THOMASTAIT SS15

This is the invitation to the Thomas Tait preview show for his Spring|Summer 2015 collection held in London this September. This is his first show since last year, when he won the inaugural LVMH Prize for Young Fashion Designers. Thomas Tait is originally from Montreal but now lives and works in London and graduated from the Central Saint Martins Womenswear MA course four years ago.

For his new show, he has collaborated with Paris based visual artist Georges Rousse, who uses derelict buildings as his medium and paints on walls. Working with the artist, Thomas Tait has transformed his show into a living art space and this is reflected in this beautifully produced invitation.

The invitation itself is actually a 12pp loose bound (no binding) production. Size is 270 x 180mm and is printed on our Omnia 200gsm ...and it looks and feels just beautiful. It perfectly shows the images of the derelict spaces - lots of detail and excellent reproduction and great solids - no patchiness or mottle. It is totally in sympathy with the rough concrete interiors - tactile and engaging.

Centre spread.

The images above and below show how it is unbound and how well it works - it holds together beautifully ...and that is because it is the correct choice of weight of material - Omnia is very bulky and 200gsm works perfectly. If it were on the 280 or 320gsm it would be far too 'clunky' and would not hold itself together as a single piece of literature.

Below image showing the outside back cover where the event details are printed on the solid yellow.

You can read more about the event and collection here:

http://www.dazeddigital.com/fashion/article/21729/1/thomas-tait-ss15

Field Projects, a London based studio, is responsible for the superb art direction and design. Creative Director on the project is Tom Watt. Unfortunately I don't know who the photographer is because they also deserve a credit!

Print production is by FE Burman, who are based is south London and they have made an excellent job printing on the Omnia.

http://www.thomastait.com/

http://www.georgesrousse.com/

http://field-projects.com/

www.feburman.co.uk

Posted by Justin Hobson 11.12.2014

Snowfall Forest

This is the season when many of us our writing our Christmas cards, so what better time than to show you some beautiful cards printed on our paper!

Five Dollar Shake is a passionately British greeting card publisher. Based in Hastings and established in 1998, they design and manufacture all their cards in the UK, including the hand application of the crystals, sequins, bows and trinkets that many of their ranges are renowned for.

This new range of cards is produced on our Stardream Dolomite 285gsm. Stardream is a market leading pearlescent/metallic range which shimmers beautifully and is made by Cordenons in Italy. The size of the cards is 160mm square.

This particular range of cards is printed and flittered. Flitter is a process where glitter is put onto a glued area creating a really sparkly effect.

This range of cards is also an award winning range, having won the 'Best Christmas Counter range' at the recent Henries awards in October. The "Henries" are the awards for the greeting card industry (named after the inventor of the greeting card - Sir Henry Cole) - the greeting card industry equivalent of the D&AD Awards (www.thehenriesawards.co.uk). Five Dollar Shake have won over twenty awards in the last fifteen years.

Here is joint founder Matt Genower collecting the award from comedian Alun Cochrane.

These cards are exquisitely printed an flittered by Abbot who are one of the few specialist printers in the UK who also have flittering equipment. The cards are then hand finished at Five Dollar Shake.

http://www.fivedollarshake.com/

http://www.abbotprint.co.uk/

http://www.cordenons.co.uk/

Posted by Justin Hobson 08.12.2014

Brown's Hotel

Brown's Hotel in Albermarle Street in London is a familiar landmark, having opened in 1837. The hotel is steeped in history and has had many famous guests over the years. The building consists of eleven townhouses which are now combined into one elegant structure.

 

This piece of promotional literature is a brochure which strikes the balance between showing the history, while still showing the very contemporary features and facilities at this luxurious hotel.

'metallic on Omnia'

'Plate sunk'

The brochure is 180mm square. It has a 4pp cover and a 28pp text. The cover is printed offset litho in four colour process plus a metallic special in a champagne colour. The board used for the cover is our Omnia 280gsm which has an uncoated look and feel and yet prints superbly but which also prints metallics which actually look metallic! The printed image on the outside front cover (right) is also 'plate sunk' (that's a square de-boss) and this also works well on Omnia as it has a good bulk and compressibility, so embosses/debosses very well.


The text is printed on our Marazion Ultra 150gsm. The Marazion Ultra was chosen mainly because of it's matt flatness which would reproduce the interior images well without a glossiness which would detract from the classic look and feel of the hotel. A simple but effective choice of materials. The spine is about 3mm wide.

Design and art direction is by Saffron in London and the designer on the project is Wendy Roberts. Print production is by Harness Publicity based in Basildon.

https://www.roccofortehotels.com/hotels-and-resorts/browns-hotel/
www.roccofortehotels.com
http://saffron-consultants.com/
http://www.harnesspublicity.com/

Posted by Justin Hobson 05.12.2014

St Brides Christmas Lecture - 10th December

The St Brides Annual Christmas lecture is next week and you should think about going!

Brian Webb and Rob Shepherd will be talking about their involvement in the making of the special edition of Under Milk Wood that Sir Peter Blake illustrated to coincide with the Dylan Thomas centenary. The work Blake produced depicting characters and key scenes from the play has been a labour of love as it's taken him just under 30 years to complete – he's created 170 works so far!

© Sir Peter Blake

The artworks were shown in a special exhibition at The National Museum of Wales in Cardiff earlier this year. The Queen Anne Press (once owned by Ian Fleming) has now published various editions of a book showcasing Blake’s work from the exhibition, ranging from a paperback edition priced at £30 and a Fine Binding edition of 10 books priced at £5,500 per copy! The Fine Binding edition is the subject of the talk and you can see the cover design here:

© Sir Peter Blake

Brian Webb is an extremely known designer having been one half of Trickett & Webb and who now runs his own studio Webb & Webb. Rob Shepherd is a book binder, from Shepherds, Sangorski & Sutcliffe, who is responsible for this beautiful fine bound edition.

