UAL Awards Ceremonies

Just the cover makes the difference...

Here's a job that's definitely worth a look at because it uses paper (in this case the board used for the cover) to increase the quality and feel of the whole project.

This is the 2012 Awards Ceremonies brochure for the University of the Arts London which includes Camberwell College of Arts, Central St Martins, Chelsea College of Art and Design, the LCC, the London College of Fashion and Wimbledon College of Art. The size is 240x170mm, Portrait, perfect bound with a 120pp text.   

As you can see, the job is printed in just two colours with the lead colour being a pale metallic. Now usually metallics require a coated material, otherwise they don't look metallic! However Omnia 280gsm was chosen because it had the right "uncoated" feel and would reproduce the metallic as well as a coated paper. Note the hot foil blocking in metallic silver foil on the front cover.



This is an excellent example of using a material, such as Omnia, for a part of a project which can just lift the whole of a publication and make it feel special. The material for the main catalogue was a printers "house recycled uncoated offset" - which was a choice dictated by cost.

spread showing inside text pages

Art Direction is by Pentagram. Design is by Turnbull Grey with Chris Turnbull (UAL alumni) as creative director. It was produced in conjunction with Simon Goode at the Department of Communications and Development at the University of the Arts and thanks to Simon for sending me copies.

It was printed by Tradewinds who are based in Peckham in South London.

 

http://www.arts.ac.uk/

www.pentagram.co.uk

www.turnbullgrey.co.uk

http://www.tradewindslondon.com/

Posted by Justin Hobson 12.06.2013



EYEsight...

Eye 85 has just been launched and here's a fun idea from the publishers...

 

"To celebrate the launch of Eye no. 85, throughout June we are tracking sightings of the magazine as it makes its way around the globe. To enter the competition, take a photo of Issue 85 when it reaches your corner of the world (on your doormat, in the studio, on display in a bookstore, etc.), and upload it to our Facebook page (remembering to tag the location). Whoever takes the most interesting photo (as judged by Eye’s editor and art director) will win a year’s subscription to the magazine for themselves or a friend. The winner will be announced on 1 July 2013"

...and here are some of the photos so far...

by Phraxin

...and as you might have noticed, these particular pictures also include our Size Format Stock booklet that we sent out in partnership with Eye.

Eye85 and ‘Size, Format, Stock’ booklet by Shaun O’Beirne.

EYE85 and insert by Kalimat

Have a look at the other pics from around the world on facebook:

https://www.facebook.com/media/set/?set=a.605906369428902.1073741830.115833711769506&type=3

 

Size Format Stock is the booklet that I wrote in collaboration with Studio8. Originally written with the students that I give occasional talks to in mind, it has since become a firm favourite with the mature graphic designer! It is A5 portrait saddle stitched with a 4pp cover on Colorset 120gsm and a 16pp text printed on Offenbach Bible 60gsm. It is now in it's third edition and I've printed and distributed over 20,000 copies. If you would like a copy, drop me an email and I'll pop one in the post.

 

http://www.eyemagazine.com/

http://www.studio8design.co.uk/

Posted by Justin Hobson 10.06.2013

Howard Tangye - The Artist

Here's a project that I've been working on with design studio Stinsensqueeze. This is a project that has just gone live on Kickstarter.

If you're not familiar with it, Kickstarter is the largest funding platform for creative projects in the world. Every month, tens of thousands of people pledge millions of pounds to projects from all creative fields.

This project is a book titled WITHIN and features the work of artist Howard Tangye. Howard is best known for his work, as a designer, illustrator and teacher in the world of fashion. As head of womenswear at Central Saint Martins, he has taught designers such as John Galliano, Hussein Chalayan, Stella McCartney, Christopher Kane, Richard Nicoll, and Julie Verhoeven amongst others.

