Showing posts with label Bonnie Lo. Show all posts
Showing posts with label Bonnie Lo. Show all posts

Friday, 29 November 2019

British Book Design & Production Awards 2019

Last week,  I was lucky enough to be at the British Book Design and Production Awards which is hosted and run by the British Printing Industries Federation (BPIF) at the Landmark Hotel in  Marylebone. A very lavish and swish occasion.
I was kindly invited by Fenton Smith and Bonnie Lo from London print company BOSS, who were shortlisted for a number of awards.
 
On arrival, the nominated entries were all out on display and it was a truly wonderful array of books and catalogues. 
 ...a gathering of over 200 people from the world of publishing, print and design - and a few paper people in there as well! Here I am with my industry colleague, Charlotte Harvey from Antalis.
Once seated in the grand dining room, the evening was opened by Charles Jarrold, Chief Executive of the BPIF...
It was particularly lovely that a project which I was involved with won the category for "Limited Edition & Fine Binding" The project is titled "Paper Dolls" by artist Hormazd Nariewella. It is designed by Ornan Rotem  and published by Concentric Editions and Sylph Editions and it was beautifully printed by Boss Print on our Gardapat 13, Kiara 135gsm 
 ...and here is the team that made the book possible, collecting the award on stage, collecting the award from the compere Konnie Huq.
 Here is a sneak preview of the book (which I write about another time)…
Here is Bonnie from Boss with the artist Hormazd Nariewella:
Boss went on to win a further three awards, including the grand finale award "Best British Book" for North Northwest designed by Les Welch, pictured below with Fenton Smith from Boss:
Congratulation to all the finalists and award winners. You can read more about the entries and the winners here: https://www.britishbookawards.org/winners-2019/

It was a great evening - good company and food and my thanks go to Boss Print for inviting me and it was great meeting up with many other old friends on the table too.

Posted by Justin Hobson 29.11.2019

Friday, 23 November 2018

British Book Design & Production Awards 2018

Yesterday evening,  I was lucky enough to be at the British Book Design and Production Awards which is hosted and run by the British Printing Industries Federation (BPIF) at London's Mountcalm Hotel in Marble Arch. A very lavish and swish occasion

I was kindly invited by Fenton Smith from London print company Boss Print, who were also one of the sponsors and printed the awards catalogue. Below is pictured Fenton (left) together with photographer Giles Revell, who's book 'Cartographic Colour' published by Concentric Editions was a finalist in the awards
On arrival, the nominated entries were all out on display and it was a truly wonderful array of books and catalogues. 
The evening was opened by Charles Jarrold, Chief Executive of the BPIF...
 ...a gathering of over 200 people from the world of publishing, print and design - and a few paper people in there as well!
Congratulation to all the finalists and award winners. You can read more about the entries and the winners here: https://www.britishbookawards.org/shortlist-winners-2018/ Below shows all the winners on stage...
Boss Print sponsored the category for 'Self Published Books' and they also produced the awards catalogue and the exquisitely produced boxes, in which the catalogues were locked away until the awards concluded and the keys were distributed so everyone could get their hands on the lovely catalogues.
Click on images to enlarge
It was a great evening - good company and food and my thanks go to Boss Print for inviting me and it was great meeting up with many other old friends on the table too.

https://www.bossprint.com/
Posted by Justin Hobson 23.11.2018

Friday, 26 August 2016

Boxes in Boxes

The nature of this blog means that most of the projects I write about are either on paper supplied by Fenner Paper and more often than not, because I've had some personal involvement in the project. However, sometimes a piece of print comes along (where I have had no involvement) that is so utterly worthy of note that I feel it needs bringing to your attention and this is one of those pieces!

This is actually quite a high profile piece of work having won a yellow pencil at D&AD this April, so you may have seen it before but for those of you who haven't read on...

Firstly I'll explain the background. Boss Print are a printer based in Acton, west London, who's work has appeared on this blog many times before. Over the years when they had put out box-making to various 'trade' box-makers, they had been frustrated with the quality of the boxes they had received back and however hard they managed the project there was always some dissatisfaction with the quality of the end result. Just to clarify, we are talking about 'paper over board' rigid boxes here. Consequently, last year they invested in their own equipment, staff and  (most important of all) staff training so that they could make their own boxes 'in-house'. They started to make beautiful boxes (and they really are the most amazing quality) but were faced with the problem of letting their existing and new customers know about this new service ...enter Studio Sutherl&!

