On Friday, Printweek reported that The Colourhouse, a London based printing company, has gone into liquidation (in laymans terms that means they've gone bankrupt).
http://www.printweek.com/print-week/news/1140263/runs-colourhouse
It's very sad news as they have been an excellent quality print company in the design and corporate sector. Over the years, they won many printing awards and accolades, including many PrintWeek and Printing World awards as well as a fair share of the various paper company awards that used to take place in the 90's
The Colourhouse was started in 1993 and it's beginnings, certainly were colourful! In the 1980/1990's there was a printer called Litho-Tech based in Bermondsey Street and they were among the printing elite, along with such names as CTD, Oakley Press, Balding & Mansell, Summerhall Press, Westerham Press etc. that were producing really excellent print for the corporate print market, notably design lead, Annual Report & Accounts.
In 1993 a vacant unit opposite Litho-Tech came up for lease and there was much speculation as to who would be moving in. The power was connected, there were rumours that a printers was moving in, but little did Paul Watson (MD of Litho-Tech) realise that it was some of his staff that would walk across the yard and set up The Colourhouse from a standing start!
Scotty (Malcolm Cooper), the owner of repro company Scott Colour (which produced Litho-Tech's repro, film and plates) production director Terry Rudd and salesman David May formed the backbone of the new company which started printing virtually immediately. The Colourhouse quickly gained a reputation for high quality print and produced many annual reports. Litho-Tech who were not happy with their new neighbours, moved to Kennington Park and The Colourhouse ruled Bermondsey for the remainder of the 90's.
David May was ousted in 1997 with Mike Roberts and David Arkell taking over responsibility for sales. Having outgrown the factory in Bermondsey they moved to Deptford in 2002 and expanded with more presses, finishing equipment and a bigger sales force.
In the late 2000's, they commissioned a new identity by Sea with photography by Simon Phipps. Further investments in press technology culminated at the end of last year with a brand new Heidelberg Speedmaster XL106 being installed. In line with many commercial printers, they have seen tough times in recent years and also had the misfortune of having taken a sizeable bad debt last year with the collapse of a charity marketing agency, CSDM.
Nearly one hundred jobs have been lost which is terrible for all those involved and there will be a long list of creditors who will never be paid. It marks the sad demise of one of the last, large, London based printers.
http://www.printweek.com/print-week/news/1140263/runs-colourhouse
Posted by Justin Hobson 04.11.2013
On Friday, Printweek reported that The Colourhouse, a London based printing company, has gone into liquidation (in laymans terms that means they've gone bankrupt).
The Colourhouse was started in 1993 and it's beginnings, certainly were colourful! In the 1980/1990's there was a printer called Litho-Tech based in Bermondsey Street and they were among the printing elite, along with such names as CTD, Oakley Press, Balding & Mansell, Summerhall Press, Westerham Press etc. that were producing really excellent print for the corporate print market, notably design lead, Annual Report & Accounts. 
In 1993 a vacant unit opposite Litho-Tech came up for lease and there was much speculation as to who would be moving in. The power was connected, there were rumours that a printers was moving in, but little did Paul Watson (MD of Litho-Tech) realise that it was some of his staff that would walk across the yard and set up The Colourhouse from a standing start!
In the late 2000's, they commissioned a new identity by Sea with photography by Simon Phipps. Further investments in press technology culminated at the end of last year with a brand new Heidelberg Speedmaster XL106 being installed. In line with many commercial printers, they have seen tough times in recent years and also had the misfortune of having taken a sizeable bad debt last year with the collapse of a charity marketing agency, CSDM.
Nearly one hundred jobs have been lost which is terrible for all those involved and there will be a long list of creditors who will never be paid. It marks the sad demise of one of the last, large, London based printers.
This is a beautifully simple piece of print produced to accompany the Ossie Clark exhibition that ran at the V&A from 2003-2004. From the mid-1960s to the mid-1970s Ossie Clark dressed the famous and
fashionable. The exhibition shows work from his most productive period which coincided
with London's optimistic, rule-breaking decade in
which fashion, photography, music and the cult of personality converged.
This is the invitation to the showcase of new books from Harper Collins. Billed as 'The Big Book Parade', the function was held at the Crimson Bar at The Soho Hotel in May.
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