Until recently his work as an artist was less well known. His distinctive style depicting the clothed figure is finally gaining wider recognition and in 2012, a selection of 56 of his drawings and watercolours, were donated to the V&A


Richard Nicoll

 

Howard Tangye with Stina and Louise from Stinsesqueeze (www.stsq.org)

Stina and Louise first met Howard when studying at Central Saint Martins in 2010 and admired his work ever since. Since that first meeting they've built up a 3 year continuous collaboration, culminating in this project. Howard has previously declined working with several established publishers since he chooses to distinguish his work as a fashion teacher, from his personal work as an artist. The introduction is written by Abraham Thomas, Curator of Design at the V&A, together with an essay by Marie McLoughlin, dress historian at the University of Brighton.

 

An important factor for all the collaborators is to capture his narrative and the sensitivity of his work, whilst ensuring there is no compromise on the reproduction of the artwork and the production of the book. They spoke to me about the paper side of things and decided on a combination of our Omnia White and Natural 150gsm which would faithfully reproduce the artworks whilst still lending the tactility of the original materials used. They partnered with London based printer Jigsaw Colour www.jigsawcolour.co.uk who has extensive experience in fine art printing.  In order to get funding by Kickstarter, Paul Martin at Jigsaw Colour produced a fully working pre-production dummy (which is beautiful)

Please have a look at the following KICKSTARTER page - watch the short video - and even  better, pledge some money!
http://www.kickstarter.com/projects/311248544/within-howard-tangye?ref=live

Posted by Justin Hobson 06.06.2012

Jobs from the past - Number 44

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 2006.

Borderline Annual Report 2006

Borderline is a small, independent charity that has been helping homeless Scots in London for over 20 years by understanding their particular problems and needs. They offer resettlement options in Scotland and London, referrals to specialist agencies and advice on welfare benefits.

This is their annual report, which by definition, needs to contain certain financial information but is used also as a vital piece of communication with their benefactors and donors.

Design company OSBORNE ROSS designed the annual report and here's some information from a press release written at the time:
Andrew Ross, Creative Director, said "using the theme of 'Looking back, looking forward', clients were asked to write down what had happened to them in the past year and to describe what the future holds, now they have the charity's help"
These notes were combined with photography by Nick Turner, providing a powerful and immediate explanation of the charity's work.

The publication is 210x210mm, square, saddle stitched and is a self-cover (for those of you not familiar with this term, it means that the cover and text are on the same weight of paper). It was printed in CMYK on Neptune Unique FSC 170gsm which is a high white, smooth, uncoated text and cover paper. It was printed offset litho by Magnet Harlequin (www.bva.org.uk)



This report won the award for the best annual report in the 2007 Third Sector Excellence Awards. This award programme is organized by publisher Haymarket, to recognize organizations working in the charity and public sector. http://www.thirdsectorexcellenceawards.com/

 

 ...and here's the page showing it as the winning category of the third sector awards:

 

Art direction and design is by Osborne Ross. Photography by Nick Turner.

 

http://www.borderline-uk.org/

www.osborneross.com

www.nickturnerphotography.co.uk

Posted by Justin Hobson 03.05.2013

Summer Show 2013



Now is the time when many readers of this blog will be receiving invitations to degree shows from all corners of the country. Here is a particularly lovely and inspired example for the University of Portsmouth.

Below is the A1 poster (841x594mm) printed in CMYK, one side only, on Redeem 100% Recycled 130gsm.

...then to make the invitations, the material on the run was changed to Redeem 100% Recycled 315gsm and the run completed. The reverse of the board was then printed in one colour forming 16 x A5 invitations with CMYK on the reverse of the invite - a smart idea! 

Reverse of the A5 Invitations

The design is by  Michael Harkins, who is a senior Lecturer in Graphic Design and the course leader of the MA Graphic Design at the University of Portsmouth. Given the complexity of the design, I asked Mike to write some words to explain the project:

Often my work plays with complex ideas found within the design problem itself, yet this is something for the viewer to find within the work, not something obvious initially.

The idea really came from thinking about 2013 as a number in itself. For many people the date could be seen as a portentous one, unlucky, lucky, superstitious etc. This led me to think about what it is when we read into numbers as individuals, we often bring our own meanings/readings.

