Thursday, 28 November 2024

Monocle at Christmas

Monocle is a premium media brand with print, audio and online elements, not to mention their ever expanding retail network and on-line business. The Monocle Shop is at street level in six cities - London, Zurich, Merano, Hong Kong, Tokyo and Toronto. The shop keeps everything from luggage and clothes to stationery and furniture.

The finished size is 216x102mm, portrait and is a 16pp folded format folding out to a flat size of 405x432mm.

The above folds out to reveal the first spread below...

Click on images to enlarge

...and then folding out again, left and right.

and then folding up to reveal the full spread below.

The below image shows both sides.

The whole publication is all printed offset litho on our Offenbach Bible 60gsm ...and it looks and feels absolutely gorgeous - it flops and folds in a delightful way when handling the publication as I hope these images demonstrate. The below image shows the way it folds.

Click on images to enlarge
Print quality is superb as I hope the image below demonstrates, fleshtone reproduction is excellent.
Design is by the team at Monocle. The publication is printed offset litho, CMYK throughout. The excellent print is by Park Communications, who are based in East London.

Posted by Justin Hobson 28.11.2024 

Thursday, 21 November 2024

ROH Christmas card

This is the Christmas card produced for the Royal Opera House. The 4pp card is A5 size (210x148mm) portrait. The brief was to create a Christmas card that showed a variety of work done by the ROH over the year...
Graphic Designer at the ROH, Ana Peres, collated three pictures showing The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The captions for the original pictures are: 
1. Artists of The Royal Ballet in Untouchable in The Royal Ballet: Back on Stage. 
2. Jonathan McGovern in Apollo and Daphne in 4/4, The Royal Opera.
3. Artists of The Royal Ballet in Within the Golden Hour in The Royal Ballet: Back on Stage.
All images ©ROH. All photographs by Tristram Kenton.
Above is a detail image showing the composite mono image. The card is printed in 1 colour (black) on a toner based digital press. The festive look of the final picture is completed with the sparkles of the paper as it is printed on our Stardream, Crystal 285gsm...
Below is an image showing the plain unprinted Stardream,Crystal:
Printing was handled by Indicia.

It is a really well designed, simple and cost effective solution with great impact. Thanks to Ana for the images and information about the project.

Posted by Justin Hobson 21.11.2024

Thursday, 14 November 2024

TIC CC

TIC CC is a UK brand of performance cycling clothing. Created for road athletes looking to achieve extraordinary things, their products are defined by the finest technical fabrics, hours of development and testing time, and a unique ‘peloton style’ aesthetic. The brand is also passionate in their commitment to sustainability...


Make responsibly — protect the irreplaceable! As riders we see it as our duty to do all we can to reduce the harm, protect the irreplaceable and make a positive difference. We are as passionate about ‘how we make’ as we are ‘what we make’
This is the printed promotional literature for their collection, used both as a mailer and sent out together with orders. The format is a 16pp, folded concertina, as you can see here...
The finished size is 240 x 170mm, folding out to 480 x 680mm.
Centre spread...
The idea for their photo shoot was based around the notion of ‘where we have been and where we are heading’. "We are more aware of the fragility of the world we live in based on our recent experiences of the pandemic. But tough challenges can lead to reflection, empowerment and renewed optimism. It’s the human spirit in action. The photography captures the optimism and sense of progression for the TICCC brand"

Fully extended spread...
Folding out to...
Click on images to enlarge
Be the Change - main spread
This promo represents their commitment to setting new industry standards for sustainability.

...and what about the paper? Well it has to be 100% recycled and our Shiro Echo, White in 100gsm was chosen, not just because it is recycled but it would handle the high density black CMYK coverage and the fluoro yellow would "pop" out!
...and it works beautifully.

Printing is by Identity Print in Paddock Wood and as I hope you can tell from the images, they have made a fantastic job. The solid black is amazing but still letting the images and the detail within them work. 
Creative direction and design is by TIC CC and Hugh Miller.

Interestingly, having spoken to the company founder, Andrew Monk, about the project, I learnt that this is their first piece of promotional print. As an online retailer, all their information is available online, but he increasingly regards print as an important way of getting their messaging and brand across, which is great news. After all, in this virtual world, there's nothing as immediate as something physical you can just pick up and read.

Posted by Justin Hobson 14.11.2024

Monday, 11 November 2024

COP29 starts today

Today, the United Nations Climate change conference, known as COP, launches COP29 at Baku, Azerbaijan in Egypt, attended by leaders of governments, environmental organisations and NGO's. I thought it would be a good day to remind you that it was exactly three years ago, we launched PaperWise, made using 100% agricultural waste, at COP26...

Fenner Paper has launched PaperWise at an online event to coincide with the COP26 UN Climate Change Conference in Glasgow. PaperWise is an entirely new concept, a range of paper and board manufactured from agricultural waste - this is the stems and leaves left over the harvest and which is often left in the field or burnt.
At the online launch, Justin Hobson, Marketing Manager at Fenner Paper said “PaperWise users give a second life to agricultural waste. In doing so they lower their ecological footprint, add value to waste, and prevent wastage”
There are additional benefits: PaperWise is produced in factories in India and South America that make a big difference to local communities. Investments are made in education, infrastructure, and healthcare while the manufacturing process is geared toward safety, zero waste, and preserving local ecology.
Lifecycle analysis (LCA) conducted by the University of Amsterdam (IVAM) has concluded that the environmental impact is 47% lower than FSC-paper made from trees and 29% lower than recycled paper...
The natural shade, manufactured from 100% agri-waste is also completely unbleached and has lower Co2 emissions than virgin fibre or recycled papers.
The PaperWise range is held in stock by us at Fenner Paper in Tonbridge. European stocks are held in Rotterdam and include a wide range of packaging boards and lightweight papers with food approval, copier paper and even corrugated boards. 

