V&A 2011-2012



Pieces of print like this don't come along every day! This is the beautiful 2011/2012 Annual Review published by the V&A.  The museum celebrates it's highest attendance ever, at 2.88 million! ...so there's lots to celebrate. The report is divided into various sections combining the pictures and words about the collections and the life of the museum with a major section on the museum's Futureplan.

 

The cover is hot foil blocked in a white gloss pigmented foil on a Cool Grey 350gsm material from the well known, Hull based paper merchant!

With image reproduction being so important, it was essential that everything reproduced amazingly! The text chosen for the project is Omnia 150gsm because the print includes solid colours and images of exhibits - and it looks brilliant.

 

Size of the book is 200x265mm, portrait format, perfect bound. The 68pp text is printed in CMYK throughout - beautifully. Additionally, there are 4 tracing paper inserts as section dividers and an 8pp coloured section for the accounts.

Generation Press have written about it on their blog and they've also taken the time to show the foiling die used for the cover - very nice to see:
http://generationpress.co.uk/archives/3467

Design is by independent designer, Jo Glover. Photography is by David Short and the V&A photography studio.

 

Print, foiling and finishing is by Generation Press.

 

http://www.vam.ac.uk/
http://www.joglover.co.uk/

www.generationpress.co.uk

Posted by Justin Hobson 08.11.2012

ESPA Life

Here's a simple promotional piece for the ESPA Life resort in Central London. It's an 8pp "closed gatefold" format. Size is 200mm square.

Front and back cover are mainly left white and printed in a pantone grey special. It is printed on our Omnia 320gsm which is a very substantial board (bulk is around 450 microns!).

As you can see from the above images above and below, inside there is lots of colour and blue and grey are prevalent - and it just looks (and feels!) just beautiful on the Omnia - no mottle - just gorgeously even, solid areas.  Even the images with heavy four colour, dark areas - with loads of ink going down, looks great.

Designed and produced by ESPA.

 

Print is by Leycol, based in London - Richard Davey handled the print production.

 

www.espalifeatcorinthia.com

www.espa.com

www.leycol.com

Posted by Justin Hobson 06.11.2012

Jobs from the past - Number 37

Followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 2007.

Queen Mary’s Gardens in The Regent’s Park 75th Anniversary

Queen Mary's Garden is tucked away in the inner circle at Regent's Park. It can be a little tricky to find this 'secret garden', but it's well worth the search and it is fastidiously maintained. Queen Mary’s Gardens celebrated its 75th anniversary in 2007 and featured over 100 rose beds, each with between 150 to 225 rose bushes of many varieties and colours.

To celebrate its 75th anniversary, London design studio, Chacha was commissioned to design a commemorative brochure.

The brochure size is 210x198mm, landscape format and is absolutely beautiful to look at and hold. Here is the description in the words of Chacha:

Brief: Queen Mary’s Gardens in The Regent’s Park is a very special place, famed worldwide for its rose collections. To celebrate the 75th anniversary of it's inauguration , we were commissioned to create a commemorative brochure.
Solution: Fine bible paper was french folded to exploit its translucent qualities; the result as delicate as rose petals. The booklet was hand stitched with red thread and protected by a screen printed outer slip-case.
Result: Stakeholders and selected recipients were presented with a copy at a special anniversary event, with the cover price on subsequent copies raising funds for further restoration works.

The project is made using 12x 4pp "french folded" sections on our Offenbach Bible 60gsm, which is printed in four colour process on the visible pages and in one colour (magenta) on the "inside" of the french folds. Beatifully stab sewn (Singer sewing) through the book in red thread. The outer folder is printed on Colorset Dark Grey 270gsm

Design is by ChaCha. Creative direction by Charles Chambers. Designer on the project was Ben Davidson. Print production is by Scott Edwards at Glennleigh.

www.royalparks.org.uk
www.chacha.co.uk
http://www.glennleigh.co.uk/

Posted by Justin Hobson 01.11.2012

Lotus EXOS

 

This is a most beautiful limited edition book produced for Lotus. The Lotus Exos experience is for those lucky enough to have the funds to secure the package which includes racing on some of the best circuits in the world.

