TU Spring |Summer 2013

Here is a series of three lookbooks showing the Summer TU clothing range from Sainsbury's - Womenswear, Menswear and Childrenswear.

Size of each brochure is 210x148mm, portrait, self cover. They are also all stitched with white stitching wire which is a nice touch 

Each of the catalogues is printed on Marazion Ultra 115gsm and is a self cover. Menswear and Childrenswear are 20pp and the Womenswear is 24pp. Transparent plastic wallets were manufactured to hold all three books when sent out as a set, although they were also used individually.

For readers not familiar with Marazion Ultra, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt (and some which incorporate the word matt in the name, but aren't!) ...but this really is - and if you don't believe me, please ask for a sample.

Art direction and design is by London based agency Exposure, who specialise in fashion PR. Creative Director at Exposure is Simon Shaw. Hayley Inglis is the producer at Exposure who oversaw the project.

The job was produced by the Inspired Thinking Group (ITG). Print is by Bristol based Apple Litho

http://www.sainsburys-live-well-for-less.co.uk/tu-clothing
www.exposure.net
http://www.inspiredthinkinggroup.com/
www.applecolour.co.uk

Posted by Justin Hobson 11.11.2013



Overgrown Tour 2013

You may have heard in the news last week that singer-songwriter James Blake won the Mercury Prize for the album Overgrown, beating David Bowie.

Well the other bit of good news is that the posters for his Overgrown Tour are printed on our lovely paper!

European Tour

Size of the posters is 670x485mm and they are printed in four colour process plus one special, offset litho. The beautiful illustration by Kate Hiley has a lot of detail, dark colouring and reversed out type with the tour locations, so it was essential to keep a lot of detail. At the same time, in order to work with the illustration a coated paper was not desirable, a more tactile material was looked for. Omnia was chosen because it has all the tactile qualities of an uncoated material but reproduces fine detail and dark colours amazingly. Printed on Omnia White 200gsm. A subtle fifth colour was printed on the outside border which dulled the shade of the paper but which made the comets "pop" out a bit more (thanks for the inside info Ed)

North America

Close up detail



...even closer detail!

Design is by Burgess Studio. Creative Director is Alexis Burgess, designer on the project is Ed Cornish. Illustration is by Kate Hiley.

Print is by London based Jigsaw Colour. This poster was printed with no coating (sealer) the result is beautifully flat, matt and tactile -  just how it should be.

http://jamesblakemusic.com/
http://burgess-studio.co.uk/
www.katehiley.com
http://www.jigsawcolour.co.uk/

Posted by Justin Hobson 07.11.2013

Sad demise of The Colourhouse

On Friday, Printweek reported that The Colourhouse, a London based printing company, has gone into liquidation (in laymans terms that means they've gone bankrupt).

http://www.printweek.com/print-week/news/1140263/runs-colourhouse

It's very sad news as they have been an excellent quality print company in the design and corporate sector. Over the years, they won many printing awards and accolades, including many PrintWeek and Printing World awards as well as a fair share of the various paper company awards that used to take place in the 90's

The Colourhouse was started in 1993 and it's beginnings, certainly were colourful! In the  1980/1990's there was a printer called Litho-Tech based in Bermondsey Street and they were among the printing elite, along with such names as CTD, Oakley Press, Balding & Mansell, Summerhall Press, Westerham Press etc. that were producing really excellent print for the corporate print market, notably design lead, Annual Report & Accounts.

In 1993 a vacant unit opposite Litho-Tech came up for lease and there was much speculation as to who would be moving in. The power was connected, there were rumours that a printers was moving in, but little did Paul Watson (MD of Litho-Tech) realise that it was some of his staff that would walk across the yard and set up The Colourhouse from a standing start!

Scotty (Malcolm Cooper), the owner of repro company Scott Colour (which produced Litho-Tech's repro, film and plates) production director Terry Rudd and salesman David May formed the backbone of the new company which started printing virtually immediately. The Colourhouse quickly gained a reputation for high quality print and produced many annual reports. Litho-Tech who were not happy with their new neighbours, moved to Kennington Park and The Colourhouse ruled Bermondsey for the remainder of the 90's.

David May was ousted in 1997 with Mike Roberts and David Arkell taking over responsibility for sales. Having outgrown the factory in Bermondsey they moved to Deptford in 2002 and expanded with more presses, finishing equipment and a bigger sales force.

In the late 2000's, they commissioned a new identity by Sea with photography by Simon Phipps. Further investments in press technology culminated at the end of last year with a brand new  Heidelberg Speedmaster XL106 being installed. In line with many commercial printers, they have seen tough times in recent years and also had the misfortune of having taken a sizeable bad debt last year with the collapse of a charity marketing agency, CSDM.

