Jobs from the past - Number 80

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 1996.

Fourth Estate Catalogue 
July-December 1998
  

The Fourth Estate is a publishers that many people will be familiar with. Founded by Victoria Barnsley in 1984, Fourth Estate built a reputation as one of the most innovative and eclectic imprints in the industry, with a reputation for publishing a wide variety of critically-acclaimed and beautifully-produced titles including many prize winning authors (Booker, Orange etc).

One of the things that made the Fourth Estate stand out from the crowd was their catalogues - they were simply amazing pieces of design and print! I was lucky enough to work on a few different catalogues in the late 90's and early 2000's. Every single one was different and brilliant. Good designers were commissioned, Bogue & Hopgood, Instinct, Pentagram, Rose Design, Frost, Neville Brody, Tom Hingston to name a few. In line with their reputation for publishing unconventional yet innovative titles, the design of the catalogue was equally eclectic.

This is a particularly distinctive catalogue, bound using a post and screw, using just coloured paper, printed letterpress in opaque white ink.

The size of the catalogue is 105x280mm and is either portrait or landscape depending on your point of view! Binding is simply by one brass post and screw fitting. The total thickness is 15mm.  

There are front and back covers, which are printed CMYK offset litho one side only, which were printed by Tadberry Evedale on our Avrowhite [1 sided] 325gsm

Click on images to enlarge

Back in those days, we didn't have our Colorset range, but it was a range of coloured papers that was required! I looked around various ranges and taking care to avoid some of the more expensive (and obvious) coloured text & cover papers on the market, I came up Rothmill. This was a coloured paper range made by the Tullis Russell mill in Scotland, who sadly closed last year. There are six different colours of Rothmill 280mics board used in the publication, one for each of the sections (fiction, non fiction etc)

You can see from these detail shots that the type printed in opaque white works ...but only just! It is a bit marginal. But the overall effect is great.

As you can see from the below picture the section printed on the Rothmill Mulberry (Non Fiction) is by far the most significant section in the catalogue.

Design and art direction is by Vince Frost. The text of the catalogue was set and letterpress printed by the House of Naylor on Saffron Hill in Clerkenwell.

So, where is everybody now?....

Victoria Barnsley, founder of Fourth Estate, joined Harper Collins as CEO and Publisher in 2000 when it acquired her company. These distinctive publications continued to be commissioned and produced for a few years after becoming part of a larger group. Sadly (and I guess it was just a matter of time) the Fourth Estate became a section within the Harper Collins specialist catalogue. She left Harper Collins in 2013.

The House of Naylor went into liquidation in the early 2000's re-emerging as The Letterpress House in Hemel Hempstead. Bill Naylor finally retired a about five years ago and the machinery dispersed (all going to good homes).

Vince Frost left for the sunnier climate of Australia just over fifteen years ago and runs Frost* in Sydney.

...and Fenner Paper? ...yep, we're still here!

http://www.4thestate.co.uk/

http://www.harpercollins.co.uk/about-harpercollins/Imprints/4th_Estate/Pages/4th_Estate.aspx

http://www.frostdesign.com.au/

Posted by Justin Hobson 02.06.2016

JLR Editors Club Brochure

This is a piece of literature produced for Jaguar Land Rover PR and press department. The publication embodies all the core values that JLR stand for and consequently is produced to a very high specification.

The brochure comes in a slipcase/pocket, which together with the 4pp cover is made using Plike Black 330gsm from Cordenons. Size of the brochure is 240x168mm, portrait.  

The slipcase and cover is hot foil blocked in silver foil and the edges are gilded in silver, which does look exquisite.

The 40pp text is printed on our Omnia 120gsm offset litho - and it is printed wall to wall, solid black, CMYK images plus a special silver - all the type is printed in silver.

In line with the quality look and feel of the brochure, the biding is Singer sewing, which is totally characteristic for this brand.

The reproduction on the Omnia is magnificent, the CMYK, the solids and the silver which looks metallic, as you can see from the image below.