This limited edition (500 copies) book is a whopping 302mm x 400mm, portrait and is casebound with black bookcloth on the spine - this is called quarterbound.

It has a 44pp text printed on our Omnia 200gsm plus a 6pp throwout on 200gsm high Gloss coated.

As you can see from the above images, there is lots of colour and black is prevalent - and it just looks beautiful on the Omnia - no mottle - just gorgeously even dark areas (and we all know that blacks and blues can be a problem!) Even the images with CMYK dark areas - with loads of ink going down, looks great on the Omnia, reproducing bright vibrant colours as well and the dark mono images as well, whilst retaining all the detail. The photography and reproduction is amazing - the list of photographers would require a post all of it's own! so I'm afraid I can't credit everyone here.

The book is art directed and designed by Interstate. Creative Director is Nigel Gray. Printing is by Gavin Martin Colournet and they have made a beautiful job of both the print and the binding.

www.lotuscars.co.uk
http://www.interstateteam.com/
www.gavinmartincolournet.co.uk

Posted by Justin Hobson 29.10.2012 

BLUE {NOT} MONO

I was sent this new typeface by Peter at Volcano types. I like it, so I thought I'd share it:

( ...don't worry, I'm not getting paid to advertise it!)

And here's the blurb...
As a binary system, at the junction to two antagonist drawings, the Blue (Not) Mono typeface is an hybrid between the monospace and the humanistic sans-serif families. Declined to several variants and weights: a true monospace and a proportional one, a roman and italic style, bold and the main purpose is obviously to maintain in the same time a calligraphic identity, and a computing legacy. Jérémie Nuel studied graphic design at Strasbourg (France). Afterwards he worked as an independent graphic designer at Lyon (France) for three years. Then he lived in Tokyo for one year, working as an artistic director for a design agency. Since he went back to France, he works with Simon Renaud (A is a name). They are putting the notion of evolution into their design process as a cycle of graphic research concentrated on typographic systems.

http://www.volcano-type.de/

Posted by Justin Hobson 25.10.2012

Design by St

What could be better than this?

 

Beautiful new business cards for Design by St. 

 

Design by St is the studio founded by Steve Fenn and Tom Pollard who both used to work at Studio8 until they closed in May this year. Seizing the initiative, they set up their own studio and have been busy ever since! They have a new website as well: http://designbyst.com/home/

 

The lovely cards are hot foiled blocked with gloss black foil and edge printed on Neptune Unique FSC 400gsm and they look beautiful. Print production is by Danny Kirk at Push.

www.designbyst.com
www.push-print.com

Posted by Justin Hobson 23.10.2012

British Museum 2010/2011

This is a beautiful project printed earlier this year. It's the British Museum Review 2010/11. Although it is called a "Review" it is really an Annual Report - and it's a great shame that we don't see Annual Reports like this in the corporate sector.

The format is 190x267mm portrait. It has a 4pp cover and a 76pp text. It is perfect bound but with grey binding tape applied to the spine. The cover is hot foil blocked in matt white and matt grey foil.

The cover is on our Colorset Nero 270gsm. 60pp of the text is printed on Redeem 100% Recycled 130gsm with the last 16pp appendix printed 1 colour on sugar paper. 

As you can see with the above spread, each section is prefaced with an introduction spread, which are printed in solid black and the solid black on the Redeem is a really good, solid black - testament to both the paper and the printer!

It is designed by McConnell Design and Zach John was the senior designer on the project. Beautifully printed by Gavin Martin Colournet.

http://www.britishmuseum.org/
http://www.mcconnellstudio.com/
http://www.gavinmartin.co.uk/

  Posted by Justin Hobson 19.10.2012