The project was handled by Creative Director Steve Royle at The Chase in Manchester. The Designer was Mike Roberts.
Friday 14 August 2009
How about this for an annual report?
The project was handled by Creative Director Steve Royle at The Chase in Manchester. The Designer was Mike Roberts.
Thursday 13 August 2009
Eames DCW Chairs
The poster is printed on Redeem 100% Recycled 130gsm which gives it that "aged" feel. The poster is being held up (but you can't see her!) by designer, Jodie Silsby.
It was kind of Jodie to send me the posters ...I don't suppose there's any chance of getting the chairs as well? ha ha!
Tuesday 11 August 2009
The Field
The Field by Gary O'Connor published by Transition Editions, designed by Untitled.
The dimensions are 128x198mm which is a very pleasing size in the hand. It only has 28pp but it is enough text to section sew and has a nice square spine.It is just printed in one colour (black) and is purely typographic, there are no images or illustrations.
The text is printed on Neptune Unique SoftWhite 120gsm which gives it a neutral "book" feel. The dustjacket is on Astralux 1 sided 90gsm with the solid blue printed on the coated side and solid green on the uncoated side and folded up as you can see above.
...and thank you to Glenn and David for the kind note! http://www.untitledstudio.com/
Monday 10 August 2009
Condensed 04
This is a good read and always something in it to inspire.
In this issue there are:
1. The Art of Lost Words - a review of an exhibition by Studio Zwei by Andreas Pohancenik.
2. Looking backwards, moving forwards an article by Michael Johnson who knits the subjects of Massimo Vignelli, shoulder pads and Akzidenz, together.
3. Peter Dawson writes about the talk given to ISTD members in June by Wim Crouwel.
4. An interview by Jonathan Doney with David Brown, sundial maker and letter cutter.
The spread above shows a job which really caught my eye. I hadn't seen it before today. It is a silksreened map of Iraq, by NB:Studio displaying the words of the speech by Donald Rumsfeld about knowns and unknowns (under the title"Embrangled") It's a very powerful piece...
And now for the paper plug! It's printed on Redeem 100% Recycled 100gsm. It's printed in single colour and shows what a beautiful solid you can get on this paper...
It is printed by Gavin Martin Associates (www.gavinmartin.co.uk)
If you aren't already a member, you should really think about joining - there are many benefits, this is just one! www.istd.org.uk
Friday 7 August 2009
It's not just the big jobs that count....
Thursday 6 August 2009
New Ultrabold
Anyway, we at Fenner Paper have supported this publication for the last three years (by supplying discounted material) and the print is sponsored by Principal Colour. The publication is designed by Simon Loxley and is published by the Friends of St Brides.
In this issue, there is an article about the Hand and Eye press (letterpress printer) based in London and a very interesting article about Rian Hughes' hand drawn magazine and comic lettering.
I am also very fortunate that design duo Debbie Osborne and Andrew Ross (who many of you will know) very kindly produce the Fenner advert which appears on the inside back cover. This has involved trawling the St Bride's library for suitable and diverse "F" (for Fenner) letterforms. Thank you to Andrew and Debbie for your time and generosity.
Below is a picture taken at St Brides, where Andrew Ross is "giving it some welly" on a Columbian press - trying desperately to make an impression!
Tuesday 4 August 2009
RCA - MA Fashion
This year's catalogue is also exceptional. It is a 290x215mm format. It is "swiss bound" [for those of you who are unfamiliar, this is where the text block is section sewn and glued. Then binding tape is applied around the spine and then this text "block" is glued/bound into the inside back cover by a strip of glue running parallel to the spine. The spine of the actual cover is therefore "freestanding" and not glued to the cover so opens and sits completely flat] which is a lovely finish and brings a material/textile feel to the binding.
The book is cleverley divided into five sections using bright divider spreads- MW-WW-MK-WK-AF (Menswear, Womenswear... etc).
Design is by Mark El-khatib (mark.el-khatib@network.rca.ac.uk)
The superb repro and printing is by David Holyday
d.holyday@googlemail.com
...and now for the paper! The paper used for this project is StarFine White - 300gsm for the cover and 130gsm for the text. The colour reproduction is fantastic - although it goes without saying that it is as much to do with the originals and the repro treatment as it is with the paper!
http://www.rca.ac.uk/