Jim Sutherland has worked with Boss for many years and having seen the amazing quality of the boxes created this superb demonstration piece using the words "There was an old lady that swallowed a fly" - from a well known cumulative children's song and working the story into the "Russian doll" type set of boxes.
To give you an idea of scale, the size of the first box (which is a lid pictured above) is 208(h) x 178(w) x 83(d)mm. The lid comes off to reveal what is described as a 'flush finish box'.
The 'flush finish box', (in white) which has a magnetic flap, opens to reveal a 'clamshell' box (in sand colour)
Click on images to enlarge
The clamshell box opens to reveal a 'flush finish lid/tray box'
 ...just look at the superb finish on these boxes - an amazing snug fit and beautifully turned edges and corners. This is real craftsmanship. 
The Flush finish box opens to reveal an 'overlap lid/tray box' (pale blue)
As you can see the hot foil blocking appears on the top, sides and even insides of the boxes.  
 
Inside the overlap box is a 'matchbox' (yellow)

Opening like so... 
Inside the matchbox (which has a red liner) is a slipcase (grey)
...and inside the slipcase is a little casebound book.  
The book gives the lyrics of the whole story/poem/song written by Alan Mills with lyrics by Rose Bonne in 1952. It also lists all the styles of boxes and all the credits for those involved, including all the paper, which was supplied by Fedrigoni.
Design is by Studio Sutherl&. Creative director is Jim Sutherland and the designer on the project is Alice Tosey.

It really isn't easy to try and convey the quality of manufacture of these boxes. Everything fits superbly and there isn't a ripple or a bowing of the board to be seen on any of these boxes. The two images below, I hope will demonstrate the super tight tolerances that the boxes are made to:
This is the whole set of boxes sitting together...
You can read more about the project and see much better images that I can take on the following link:

It most deservedly won a yellow pencil at this years D&AD awards and was shortlisted in two categories of the DesignWeek Awards, winning the award for Print Communications.

...and I'm sure if you have a project, where you are looking for a beautiful bespoke rigid box, Boss print would be more than happy to hear from you! ...just email Bonnie Lo (bonnie@bossprint.com) at Boss and I'm sure she will be pleased to help.

https://www.bossprint.com/
http://studio-sutherland.co.uk/
http://www.fedrigoni.com/en/
Posted by Justin Hobson on 26.08.2016

Monday, 30 November 2015

DesignWeek Awards 2015

On Thursday I was lucky enough to be at the DesignWeek Awards, held at the Roundhouse in London's Camden Lock. I was kindly invited by Fenton Smith and Bonnie Lo from London print company BOSS, who were also one of the sponsors and printed the awards catalogue. Along with paper industry colleagues Pari Blackbeard (Fedrigoni) and Megan Simpkins (GF Smith) we were joined on a table with some of the other award sponsors. Fenton and Bonnie with Pari pictured below:
Photo courtesy of Pari Blackbeard at Fedrigoni
The Roundhouse was an excellent venue, with 40 tables packed with the design industry's finest. In total there were twenty awards covering the diverse world of design from graphics, signage, product design, interiors etc.
The awards were hosted by the ever popular Sue Perkins who did a good job of rattling through the categories as rapidly as she could!
Every one of the winners deserves massive congratulations but in particular I must mention Magpie, who were nominated for five awards and scooped three on the night! Pictured below are David Azurdia, Ben Christie and Mike Fischer from Magpie.
Image courtesy of Magpie Studio
Below shows the contents of the excellent goody bag which included the awards catalogue printed by BOSS (paper donated by Antalis) and a cute, bright red Moleskine notebook, supplied by Noted in Style.
Image courtesy of Noted in Style. http://notedinstyle.co.uk/
It was a great evening - good company and food and my thanks go to BOSS for inviting me and my fellow industry companions!
http://www.designweek.co.uk/
Posted by Justin Hobson 30.11.2015