...and if that weren't enough, there a glass of wine and a mince pie included in the ticket price! Tickets are just £15 (concessions are available). 7pm on 10th December.

You can book (excuse the pun!) here:
http://www.eventbrite.co.uk/e/to-begin-at-the-binding-brian-webb-and-rob-shepherd-tickets-14261156503?aff=es2&rank=9

http://www.queenannepress.com/dylanthomas.html
http://www.sbf.org.uk/
http://www.webbandwebb.co.uk/
http://www.bookbinding.co.uk/

Posted by Justin Hobson 03.12.2014

Jobs from the past - Number 62

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

The Wapping Project
Diary - 2001

The Wapping Project was, until recently, an arts project housed in the old Wapping Hydraulic Power Station (built 1890). The building originally housed steam operated boilers to generate electricity in the early days of electrification. The works was decommissioned and mothballed in 1977. The building was converted and reopened by the Womens Playhouse Trust (WPT) which is a charity and under the management of Jules Wright, it was opened as an arts centre in October 2000.

The project included exhibition space in the basement and SHED54, where pieces of original equipment are still in place and a restaurant on the ground floor, called WAPPING FOOD, under head Chef Justin Aubrey.

A folded down broadsheet called 'Wapping Diary' was regularly produced to give the information about events and exhibitions. The size of the broadsheet is 420x712mm, folding down to a 32pp 210x89mm.

It was printed in CMYK plus a special - a metallic silvery blue on one side and one colour (special) reverse. It is printed on our Redeem 100% Recycled 80gsm, which is a neutral white recycled paper with enough industrial feel that really worked well for this project with it's mix of heritage and electricity/neon imagery. A beautifully simple piece of literature which just used all the elements correctly and sets this piece miles away from just a 4 colour leaflet on a bit of silk coated paper!

Below is a close up of the way the metallic has worked on the paper:

This project was designed by Frost in London. Creative director was Vince Frost who now runs Frost in Australia and the designer is Sonya Dyakova, who now runs her own studio in London.

It was printed offset litho by FS Moore in London. Richard Davey handled the project and he is now Sales Director at Leycol.

Sadly the building was sold to developers in 2013 and the project has subsequently closed - a great loss for London and the Wapping area.

http://www.thewappingproject.com/
www.atelierdyakova.com
http://www.frostdesign.com.au/
http://www.mooreprint.co.uk/
http://www.leycol.com/

Posted by Justin Hobson 02.12.2014

UOP Showcase 2014

You may remember that back in the summer I went to New Designers exhibition, where I wrote about one of the students from Portsmouth University (Eric Downer) who was awarded the coveted "New Designer of the Year" title. http://justinsamazingworldatfennerpaper.blogspot.co.uk/2014/07/new-designers-2014.html  I also mentioned that the course showcase publication at the show was printed on our paper and that I would write about it at a later date ...well, here it is!

 

Size is 225x160mm, portrait and is perfect bound. It has a 4pp cover with a 64pp text and has a superb quality and feel about it ...and there a really clever little twist as well!

The covers, which are all printed just one colour - magenta- have been printed on five different colours of our Colorset, 100% Recycled. This is a wonderful 'print design' solution as maximises the impact and the processes used. It looks and feel like you are getting so much more out of a project, but a no extra cost!

All that is required to make this effective, is a design that will work printed in one colour, that can be applied successfully on a range of colours ...and this does just that, beautifully.

The text is printed on our Redeem 100% Recycled 130gsm which is printed beautifully and does great justice to the wide and varied work of the students. Being a neutral white it gives the publication a 'booky' feel which works really well with the imagery.

The catalogue design team is Andy Lethbridge, Ellie Taylor, Ali Bird and Eric Downer and they have done a superb job. The academic team is Sarah Houghton, Andrew Denham, Mike Harkins, Dan McCabe, Estelle Taylor, Alex Tibus.

...and below you can see the striking result of how the different colour covers look, all stacked up at the New Designers show:

Catalogue production and coordination was handled by Sarah Houghton, Course Leader at the University of Portsmouth. Printing is by PPG Print in Portsmouth.

www.port.ac.uk
http://www.ppgprint.co.uk/

Posted by Justin Hobson 28.11.2014

Notecards from Velvet Olive

This is a lovely box set of esoteric notecards. Very cool, obscure images, complimented by monotone reproduction on a lovely light grey "raw" board, called Anvil. 

The cards are 4pp cards and are 170x120mm. Printed on Anvil SG 350gsm and are blank on the inside, so they are suitable for any occasion! Eight cards in each box ( two of each)

The cards come with a contrasting envelope, manufactured from our Colorset Lemon (100% Recycled), the gummed envelope with a diamond shaped flap is 173x125mm.

The cards are designed by Kathryn Fletcher, who is the founder of Velvet Olive. Kathryn started publishing cards in 2004 and she now supplies to a wide range of shops and boutiques including Paperchase and Waterstones.

The cards are printed by Graphite Creative who are based in St Albans. Graphite, specialise in the production of Greetings cards and have many 'in house' capabilities. These include die-stamping, hot foil blocking, blind embossing, flitter (that's like glitter), film lamination and they can also do film lamination with effects.

Thanks to Kathryn for sending me the selection of cards.

http://www.velvetolive.co.uk/

http://www.graphite-creative.co.uk/

Posted by Justin Hobson 27.11.2014