Art direction and design of the catalogue is by Imagination. Graphic designer on the project is Amish Shah  (www.work-in-process.eu). This is an exquisitely produced brochure which conveys exactly the right look and feel of luxury. Print is by Identity, based in Paddock Wood.

http://www.jaguarlandrover.com/gl/en/

https://www.imagination.com/

http://www.identityprint.co.uk/

http://www.work-in-process.eu/

Posted by Justin Hobson 31.05.2016

Peace Signs by Edward Barber

I was very pleased to be invited to the viewing of Edward Barber's exhibition 'Peace Signs' which opened at the Imperial War Museum contemporary space on Wednesday. Ed Barber is a photographic artist, specialising in images of people and their relationship to space and environment. He is best known for his portraiture, through major projects such as All Dressed Up, In the City and Resolve. He is one of the few photographers to have their work displayed and in the collection of the National Portrait Gallery. He is also a designer, curator and teacher, and was formerly Subject Director for Fashion Photography at the London College of Fashion.

Ed recorded major protests staged at key sites such as RAF/USAF Greenham Common, Westminster, Trafalgar Square and the City of London. The body of work is a unique social document of mass popular protest in late twentieth century Britain which has rarely been seen in public since it was first published in 1984.

Peace Signs, Barber’s collected body of work, was originally taken to attract media attention to the anti-nuclear movement. The exhibition explores these protests as multi-generational and distinctly British forms of self-expression. Illuminating the activists’ humour and creativity, these images create a social record of both individual and collective responses to war. The photographs capture hand-rendered signs, banners, badges, clothing, make-up and costumes, and illustrate the often overlooked role of performance theatre, folk art and fashion at peace camps and demonstrations.

The display, with the background painted in 'nuclear' yellow, offers a fresh interpretation of the images, the photographs are contextualised by a graphic installation entitled Mind Map of Anti-Nuclear Protest, created by Danielle Inga and Edward Barber specifically for this exhibition. The Mind Map traces his contemporary re-evaluation of the events he captured in the 1980s - see below pic. Unfortunately my picture doesn't do justice - so you'll have to go and see it for yourself! The exhibition runs until 4th September.

http://www.iwm.org.uk/exhibitions/iwm-london/iwm-contemporary-edward-barber

http://edwardbarber.net/
http://concreteed.blogspot.co.uk/

Posted by Justin Hobson 27.05.2016

The Graphic Lexicon Poster Series

At the D&AD awards last Thursday, this project was awarded a wooden pencil. This series of posters has been created using the 'running sheets' from the sections of a book produced by Jim Sutherland. The book is called The Graphic Lexicon and is a celebration of the stories – fact and folklore – behind English words, symbols and punctuation.

I shall write about the book in a future post, suffice to say that it is just printed in two colours, offset litho. For these posters, the title was overprinted (in red) on one side of each section - hiding and highlighting parts of the words - the result in some instances, being the creation of new words. The results were not contrived, they are all happy accidents!

Click on images to enlarge

The paper used in the book and consequently the posters is Shiro Echo, White 100gsm (100% Recycled) which has just the right neutral shade of white for a book.

Printed Offset Litho in two colours with a further one colour overprint by Boss Print who are based in Acton, London.
I've only reproduced a few here, in total, it is a series of twelve posters.. You can read more about the project here: http://studio-sutherland.co.uk/projects/the-graphic-lexicon

www.dandad.org
http://studio-sutherland.co.uk/
https://www.bossprint.com/

Posted by Justin Hobson 25.05.2016

Wedding Invitation with a 14 carat flower

This is an exceptionally special invitation produced by Adorn, a wedding invitation specialists based in London. The ceremony was to be held in California and the invitations were entirely bespoke, created for Vanessa and Jim. Vanessa Williams is an American actress and Adorn went through an 'inspiration' process to discover what was important to the couple, to establish ideas which Adorn could then turn into reality.

