Wednesday 9 November 2011

The Necessary Cat

This is a self published book by photojournalist Chris Kelly. Chris has previously produced other publications but she sometimes felt that the material choice could have been more considered.
For this new project, she met with Emma Horner at London printers Push and Emma suggested that Chris call me to discuss materials. Chris popped in to our office in Tonbridge and I showed her various materials and how they worked with mono images. The end result  is this modest, simple but beautifully produced publication.

The book is 203x152mm Landscape, perfect bound. The paper used is our Marazion Ultra, 4pp cover on 250gsm with a 46pp text on 135gsm. The cover is matt laminated with gloss UV varnish over the images.The mono images are reproduced in CMYK throughout.

If you like cats, you'll love this book (I think it's on Amazon)

...and thanks to Chris for her appreciative note.
Posted by Justin Hobson 09.11.2011

Monday 7 November 2011

2011 International year of the forest!

Well here's an interesting one...

The United Nations General Assembly declared 2011 as the International Year of Forests to raise awareness on sustainable management, conservation and sustainable development of all types of forests. All in all, very laudable and interesting from a paper point of view ...but we're now in November and I've only just found out about it!


It appears that there have been some good events throughout the year but personally, I think it has been poorly promoted. Had I been aware, I would certainly have been interested and tried to raise awareness. Sadly, I don't think we feel very positive about forestry and far too much emphasis is placed on negative publicity about "saving trees" as opposed to planting and growing trees in a sustainable way.
Posted by Justin Hobson 07.11.2011

Friday 4 November 2011

It's Nice That...

The It’s Nice That’s one-day conference has just been announced and the "earlybird" tickets have already sold out! However, there are still regular tickets available so why not have a look?

In Progress promises a deliberately curated programme of talks and insights from some of the most exciting and forward-thinking people in the creative industries.  The aim is to explore future trends, insights and potential highlights for 2012, opening up discourse about the direction of practice, process and innovation across a broad range of disciplines for the coming year.

There is a panel of influential creatives, commentators and industry specialists, including the following:
Tom Uglow creative director of Google and YouTube, Matt Jones of Berg, Lindsey Hilsum Channel 4’s award-winning international editor, Mills co-founder of UsTwo, publisher and writer James Bridle, Saatchi and Saatchi creative partner Kate Stanners, Emer Coleman director of digital projects at the GLA, Tony Davidson and Kim Papworth from W+K London, Dazed's Francesca Gavin and David McCall director of Hyper Island UK plus there will be additional names to be announced over the coming weeks.

...if you're sitting there reading this thinking "what's the point?" then ponder on this:
Learning is not compulsory... neither is survival.
W. Edwards Deming  (US business advisor & author 1900 - 1993)

www.itsnicethat.com
Posted by Justin Hobson 04.11.2011

Wednesday 2 November 2011

Jobs from the past - Number 25

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

British Council
Design, Architecture & Cultural Relations - 2008

This is a modest and cost effective publication produced for the British Council in Spring 2008. The publication covered recent projects, showcasing the best of UK creativity and the way in which the work of the council engaged in international cutural relations.
Although the pictures make them look like a series, they are simply the same publication but with a change of coloured cover board. Extremely simple, very effective and bringing the project a lot more value than if the covers were all the same.
They are A5 portrait, wire stitched (with black stitches - nice touch!) The covers are all 4pp printed on 5 different shades of Colorset 100% Recycled 270gsm (Spring Green, Mango, Deep Orange, Magenta and White)
Fronts:
 Backs:

Covers are printed in two colours (special blue and black) common, on all colours. The 16pp text for reasons of cost was printed on a cheaper uncoated offset (which is called Evolve, I think) is printed in CMYK.
The job was printed by Beacon Press (now Pureprint).

