DAKS S/S11

Here's yet another excellent example that demonstrates the versatlity of our Offenbach Bible. A lightweight material that prints superbly well and if well printed can make any piece of literature a thing of quality and great interest.

Particular care has been taken over the print reproduction of these images. Many have subtle detail, weaves and texture which need to be seen and appreciated, so the reproduction achieved on the Offenbach Bible is of paramount importance to the sucess of this catalogue. The size is a standard A4, portrait and it's a 16pp piece with lovely white wire stiches (nice touch!)

Designer on the project is Bretton Bird working in-house at Daks. Printing, including the lovely hot foil blocking on the cover, is by Chapter Press. All in all a really lovely piece

www.daks.com

www.chapterpress.co.uk

Posted by Justin Hobson 16.08.2011

St Bride's Conference 2011

Becky Chilcott and John Walters are co-curating the Friends of St Bride Tenth Annual Conference.

The theme of this year’s conference is Critical Tensions and it’s being held on the 10th and 11th November 2011.

They have a fantastic line-up of speakers including Phil Baines, Jonathan Barnbrook, Zoë Bather, Alan Kitching, Gerry Leonidas, Vaughan Oliver, Paul Rennie, Lucienne Roberts, Jack Schulze, Steve Watson, Rebecca Wright and Derek Yates with more names yet to be added.

The objective in holding events at the St. Bride Library is to raise its profile and try to maintain a very real presence in people's creative imaginations rather than it acting as a profit making exercise, so the conference is reasonably priced.

So why don't you get those little grey cells moving and sign up!
http://stbride.org/events?show=criticaltensions

PS - I happened to notice that there are varios student discounts and concessions and the other thing is if you are an Eye subscriber you also get a discount - cool!

www.stbride.org

Posted by Justin Hobson 12.08.2011

Fabergé Invitation

This is a lovely private view invitation for Fabergé and the launch of their latest jewellery at the Baselworld exhibition. Size is 140x170mm, printed on our Omnia 280gsm which, as you can see, faithfully reproduces these amazing earings and the background solid colour:

The text side is printed in two colours offset litho, with a hot foil blocked Fabergé logo, in silver. Art Direction and design is anonymous  Print is by Push.

http://www.faberge.com/
http://www.push-print.com/

Posted by Justin Hobson 11.08.2011

INK

This brochure is the result of a collaboration between photographer Emilie Bailey, London based design studio & SMITH and digital printers Spring Image.

The title is "INK"  but the subject is nothing to do with printing, it's entirely about tattoos! It is 175x250mm, portrait format and saddle stitched. It looks and feels great and yet the run was only 500 copies!  The job was printed on an Indigo digital press by Spring Image and the print result is fantastic. It is printed on our new Shiro Echo, Bright White (FSC) 4pp cover on 250gsm and 32pp text on 120gsm.

Although Shiro was not developed originally for digital, it has been "sapphire treated" by the printer. This treatment is often applied to more unusual papers and provides a "key" so that the inks (which are different to litho inks) work on the paper surface - watch out for the new pre-treated Shiro digital range which is on the way!

Look and enjoy...

It really is a superb piece and goes to show that an Indigo, printing on uncoated materials really is as good as, and sometimes better than printing offset litho! I have a few copies, so if you want one, send me an e-mail and I can oblige

www.emiliebailey.com

www.andsmithdesign.com

www.spimso.com

Posted by Justin Hobson 09.08.2011

Gap 1969

This is a lovely promo piece to support the 1969 jeans campaign launch by Gap earlier in the year.

Size is A5, portrait. It has a 4pp cover and a 12pp text, printed CMYK throughout. The text material is printed on Marazion Ultra 115gsm. Cover is from the popular Hull based company on Colourplan 135gsm with a Buckram emboss. The cover also has a gloss UV varnish on the large 1969. It has a deliberately floppy feel which works really well for the denimy subject!

...and here's the clever bit - see below image. The cover means the book works both ways round - one way men/womens, the other kids/baby. Not the first time it's been done but very effectively executed.

Printing is by Absolute Ink who are based in Clapton in London and who work directly with many of the large brands such as GAP. Art director and designer on the project was Jonathan Baron working in conjunction with the in-house production team at Gap.

...and thanks to Jonathan for sending me some copies.

http://www.gap.com/
http://www.studio-baron.com/
http://www.theabsolute.co.uk/

Posted by Justin Hobson 04.08.2011

Jobs from the past - Number 22

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

First Exposure - July 2007

This is a set of complimentary information literature and invitations for an event bringing together inspiring new fashion and lifestyle brands, mainly from New York.

Each of the items is an A3 size and folded to A5 size but the top fold is in falf, so the effect is staggered and as a consequence, it doesn't feel like a standard A5 finished piece. Hopefully you can see from the pics below:

This is a rather unusual job because the material used is our Offenbach Bible 60gsm printed 1 colour line or full coverage solid. This isn't unusual in itself as it is very popular for folded invitations/inserts etc. however you may have noticed from the pics, a metallic gold and that is because there is a massive 250mm diameter hot foil block. The combination of the lightweight material and the foiling is fantastic - a really beautiful piece.

The design was by Studio Exposure which is part of the Exposure group of companies who hosted the event. The designer on the project was Matt Jenkins.
The printer that printed the job and handled the superb foiling was St Ives Westerham Press.

Matt Jenkins is now working freelance in London and has regular engagements at all the best studios!

http://www.exposure.net/
http://www.mattjenkinsdesign.co.uk/
http://www.westerhampress.co.uk/westerham

Posted by Justin Hobson 02.08.2011

Book of the Dead Invitations

These are the private view invitations for the British Museum Ancient Egyptian Exhibition, Book of The Dead. This was a blockbusting exhibition which ran from last November up until March. The 4pp invitations are A5 size and are printed on Omnia 280gsm which was chosen specifically because the gold metallic type reproduces as metallic (- often on uncoated materials metallics can just look a yellow colour) and of course because the solid black is also very solid.

Inside the outer cover is an 8pp insert which is "singer sewn" in a gold colour thread. The 8pp insert is printed on a translucent parchment type paper (pergamenata 90gsm) which gives it an ancient papyrus like feel.

Design is by Constanza Gaggero. Print is by Fulmar Colour and I know (because of all the samples we were doing!) that Martin Stacey at Fulmar Colour worked hard on getting it all working right - singer sewing along the spine especially!

http://www.britishmuseum.org/

www.fulmarcolour.com

Posted by Justin Hobson 29.07.2011