Cartlidge Levene for the wayfinding & environmental graphics for The Guardian building - (I know it's not on paper, but it's still fantastic work!) http://www.cartlidgelevene.co.uk/
Barrie Tullett and Philippa Wood who are lecturers at University of Lincoln and who run The Caseroom Press for The Ghost in the Fog (pictured left).
...and the list goes on - The Chase for their marvellous woodblock letters made from chocolate, Studio 8 for FUTU magazine and Henrik and Scott from A2/SW/HK for a clutch of awards.http://www.thechase.co.uk/
Here's a very cheerful looking Paulus M. Dreibholz, happy with his well deserved Certificate of Excellence for the poster for the Institute of Architecture in Vienna.http://www.gaffadesign.com/

Malcolm Garrett (http://www.appliedinformationgroup.com/) and David Coates (http://www.tothepoint.co.uk/), lurking behind the scenes!
...and a prize for anyone who can guess which dark horse from the NB:Studio table this is (answers on a nice postcard please!)
It was an excellent evening which showed a fantastic array of international typographic excellence. It is REALLY important for our industry that we retain societies such as the ISTD and we must take every opportunity to try and encourage membership, thus ensuring their continued viability.
It's A5 in size and just very simply foiled in two colours on our Monoblack 1400mics (...yes that's nearly 1.5mm thick!) Lovely typography and foiled to a very high satandard by IST printing services in Ayrshire.
...and thank you, Chris, for the lovely note.
To complete the ration book feel, the booklets were "stab stitched" (that's where the staple goes through the whole book, from front to back - like a cheque book - although the term cheque book binding normally implies, the application of binding tape over the stab stitches).
A particularly nice touch is that the front of all the books are "crash numbered" on the covers. For those of you who aren't aware of this process, it is an old letterpress process which uses a numbering box on a platten. It is an "impact" process which simply thumps the number on the sheet and then (in a clockwork style) clicks on one digit.
It turns out that we supplied one of our materials (called Kapok) to Richard Harnasz, who is a student at LCC (School of Printing and Publishing) and this, in part, helped him on his achievement of winning the 2009 Printweek Student of the Year award! 
