From paper mill to shopping mall!

Regular readers of this blog will be aware that the paper industry has been going through a very hard time in recent years and the manufacturing sector which is "heavy industry" has suffered with mill closures and the resulting job losses. Last year, I wrote about the paper mill in Finland which has been converted into a Google datacentre:

http://justinsamazingworldatfennerpaper.blogspot.co.uk/2013/01/from-paper-to-data.html

Aticarta in Pompeii - the derelict factory building

I recently came across another interesting and creative solution for what to do with a redundant paper mill, this time in Italy. The "Aticarta" paper mill is based just outside the historic and ancient city of Pompeii. Founded in 1927 the mill manufactured cigarette and filter papers, which is a specialist area of paper manufacturing. The holding company also had production at another site and so sadly, the Aticarta mill was closed in 2005.

Subsequently a co-operative including the regional government and regeneration agency purchased the site with a bold plan to regenerate the buildings as a retail destination with particular emphasis on making the project as sustainable as possible.

The former paper factory has been transformed into a modern integrated shopping centre, over two levels with 120 retail units, 12 food/restaurant outlets and 2,000 parking places. The whole project is focussed on sustainability, integration with the environment and the surrounding historic ruins and the use of  energy efficient technologies. The shopping areas and galleries, are cooled by 26 reversible Roof-Top units installed on the roof which maximize energy efficiency and compliments the sustainable development of the whole project.

Building work started in 2010 and was completed in 2012. There is 30,000m2 of space employing over 150 people.

It's an interesting and innovative solution to use a redundant factory in an environmentally sound way, especially in such a sensitive, historical cultural area as Pompeii.

...and I hope you enjoyed reading about it.

 

http://www.cclacartiera.it/

www.europoligrafico.it

Posted by Justin Hobson 11.03.2014



Five Dollar Shake ...on Stardream

Many readers of this blog will have purchased a greeting card or two from this remarkable greeting card publisher, Five Dollar Shake. Based in Hastings and established in 1998, they design and manufacture all their cards in the UK, including the application of the crystals, sequins, bows and trinkets that many of their ranges are renowned for.  

This new range of cards is produced on a bespoke production of our lovely Stardream board, made by Cordenons in Italy. For those not familiar, Stardream is a pearlescent/metallic range which shimmers beautifully. The board for these cards is made especially with a stripy emboss (called Cannetè) with a coloured reverse (see below pic) which complements the outside of the card, enabling a message to be written inside with ink or ballpoint pen.

The size of the cards is 160mm square. This particular range of cards is hot foil blocked only, the 'appy birthday card (above) in four different foil colours! The cards are also embossed on the foiled area and you can see the wonderful depth of embossing on this 80th Birthday card...



The "Henries" are the awards for the greeting card industry (named after the inventor of the greeting card - Sir Henry Cole) - their industry equivalent of the D&AD Awards (www.thehenriesawards.co.uk) and Five Dollar Shake have won over twenty awards in the last fifteen years ...pretty amazing stuff!
Creative director at Five Dollar Shake is Beth Genower.

These cards are exquisitely hot foil blocked and embossed by Robert Armstrong, who is based in Keighley, Yorkshire. Intricate and impeccably produced.

http://www.fivedollarshake.com/

robertarmstrong59@hotmail.co.uk
http://www.cordenons.co.uk/

Posted by Justin Hobson 07.03.2014

Ultrabold 14

This is the Autumn 2013 edition of Ultrabold magazine, which is the Journal of the St Bride Library - if you aren't familiar with St. Brides, have a look at the link: http://www.stbride.org/

 

Fenner Paper is pleased to support this publication, by supplying discounted material - hopefully doing our bit to preserve the history of our industry for future generations. This latest edition has some really interesting articles, worth a mention.

In this issue, there is a very interesting article about, designer and artist Eric Ravilious (1903-1942) who, in his short career, produced a prodigious amount of work.

  

In this issue there are three separate articles by James Russell, looking at three aspects of his talents, as wood engraver, lithographer and watercolourist.

The publication is designed by Simon Loxley and is published by the Friends of St Brides.Printing is sponsored by Principal Colour. The journal is a 40pp self cover, 190x265mm Portrait, saddle stitched and is printed on Brand X FSC 135gsm.

The cover price is £7.00, although as I've mentioned before, it's worth mentioning that this publication is free to friends of St Bride - so why not look into joining - might be cheaper than just buying the books!

http://www.stbride.org/
http://www.principalcolour.co.uk/

Posted by Justin Hobson 05.03.2014



Jobs from the past - Number 53

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Children Nationwide - Annual Review 1995/96

The charity was originally set up in 1977 under the name “Kidney” by an individual whose friend’s daughter had died of kidney disease with the aim of funding research into kidney disease. At that time there was virtually no research into children’s health issues and the specific treatment of children with kidney disease had only just begun. Over the years, “Kidney” evolved into “Children Nationwide Medical Research Foundation”, and moved towards supporting all areas of paediatric research.

This beautifully crafted report was produced in 1996, to both report on the charity's progress, financial status and a document to encourage further donations. For the record, it's worth pointing out that the charity awarded £2,093,868 in research grants in 95/96.

The size of the report is 310x235mm, portrait. It has a 4pp cover on our Kapok 400gsm, which is a brown board with a raw look and feel. The cover is printed in just one colour both sides but the outside cover has a printed self adhesive label (printed one colour, halftone in blue) "tipped on" which registers with the one colour printed surround - very effective.

The 24pp text is printed on our Neptune Unique 135gsm and is printed in two colours throughout. It's worth remembering that back (nearly twenty years ago) two colour offset litho printing was substantially cheaper than four colour which is the norm, these days. Beautifully printed, with flat solid colours.