Design is by Wood McGrath and even though it was three years ago, I've still got the lovely note they sent me with the file copies (which also happens to be printed on Colorset Solar 270gsm!) Thank you Martin and Suzy:

Posted by Justin Hobson 02.11.2011

Monday 31 October 2011

Celia Sings


Some of you may remember the post that I wrote last December about the sad passing away of Celia Stothard. http://justinsamazingworldatfennerpaper.blogspot.com/2010/12/celia-stothard-1949-2010.html. Well, I can now happily report that a fantastic book celebrating her life has now been published, a book of which I am sure she would have been proud.
Celia was Alan Kitching's partner both in life and work. They happily collaborated on so many projects and this book is Alan's testament to Celia's creative life from working at the Sunday Times Magazine in the 1970's up to recent projects, at the same time as covering her life as a singer and performer.
It's a beautifully produced book. Look at the pictures and then I'll describe it!


End papers (Colorset 120gsm) with a pocket including a CD:
Unfolded wrap, that forms a dustjacket around the book, printed letterpress by Alan Kitching:
OK, now for the details....
The book is 280x205mm, portrait. It is section sewn, with blue cloth tape around the spine and has 3000 micron greyboard mounted to form the front and back "hard" covers. The outer front cover is hot foil blocked in two colours (red and blue) and there is a "plate sunk" panel with a picture of Celia mounted in the panel. The endpapers are blue in the front and red in in the back, both produced using Colorset 120gsm. There is 80pp of text which is all printed on our StarFine White 150gsm (an uncoated text and cover paper) which looks amazingly printed aaaaaand, (here's the slightly incredible bit) it's is all printed digitally on an Indigo press, printed by Pureprint - simply a stunning printed result.

The book is art directed by Simon Esterson. Designer on the project (and researcher and archivist) is Jon Kielty with Alan Kitching overseeing and orchestrating the whole project.

Richard Owers at Pureprint handled the print. Aaron Archer, Technical Director at Pureprint dealt particularly with the Indigo printing aspects of the production.

Alan Kitching presented last week at the AGI Congress 2011 in Barcelona, his work and the work that they had made together, as well as this lovely book:
http://www.a-g-i.org/5184/current-articles/barcelona-2011-agiopen-and-the-agi-congress.html
The book can be bought in all good bookshops (such as Magma) and on line, with all profits from the publication going to the Stothard/Kitching Trust. (PS only a limited edition have the signed poster/dustjackets)

Posted by Justin Hobson 31.10.2011

Thursday 27 October 2011

Other blogs...

It's always nice when you see projects that you've been involved with on someone else's blog - and here's one of those instances!
Paddock Wood based printer, Principal Colour have recently started their blog (they also twitter and facebook which is way more advanced than me!)
 Illustration by Kellie Black
(Above is the lovely illustration by Kellie Black (http://www.misspearlgrey.com/) of Martin and Alan, the two founders of Principal Colour. The illustration was commissioned to celebrate the launch of the last book for amelia's magazine)
Anyway, one of their very first posts is about paper and the coated/uncoated debate. It shows Amelia's Magazine (with a scratch and sniff cover! - on our Omnia) ....I shan't say anymore, otherwise you won't want to read their post:
http://principalcolour.tumblr.com/post/11948257268/coated-or-uncoated-paper
Posted by Justin Hobson 27.10.2011

Wednesday 26 October 2011

Simply beautiful

What does a business card do?

It is hard to argue that a good business card will guarantee lots of business and have potential clients queueing at the door! ...however, I remain convinced that a poor business card leaves little or no impression and worst of all may leave a bad impression.

This is a simple job about which I can't write very much because it is a business card, simply and beautifully produced.
The material is our Flora Tabacco in 350gsm (manufactured by Cordenons in Italy) which is a substantial board with a high bulk, an industrial look & feel and with deliberate "inclusions" or specks. This rough and ready looking material has been juxtaposed with some exceptionally fine hot foil blocking in a matt white foil - and it really is superbly done as you can see. The small lettering in a serif typeface has been well maintained and is a testament to the foilers ability to get the heat, pressure and dwell time on the foiling machine just right.

Design is by Emily Chicken. Foiling is by Birmingham based Tuckey Print.

www.guttfieldarchitecture.co.uk
http://www.emilychicken.co.uk/
http://www.tuckeyprint.co.uk/
Posted by Justin Hobson 26.10.2011