Jobs from the past - Number 157

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this one is from 2013...

This is a series of three lookbooks showing the Summer TU clothing range from Sainsbury's - Womenswear, Menswear and Childrenswear.

Size of each brochure is 210x148mm, portrait, self cover. They are also all stitched with white stitching wire which is a nice touch 

Each of the catalogues is printed on Marazion Ultra 115gsm and is a self cover. Menswear and Childrenswear are 20pp and the Womenswear is 24pp. Transparent plastic wallets were manufactured to hold all three books when sent out as a set, although they were also used individually.

For readers not familiar with Marazion Ultra, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt (and some which incorporate the word matt in the name, but aren't!) ...but this really is - and if you don't believe me, please ask for a sample.

Art direction and design is by London based agency Exposure, who specialise in fashion PR. Creative Director at Exposure was Simon Shaw. Hayley Inglis was the producer at Exposure who oversaw the project.

The job was produced by the Inspired Thinking Group (ITG). Print is by Bristol based Apple Litho, who have sadly since gone out of business.

https://www.exposure.net/london
https://teamitg.com/

Posted by Justin Hobson 02.12.2022

Painted Nudes - Saul Leiter

This is an extraordinary book showing the work of an extraordinary artist. Throughout the 1950's and 60's Saul Leiter was a highly regarded and well known fashion photographer. His work, associated with other associated contemporary photographers, came to be recognized as the 'New York School' of photography.

 

More recently, in the early 2000's, with a resurgent interest in his work, Saul Leiter came to the fore as one of the most accomplished colour photographers of the 20th century. Few of those familiar with his photography are aware that over many years he created a formidable body of paintings and more remarkably, painted photographs.

This superbly produced book is the first ever publication dedicated to this largely unknown part of Leiter’s work which he produced over the course of four decades.

The size of the book is 260x210mm, portrait and casebound. There is a 'tipped in' image printed in four colour, mounted into a 'plate sunk' panel on the front cover, which is also hot foil blocked in two colours. The case is covered with a self coloured, linen embossed bookcovering paper in a deep, rich,  red.

The 160pp book contains a selection of more than 70 painted photographs "intimate, brilliantly coloured pieces that marry Leiter’s two artistic passions. Produced over the course of four decades, these fiercely expressive nudes are a testament to Leiter’s intuitive sense of colour and composition, and showcase a great 20th century artist at his resplendent best."

The foreword by Margit Erb, from the Saul Leiter Foundation in New York is followed by an essay by Mona Gainer-Salim. These incredibly expressive images are  in dispersed with passages from various relevant texts.

The majority of spreads are full colour images bleeding off the page which are discretely merged with other images set within solid colour panels, which are printed out of four colour process. 

The text is printed on our Neptune Unique SoftWhite 120gsm, an uncoated off-white, smooth (yet tactile) text and cover paper - the printed result is simply fantastic.

The book is beautifully bound (section sewn) and has a 14mm spine.

Binding is by Boekbinderij Van Waarden in the Netherlands utilising a special 'lay-flat' technique which retains the integrity of the section sewing thread but without having to 'fight' with the binding! it lays nice and flat...

...as you can see from the below image.

The book is published by Sylph Editions. Design is by Ornan Rotem and production is by Num Stibbe.

Scanning is by Laumont Studio (New York) and the book is typeset in Trinité. The superb printing is offset litho on a Komori H-UV press and is printed by Cassochrome in Belgium. The printed result on this uncoated substrate is simply superb, which combined with the superlative binding makes this a piece of print that is seriously noteworthy.

http://www.sylpheditions.com/
https://www.csc.be/
https://www.boekbinderijvanwaarden.nl/index.en.html

Posted by Justin Hobson 28.11.2022

The House of Suntory

Craft Cocktails

Founded in 1899, Shinjiro Torii built the House of Suntory with a singular vision: to craft quintessentially Japanese spirits that would suit the delicate palate of his people. Suntory Whisky Toki creates a blended Japanese whisky that is both ground-breaking and timeless. Roku Gin is the first gin from Japan's legendary Suntory, made using six Japanese botanicals that provide a whistle-stop tour of the four seasons. Haku is the premium Japanese craft vodka from the House of Suntory. Made with 100% Japanese white rice, the name Haku means "white" in Japanese.

These craft cocktail menus are A5 (210x148mm) size. The paper chosen is our Modigliani, Candido 260gsm which reflects the tactile, natural subject matter. Modigliani Candido 260gsm - it is a feltmarked paper with a texture reminiscent of a watercolour paper and the finished result is superb...

Click on images to enlarge

...and what you probably wouldn't be able to guess is that these cards have been digitally.printed! They are printed by McAllister Litho in Glasgow using their Konica Minolta bizhub digital press.

Click on images to enlarge

Above, you can see the detail image showing the texture of the paper. This is one of those projects where just choosing the right material that works with the subject and imagery makes these A5 cards a 'stand out piece of print'.

https://house.suntory.com/en/na/the-house

https://www.mlg.co.uk/

Posted by Justin Hobson 22.11.2022

Hotel Amigo

Brussels

Hotel Amigo is an elegant hotel set among the cobbled streets of Brussels, just around the corner from the beautiful Grand Place. Close to Brussels' financial district and within easy walking distance of the antiques district of Le Sablon, The illustrious hotel is decorated with Belgian accents, reflecting the city’s history and heritage, and many of the rooms and suites have been recently refurbished by interior designer, Olga Polizzi.