The photography throughout is by Andy Rumball:

As a result of this charity, there have been major clinical advances in many areas of paediatric research, especially in Kidney treatment. In 2003, Children Nationwide was renamed “WellChild” to better reflect the broadening remit of the research.

The report was designed by designer, Marek Gwiazda. It's a superb example of a well thought out, beautifully crafted piece of literature which has stood the test of time. It certainly isn't a lavishly produced job and shows then, as now, that a well considered design with the right materials can be produced in a cost effective way and still look fantastic. Marek Gwiazda is now based in Bristol.

The report was printed by Principal Colour, who are still based in Paddock Wood in Kent.

www.wellchild.org.uk
http://www.marekdesigns.com/
http://awrprojects.blogspot.co.uk/
www.principalcolour.co.uk

Posted by Justin Hobson 03.03.2014

CIA Calendar 2014

 

Mind of a child, Eye of an Artist 

This is the lovely 2014 desk calendar produced by the Central Illustration Agency (CIA). In September, a team of CIA illustrators held a children's workshop at the V&A Museum of Childhood in London. During the workshop each child was asked what they imagined the future might look like. These thoughts were then turned into briefs and sent out to their international network of illustrators!

 

A few weeks later, forty of those artists had created illustrative interpretations of those children’s thoughts and on 12th October they returned to the museum. Alongside those exhibited images, a dozen CIA illustrators took to the stage and created giant live artworks, accompanied by the children who had dreamt up those artists’ briefs and very much beholden to their unequivocal art direction.

 

During an extraordinary project, a child’s vision was realised by a professional artist and the results are presented on this lovely calendar  

Cover illustration: Jakob Hinrichs

 You can read more about the project here: http://www.centralillustration.com/projects/

Telegramme

Brian Grimwood

David Holmes

Le Gun

The 140mm square calendar is printed on Omnia Natural 120gsm, chosen so that it would have an uncoated look and feel but reproduce the wide and diverse illustrations superbly. The "tent card" (which is the commonly used term for the supporting cardboard frame) is made from a sturdy sheet of Trojan Whiteback 510gsm (below pic):

Production of the calendar was handled by Charlotte Hanlon. Printing and finishing is by L&S Printing based in Worthing, West Sussex.

 

http://www.centralillustration.com/

www.ls-printing.com

Posted by Justin Hobson 28.02.2014

Fifty Shades of Black

David Crompton at litho and digital printers, Quadrant (part of the Linney Group) tweeted about the large number of black samples that he had amassed from us and some other companies, for one of his customers....

https://twitter.com/drcbt1/status/431847203645444096/photo/1

...and that got me thinking about just how many black papers and boards we keep here at Fenner Paper.

So I started compiling a list and it turns out that we have over thirty items in black ...in fact it may be even more than stocked up in Hull (...by you know who!)

• Colorset Nero (100% Recycled) - 100, 120, 170, 270, 350gsm
• Notturno - 90, 110, 140, 170, 200, 250, 300, 350, 390, 450, 700gsm
• Monoblack - 1400microns
• Stardream Onyx - 110, 120, 285gsm
• Dali Nero - 200, 285, 360gsm
• Dali Doré Nero - 125, 205, 290gsm
• Modigliani Nero - 145, 200, 320gsm
• Tube Black - 130, 260, 340gsm
• Astralux Black- 250gsm
• Astralux Black/Black - 250gsm
• Flockage Colours Black -100gm, 400gsm

....WOW! - so if you need something black, get in touch.

...and thanks to David at Quadrant for pointing out the blindingly obvious! davidcrompton@linney.com

www.linney.com/quadrant

Posted by Justin Hobson 26.02.2014 

WITHIN - Howard Tangye

This post is about a beautifully produced book, titled WITHIN, showing the work of artist Howard Tangye. It was published and launched in Paris last year and the London book launch took place in London in January, to which I was invited.

 

The launch was at the Hus Gallery in Hanover Street, W1, combined with a solo exhibition of the artist's work, entitled "Casting the Line"  

Now this isn't the first time that this book has been mentioned on this blog. I profiled it last year as a project that had been launched on Kickstarter. If you follow the link, you can read the original piece, as there's no point in my duplicating the entry:

http://justinsamazingworldatfennerpaper.blogspot.co.uk/2013/06/howard-tangye-artist.html

 

The Kickstarter campaign was a roaring success and the funds were raised and therefore the project could actually be printed and the vision of the publication be realised.

  

The size of the book is 310x210mm portrait and is casebound in bookcloth. It is beautifully bound produced. There is a 170pp text which is printed on a split between Omnia White and Omnia Natural, both 150gsm. There are front and back text sections on the Omnia natural and the colour work is printed on the Omnia White. There are an additional 16 "tipped in" overlays, printed on our Tectonic Clear 150gsm, which is a translucent tracing paper. The art looks absolutely superb printed on the Omnia. which has reproduced the colours perfectly, whilst still giving the look and feel of an uncoated material.

The book is designed and published by Stinsensqueeze. Partners Louise Naunton Morgan and Stina Gromark conceived, designed and finally published the whole project, which they should be very pleased about. I think I'm right in saying, that the books have nearly all sold. They also designed the typeface for use in the book.

The book was printed and produced by Jigsaw Colour. The complexity of the book with the "tip ins" made this a challenging project, but the print and binding are both absolutely superb.

http://stsq.org/stsq/within-howard-tangye/
http://husgalleries.com/
http://www.kickstarter.com/projects/311248544/within-howard-tangye?ref=live
www.stsq.org
www.jigsawcolour.co.uk

Posted by Justin Hobson 24.02.2014