Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this one is from 2014 (although printed in 2015!)...
Dalziel and Pow - A Year in Review 2014
Every year Dalziel and Pow produce a yearbook to examine and appraise the company's work over the previous year. This would be a big ask for most companies, let alone one that has such a varied and diverse portfolio of work, over just a period of one year. Producing a book like this every year not only shows a commitment to the work that they have produced for clients but is also an historical record, which is an increasingly important factor in these days of electronic on-line impermanence!
This book is just a peerless production. The subject matter and images are superb and the creative direction, design, print production and binding make the publication absolutely superlative. In the beginning is their company statement and you can't get a clearer, or brighter image!
Size of the book is 305x245mm, portrait, with a limp bound, 4pp cover and a 104pp text. It is printed on our lovely Omnia 320gsm (cover) and 150gsm (text). The pantone special (fluoro) yellow, is flat, matt and tactile just like you would want it and with a real intensity of colour.
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I hope the images will do the talking...
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...and here we go for the plug about the paper! - As you can see from the images here, there is loads of colour and images with CMYK dark areas - lots of ink going down and it looks great on the Omnia, reproducing bright vibrant colours as well and the lighter more subtle tones as well, whilst retaining all that detail in those dark areas (in my opinion- but I would say that wouldn't I?)
Included within the 104pp page count are the first and last pages which have both been printed in the special pantone yellow which form 'end papers'.
An important feature that makes all the difference to this publication is the binding. It is a square backed limp bound book but the binding type that is used is called OTAbinding. This is a method of bookbinding that offers an elegant binding solution with advantages over conventional soft cover binding. One of the main advantages is that it lays flatter than a conventional section sewn book. It mimics the construction of a case bound book, so the spine of the text is free from the cover (see image below). It is this that results in the text and whole book laying flatter.
You can read more about it here: https://www.diamondprintservices.com/ota-binding/
The only visible difference between conventional binding and Otabound is the second crease (see above). Omnia 150gsm is very bulky paper, so the 104pp text gives the book a spine of 12mm.
Creative direction and design is by Dalziel and Pow. The main designers on the project are Kane Davis and Robin Gillard. One would expect their own book to be excellent and this publication is simply exceptional.
The book was printed by Team Impression in Leeds and just from the print point of view alone, it is superlative. The images are strikingly consistent and the finishing and binding are exemplary. A truly outstanding piece of print work.
...my thanks to Simon Bucktrout at Team Impression for kindly sending me over some file copies.
And some bang up to date news is that Anthony Dearlove has just joined Team Impression, to service clients from his London base - good luck and best wishes to Anthony.
www.dalziel-pow.co.uk
www.team-impression.com
Posted by Justin Hobson 04.04.2022
The publication is printed offset litho on our Offenbach Bible 60gsm ...and it looks and feels absolutely gorgeous - it flops and folds in a delightful way when handling the publication as I hope these images demonstrate.
The 'birds eye' image, below shows the concertina fold...
Visual Identity and design is by Dan Cottrell.
The reproduction on our Offenbach Bible 60gsm is exceptional. Printing is by Push.
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