The numbers within the date are also the first in the sequence of natural, ordinal or cardinal numbers. 2013 is also the first time these numbers appear together in a year date since 1320, so quite special in that sense. They also form the idea of a countdown 3,2,1,0 to the show. As in the ordered sequence 0123, we arrive at 3, the number of years students commit to their degree programmes, culminating in the show.

So really the numbers become celebratory and playful. The use of the CMYK adds to this idea of playfulness in terms of interaction of form and colour. It also gets us, the viewer to bring about our own readings of the numbers. 

The invitations extend the playfulness by dividing the colour composition into 16 parts, each one producing a unique composition in itself, something we take time to view, enjoy, contemplate.

Posters on display behind glass

Printing is by L&S Printing based in Worthing, West Sussex and a beautiful job they've made of it.

...and thanks to Mike for sending me some file copies and a note (written on the printed reverse of the A5 invitation):

The preview is tomorrow evening at the Eldon Building at University of Portsmouth and the show is open from 3-14 June.

www.port.ac.uk

www.ccichannel.port.as.uk

www.ls-printing.com

Posted by Justin Hobson 30.05.2013

Trust New Art

This is a piece of literature for an interesting experiment run by the Arts Council. The basic idea is to select works from the Arts Council collection and place them in various National Trust properties enabling visitors to encounter contemporary pieces that they may not ordinarily be exposed to.  

This book is 210x130mm, portrait and shows some of the artworks and the sites at which the work is being displayed together with an essay by Colin Wiggins. It has an 8pp cover with 115mm flaps and a 32pp text and is saddle stitched. It is printed on our StarFine white 300gsm cover and 150gsm text. Printed CMYK throughout with hot foil blocking in metallic silver foil on the outside cover.

The below pic shows the extent of the full flaps.

The publication is designed by Catherine Nippe, who is a Swiss/German graphic designer who has been running her studio in London since 2006. Print is by Principal Colour who are based in Paddock Wood, Kent.

www.artscouncilcollection.org.uk
www.cnippe.com
www.principalcolour.co.uk

Posted by Justin Hobson 28.05.2013

Beat 5



I've been fortunate enough to have been involved in every issue of the Beat series published by illustration agency Heart. Although the size has remained constant, every issue has been quite different whilst providing an exquisite showcase for their illustrators (...as an example, Beat 4 was designed by Angus Hyland's team at  Pentagram and is a fully illustrated edition the Rime of the Ancient Mariner http://www.heartagency.com/beat/4)

Beat 5 is described as a 'double issue' (at 148pp, it is twice the size of previous editions) and as with previous issues it showcases the work of each artist with words providing an insight into their working methods, inspiration, idiosyncrasies and foibles. Beat 5 is edited by Helen Osborne.

http://www.heartagency.com/artist/LaraHarwood/gallery/1

 

http://www.heartagency.com/artist/JimmyTurrell/gallery/1

http://www.heartagency.com/artist/TomGauld/gallery/1

http://www.heartagency.com/artist/AdamSimpson/gallery/1

 

The size of the publication is 330x235mm, portrait and is section sewn. The 4pp cover is on our Matrisse 350gsm, which is incredibly bulky, uncoated and tactile (really suits the illustration by Lara Harwood). The 148pp text is printed on Neptune Unique FSC 135gsm and looks truly amazing! Neptune is smooth uncoated with a dazzlingly white shade and the illustrations have reproduced amazingly (in no small way, due to the printer as well). 

http://www.heartagency.com/artist/MarionDeuchars/gallery/1

http://www.heartagency.com/artist/EdaAkaltun/gallery/1

http://www.heartagency.com/artist/RoderickMills/gallery/1

http://www.heartagency.com/artist/JosieJammet/gallery/1

http://www.heartagency.com/artist/DarrelRees/gallery/1

The beautifully crafted and considered design is by Jason Godfrey of Godfrey Design. Print production and repro is by David Holyday and the printing, which really is exceptional, is by Gavin Martin Colournet.

 

www.heartagency.com

http://www.godfreydesign.co.uk/

d.holyday@googlemail.com

http://www.gavinmartincolournet.co.uk/

Posted by Justin Hobson 23.05.2013