalgar Square in London from 16-22 November 2009 (so if you didn't see it, sadly you missed it!) and are moving to Copenhagen for 7-18 December 2009 to coincide with the UN's COP15 Climate Change Conference.
Anyway, I like the piece so much I thought I would share it with you, so have a look at www.rjsanderson.co.uk
The publication uses a lovely selection of illustrations and combined with the typography and the choice of material gives the whole job a very "honest" feel. It is printed in just two special colours, Green and Brown.
There is also an 4pp A5 Christmas leaflet (pictured below) which contains a guide to the seasonal foods available together with activities at the Farm, including Sleigh rides, which sound rather fun!
And of course I should mention the material it is printed on ...our Redeem 100% Recycled 100gsm - and as you can see from the lovely note below, Charlie and Jess are big fans!
http://www.thefarmerscart.co.uk/
Barrie Tullett and Philippa Wood who are lecturers at University of Lincoln and who run The Caseroom Press for The Ghost in the Fog (pictured left).
...and the list goes on - The Chase for their marvellous woodblock letters made from chocolate, Studio 8 for FUTU magazine and Henrik and Scott from A2/SW/HK for a clutch of awards.
Here's a very cheerful looking Paulus M. Dreibholz, happy with his well deserved Certificate of Excellence for the poster for the Institute of Architecture in Vienna.
It was an excellent evening which showed a fantastic array of international typographic excellence. It is REALLY important for our industry that we retain societies such as the ISTD and we must take every opportunity to try and encourage membership, thus ensuring their continued viability.