The stationery set included a wedding invitation card, RSVP cards, security information card, accommodation information, custom envelopes for invitations and reply cards and place cards. The centrepiece of the set is the metallic gold lasercut 'gate' that surrounds the main printed invitation card, which was produced using Stardream Gold, 285gsm.

The above image shows the intricate details being lasercut.

During the inspiration process at Adorn, they discovered that the lotus flower had a really special meaning in the couple's relationship. The flower has a strong presence in new age spirituality and signifies new beginnings and luck. Jim had engraved the lotus flower on their engagement bands so Adorn decided that this detailing needed to be on the invitation. They designed and laser cut a 14k gold plated lotus flower that was hand applied to every invitation as you can see in the image below.

Clearly the happy couple were very pleased with the finished result and the wedding went well in the California sunshine. The feedback has been so favourable, that Adorn have agreed with Vanessa Williams to put her design into production which will make it affordable to everyday couples

...but without the 14 carat gold plated décor!

You can read more about the project here:

https://www.adorninvitations.co.uk/blog/vanessa-williams-wedding-invitations-design/

http://vanessawilliams.com/

http://www.cordenons.co.uk/

https://www.adorninvitations.co.uk/

Posted by Justin Hobson 23.05.2016

Caramel Baby & Child - Home

This is the look-book for the Home collection of Caramel Baby & Child. Originally founded as a business designing and selling children's clothes, the Caramel range has since expanded to a range of homewares including blankets, cushions, quilts etc.

The format is A4 (297x210mm) portrait and is saddle stitched. It is a 12pp self cover format and is printed on our Redeem 100% Recycled 80gsm.

The introduction is written by Eva Karayiannis, who founded Caramel Baby & Child in 1999. Originally from Greece, she came to London to study the history of Art at Sotheby's, eventually establishing a business selling and ultimately designing children's clothes. The introduction is written in her own quirky handwriting, elements of which are used throughout the publication.



Click on images to enlarge

Like many of the projects I feature, it is virtually impossible to do justice to the finished piece on this blog. Redeem 100% recycled is at best, off white and 100% recycled and 80gsm, so the feel that the paper exudes is one of simplicity and a 'newsy freshness'. The reproduction on this paper is superb, with even the intricate detail in the silhouettes and distinctive colours looking brilliant.

It is printed on Redeem 100% Recycled 80gsm, offset litho in four colour process (CMYK). Print is by Blackwing Press.

Art direction and design is by the in house studio at Caramel Baby & Child. Designer on the project is Kelsey Hutchinson.
http://www.caramel-shop.co.uk/
http://www.blackwingpress.com/

Posted by Justin Hobson 19.05.2016

The annual St Bride Foundation Wayzgoose

On Sunday I had a table at the St Bride Foundation WAYZGOOSE. This is a term (unfamiliar to most people) that used to refer to an annual holiday in a printworks and was often an awayday to the coast or some other sort of day out, more often than not, paid for by the firm. In this instance the St Bride's Wayzgoose was a kind of letterpress 'bring a buy' sale.

There were over twenty different tables displaying and selling everything from lead type to tabletop presses, books and printed examples of work.

Here is the table that I was allocated, where, as last year, I adopted a "throw it all on the table" approach! I took lots of offcuts and discontinued paper and board items. All paper, cards sold by weight - 20 pence per 100 grams.

I served at my 'paper stall' from 11am to 4pm  ...and by the end of the day I had raised £140, all donated to the St Bride Foundation

My neighbours on the table opposite was Caslon. Many readers will be familiar with the typeface, Caslon, first cast by William Caslon in the 16th century. The firm is still run by the Caslon family and there were three generations represented at St Brides on Sunday, pictured below. Today, they supply machinery, inks, powders and the ever popular Adana printing press.

One of the amazing presses on their display is this 'business card' size printing press which is absolutely delightful

My thanks to Mick Clayton for inviting me and to all the staff and friends of St Brides.

http://www.sbf.org.uk/

http://www.caslon.co.uk/html/_adana_letterpress___.html

Posted by Justin Hobson 17.05.2016