Nearly one hundred jobs have been lost which is terrible for all those involved and there will be a long list of creditors who will never be paid. It marks the sad demise of one of the last, large, London based printers.

http://www.printweek.com/print-week/news/1140263/runs-colourhouse

 

Posted by Justin Hobson 04.11.2013

Jobs from the past - Number 49



Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 2003.

Ossie Clark at the V&A 2003

 

This is a beautifully simple piece of print produced to accompany the Ossie Clark exhibition that ran at the V&A from 2003-2004.  From the mid-1960s to the mid-1970s Ossie Clark dressed the famous and fashionable. The exhibition shows work from his most productive period which coincided with London's optimistic, rule-breaking decade in which fashion, photography, music and the cult of personality converged.

Ossie Clark was first recognised as a design talent at the age of 23 when British Vogue singled him out in their August 1965 issue. Throughout the next decade his designs represented the best of London fashion.

This publication is a facsimile of pages from the sketchbooks of Ossie Clarke to inspire creativity by being coloured in or used to appreciate the free flowing style of the original line drawings.

The finished size is of the 123mmx175mm, the format being a 5 panel (10pp) long concertina. Printed offset litho in just 2 colours, magenta and black. The material chosen is our Neptune Unique SoftWhite 250gsm and as I recall it was chosen because white would have made the line-work of the illustrations look far too harsh.

Design was in house at the V&A. Print was by Graham Fisher at Ashford based printer Gros Monti, who sadly have since gone bust.

http://www.vam.ac.uk/vastatic/microsites/1250_ossieclark/

Posted by Justin Hobson 01.11.2013

Making Faces

STERN PRO www.canadatype.net

Calling all typophiles - if you want to see this, you'll have to be quick!

Next Tuesday (5th November) at St Brides in London, there is a screening of a really interesting documentary with an introduction by the project instigator, Richard Kegler.

US based type foundry P22, commissioned Canadian type designer, Jim Rimmer to create a new type design (Stern) that became the first ever simultaneous release of a digital font and, hand-set metal font in 2008. The skills needed to create a metal font are known by very few people and Jim Rimmer was possibly the only individual who designed and cast typefaces in metal as well as in digital format. The opportunity to document the processes of the historic with the contemporary was grasped and this film was made. Sadly Jim Rimmer died in 2010. Here's a trailer for the film:

You can read more about it here:
http://makingfacesfilm.blogspot.co.uk/

Details for the screening are as follows:
Tuesday 5 November 2013 from 6.30 to 8.30pm, film screening at 7.15pm in the Bridewell Hall, St Bride Foundation. Tickets £10, Students (bring NUS card) £6

As well as the screening, there will also be live demonstrations from Ruth Rowland in calligraphy, Oli Frape in hand-lettering, Helen Ingham and Richard Lawrence in letterpress and lino printing and Peter S. Smith in wood engraving in the workshop where you'll be able to have a go and find out more about their practices ...and I'll be there too!

There are still tickets available ...but it's on TUESDAY, so don't put it off, come along: www.stbride.org/events

www.p22.com
www.canadatype.net
www.stbride.org

Posted by Justin Hobson 31.10.2013

Big Book Parade 2013

This is the invitation to the showcase of new books from Harper Collins. Billed as 'The Big Book Parade', the function was held at the Crimson Bar at The Soho Hotel in May.

The size of the invitation is 145x975mm which concertinas down to 145x195mm. It uses our Modigliani Candido 260gsm, which has a "feltmark" texture similar to that of a watercolour paper which gives it exactly the right feel working with the beautiful illustrations of Brett Ryder (Heart Agency) commissioned to reflect the wide and diverse range of titles 'on parade' at the event.

Design and art direction is by Zoë Bather.

The invitations are printed offset litho in four colour process, machine creased and hand folded. Print was handled by Alan Mountain at Forward Print (sales@forward-print.com)

www.harpercollins.co.uk
www.zoebather.co.uk
www.heartagency.com

Posted by Justin Hobson 30.10.2013

Write to your MP

Now you might or might not be interested in this but basically this article is about choice.

Businesses are increasingly restricting access to paper bills and switching customers to e-billing. This issue affects everyone, and particularly the vulnerable in our society.

My attention was drawn to this by the Two Sides campaign, which is an initiative by companies in the Graphic Communications Supply Chain including forestry, pulp, paper, inks, publishing and printing -the common goal is to promote the responsible production and use of print and paper. www.twosides.info

Two sides are supporting the Keep Me Posted Campaign which is trying to persuade government and large organisations to ensure they are giving customers the right to choose how they receive important information. Here's a video:

If you would like to support this campaign, please visit the site and use the letter template to send to your local MP. 

 

http://www.twosides.info/UK/Keep-Me-Posted-Campaign?n=&m=1042
www.twosides.info

Posted by Justin Hobson 28.10.2013