You can read more about this new range HERE and about how this fits with the UN sustainable development goals...
The paper and boards are suitable for all print work and packaging, with a one side coated packaging board up to 465microns.

In December we will showing PaperWise at the Packaging Innovations Exhibition in Olympia and PaperWise founder Peter van Rosmalen will be there too. You can watch this 1 minute video about PaperWise by Peter here:
If you would like samples, please drop me an email justin@fennerpaper.co.uk or have a look at our website.

Posted by Justin Hobson 11.11.2024

Tuesday, 5 November 2024

Jobs from the past - Number 180

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by - this project is from 2014.

Ted Baker "Take the scenic route" Autumn/Winter 2014

This is an exquisite print campaign from Ted Baker, one of the UK's leading clothing brands. Recognised for using interesting themes and stories for its marketing, the company has become a desired designer label through engaging with customers through word of mouth rather than just advertising.
Titled "Take the scenic route" it showcases the Autumn/Winter collection and is shot on location at Pickering station on the classic North Yorkshire Moors Railway. The Pullman steam train evokes a strong period scene in which the clothing and accessories play the central part.
The publication contains womenswear, menswear and accessories "so try something new (at the drop of a stylish hat) and always take the scenic route with Ted."
The paper used throughout is our lovely Omnia text and cover range - 320gsm for the cover and 120gsm for the text. As you can see from the images, there is lots of bright colour and images with CMYK dark areas (especially as it's Autumn/Winter) - lots of heavy coverage going down and it looks great on the Omnia, reproducing bright vibrant colours as well and the dark winter colours, whilst retaining detail in the dark areas. ALSO...solid colours such as the solid black below, look just beautiful, flat, matt and tactile. 
This publication is produced in two sizes, 297x210mm (A4) portrait and 210x148mm (A5) format, both with a 4pp cover and a 72pp text.Perfect bound.
The superb printing was by Absolute Ink in East London who have sadly gone bust since. Design and art direction is by the in house team at Ted Baker.

The front cover and spine is hot foil blocked with metallic silver foil - beautifully done and reinforces the quality of the brand.
Image showing foiling on the spine - spine is about 6mm
 
All in all, this is a superb piece of print. This book also heralds the launch of the wonderfully named "Phormal" range of clothing!

https://www.tedbaker.com/
Posted by Justin Hobson 05.11.2024

Wednesday, 30 October 2024

Zeta - Papers for business

 The ZETA range of business papers has been around for decades and should need no introduction. For many years it has been the gold standard for stationery papers in Europe, with it's excellent availability in all European countries and Fenner Paper became the UK stockist in 2015. The range has now been refreshed with the addition of a new Laid finish and new shades, including Diamond White, which is now presented in a new swatch designed by Wolfgang Forsch, who has handled the re-brand.

The new swatch is DIN A4 size, portrait format and is a 6pp gatefold. The cover is printed on Zeta Linen, Brilliant 350gsm and is printed in black plus a fluorescent orange.
The swatch shows the new stock range together with all the weights, surfaces and colours...
These fine papers are manufactured at the Reflex Paper mill in the town of Düren in Germany, which was founded in 1857 and the mill also produces transparent papers, label papers and artists papers. All ZETA products are made from Chlorine Free pulp (ECF) and carry the Forest Stewardship Council (FSC) certification.

If you would like one of the swatches, please email me: justin@fennerpaper.co.uk

Posted by Justin Hobson on 30.11.2024

Thursday, 24 October 2024

LCBA talks: The Nuances of Production by Darryl Lim

Lithographic printing and its processes in a nineteenth-century Muslim-Malay world.

The London Centre for Book Arts is very happy to host a talk by book and print historian, and friend of the studio, Darryl Lim whose research focuses on regional histories of the book in Southeast Asia in relation to the global histories of printing and examines technical aspects of print technologies.
Singapore-lithographed Qur'an from Pakualaman Mosque, Yogyakarta
This presentation will introduce some aspects of Malay lithographic print production in the 19th century, gathered from close observations of printed marginalia and marks left during the printing process. The talk will examine localised innovations developed in the unique environs of the Malay world; discuss the presence of anonymous individuals that laboured in the making of these printed objects, and highlight how Muslim-Malay manuscript practices dovetailed with Western book production techniques and Islamicate bookmaking traditions. 

The date is Friday, November 1st and the event is free to attend. Everyone is welcome. Drinks will be served and the LCBA shop will be open late alongside our current Library Show: 

Dr Wei Jin Darryl Lim is an independent book and print historian from Singapore. His research focuses on regional histories of the book in Southeast Asia in relation to the global histories of printing, and examines technical aspects of print technologies. His doctoral research (completed at the University of Reading) on the history of lithography in the Malay world is published in journals such as Indonesia and the Malay World, and a forthcoming special issue of Contextual Alternate. He was previously the American Printing History Association’s Mark Samuels Lasner Fellow (2019), and a Early Career Research Fellow at the Institute of English Studies, University of London (2022–23).

You can book your ticket here...
Posted by Justin Hobson 24.10.2024