This is a brochure produced for a conference hosted by the Prince's Foundation. It is A4 format and saddle stitched. It looks and feels great and yet the run was only 200 copies!The job was printed on an Indigo digital press by Good News Press and the print result is fantastic. It is printed on our Omnia (FSC) 4pp cover on 150gsm and 20pp text on 120gsm.
Although Omnia was not developed for digital, it has been "sapphire treated" by the printer. This treatment is often applied to more unusual papers and provides a "key" so that the inks (which are different to litho inks) work on the paper surface.
As you can see from the spread below, the result is awesome!
Design is by Valerie Kildea at The Prince's Foundation and thank you for the lovely note.
Val kindly sent me a copy of the new Typographic Circle mgazine called Circular Sixteen and even though the paper was sponsored by another paper merchant (...based in Hull, guess who?), here's some pics, as it's very nice piece of work! There are articles about Lippa Pearce, Spin, Design Project to name but a few.
Have a look at www.typocircle.co.uk and join and get your own copy!
Val kindly sent me a copy of the new Typographic Circle mgazine called Circular Sixteen and even though the paper was sponsored by another paper merchant (...based in Hull, guess who?), here's some pics, as it's very nice piece of work! There are articles about Lippa Pearce, Spin, Design Project to name but a few.Have a look at www.typocircle.co.uk and join and get your own copy!
This job is for the Rainforest Action Network. The purpose of the publication is to highlight the scale of the destruction of the world's rainforests. Design is by Studio8, Matt Willey and Zoë Bather were designers on the project. The amazing photography is by Giles Revell.
The size of the job is 220mm x160mm portrait and is best described as an 8pp cover with a 24pp text. The text is actually formed by a long concertina (with one join) and the 8pp cover, which has a 10mm capacity spine actually works as a "dustjacket". It was constructed like this for reasons of both economy and ecology! The whole job actually comes out of one B1 sheet of paper meaning that it was relatively economical from a printing point of view and it was also not wasteful which is in line with the clients aims and objectives.
It is quite simply a stunning job both from the concept, design, photography, format, printing and finishing. It deservedly won 2008 DesignWeek award for Editorial Design. Thumbnail of the entire job is below:
The photography was printed as a Tritone with a high density black ink. The repro and superb print is by Granite. The material choice is Neptune Unique FSC 200gsm which not only printed fantastically but was also the environmental choice by having Forestry Stewardship Council certification.
Picture above shows outside back cover and the pic below shows the front and back cover with the flap that forms the "envelope" style flap. Text on the cover has also been hot foil blocked in matt white foil which gives a rich contrast with the self-coloured cover board.
The project is designed by biz-R who are based in Totnes, Devon. Creative Director on the project is Blair Thomson and design and (some!) of the copywriting is by Blair Thomson and Tish England.
The pocket sized catalogue is to accompany Pretty Eyed, Pirate Smile an exhibition of six video works from Ellie Rees. The works, made over the past two years, explore the archetypes and broad narrative structures that opera and film rely on, particularly regarding gender and love, specifically those of women in romantic relationships.
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