This the brochure for the hotel, which follows the branding by Pentagram.

Size of the brochure is 266x204mm, portrait and is saddle stitched. The cover is an unusual format as there is an 8pp cover with 140mm wide flaps and there is an outer jacket, only 210mm high, also with 140mm flaps. It is the first time I've seen this combination and the effect is superb...

Click on images to enlarge

The materials used for the covers is our Dali range, which is a 'felt-marked' paper with a linear effect and a natural, tactile feel. If you click on the image below, you will be able to see the texture in the paper.

Click on images to enlarge

The cover is on Dali Nero 200gsm and is hot foil blocked in matt white and copper foil. The jacket is printed on Dali, Candido, 160gsm and is litho printed in CMYK on one side only.

The 16pp text is printed offset litho on our Marazion Ultra 135gsm, chosen because of it's dead matt flatness which would reproduce the interior images well without a glossiness which would detract from the classic look and feel of the hotel.

The brochure has a beautiful, quality feel and flows in the hand superbly. The combination of photography, materials and quality print makes this a wonderful piece of print.

Design is by Pentagram. The excellent print, repro and finishing is by Gavin Martin, based in London.

https://www.roccofortehotels.com/hotels-and-resorts/hotel-amigo/
https://www.pentagram.com/
https://www.gavinmartin.co.uk/

Posted by Justin Hobson 18.11.2022

2022 World Cup Wallchart

As we count down to the opening match of the 2022 World Cup, I’m pleased to show our typographic wallchart for recording the action. 

The tournament kicks off on November 20th at the Al Bayt Stadium when the hosts Qatar take on Equador. 32 teams play in 8 groups and it will be the first time the event is played in the Middle East.

Despite more than a few eyebrows being raised when Qatar was awarded the privilege of hosting the World Cup, football fans have hailed this as an important one as it’s likely to be the last that the greats like Cristiano Ronaldo and Lionel Messi will compete in.

This beautifully designed typographic wallchart is by David Coates, who also happens to be a member of the ISTD board (International Society of Typographic Designers) and my thanks to Dave for making it all happen - a perfect way to combine his love of type and football! 

The wallcharts are printed by Identity Printers on our lovely PaperWise Natural 90gsm made using 100% agricultural waste and completely unbleached! The size is 880 x 315mm. Typeface used is Foundry Unie by The Foundry Types.

We have sent out a number of these wallcharts to our football loving design clients, but if you want to make absolutely sure you get a copy, you can email me justin@fennerpaper.co.uk 

Posted by Justin Hobson 15.11.2022

Armistice Day

Today is Armistice Day, also know as Remembrance Day or Poppy Day and is a memorial day observed in the UK and the Commonwealth since the end of the First World War. Many people will observe a two minute silence at 11am and also at Remembrance Sunday, which is the following Sunday. Most of the coverage is focused on those that served in the armed forces (and quite rightly so) but I thought I'd write today about an individual who was a designer, typographer and illustrator, who also wore a uniform.

Some of you will have heard of Abram Games. During the Second World War he was appointed 'Official War Poster Artist' and designed over 100 posters. It's worth remembering that posters were one of the most effective ways of getting messages across to a mass of people and had equal if not greater importance than newspapers, magazines or the radio; and exceptionally well designed posters could be exceptionally effective!

I was fortunate enough to meet his daughter, Naomi Games, who gave an excellent talk about his life and work, including the war years.

Click on images to enlarge

Abram Games was born in 1914. He attended St Martin's School of Art and was already working as a commercial artist before the war. Following 6 months training in the infantry, he was transferred as a draughtsman and after winning a competition to design a poster, was posted to the War Office in June 1941 and his work designing posters for the war effort began.

These images are taken from a booklet about the work of Abram Games, printed on Omnia, which I wrote about here.

In November 1942 he was promoted to Lieutenant and became the Official War Poster Artist, a title never before or since claimed by any other artist. You can see much more of his work here:
https://www.abramgames.com/

Click on images to enlarge

He tried to re-join his regiment, concerned that he had a "cushy job". His commanding officer replied 'You have been appointed to do a job and as far as the army is concerned, you are the only man who can do this and you will bloody well get on and do it! We can always replace a soldier, but we cannot replace you'. He ended the war as a Captain and had designed over 100 posters. Very few examples survive, as they were pinned or pasted up and rarely endured the war.

In 2019, there was an excellent exhibition of his wartime posters at the National Army Museum called 'The Art of Persuasion' and I was kindly shown round by Malcom Clarke at the NAM.

Alistair Hall of We Made This wrote about his visit to the exhibition in an article which puts my writing and photography on this blog to shame! ...so I suggest you have a look: https://www.wemadethis.co.uk/blog/2019/04/abram-games-the-art-of-persuasion/

Here is the exhibition guide...

After the war, Abram Games had a wonderfully successful career with a prodigious output. He designed the symbol for the 1951 Festival of Britain and clients included Guinness, the Financial Times, British Airways, London Transport and British Rail.

Although not serving on the front line, Abram Games was an exceptionally important part of the war effort and like the millions of other exceptional, yet ordinary, people who made their own quiet contribution to the eventual victory over the Nazis, deserves to be celebrated.

https://www.abramgames.com/
https://www.nam.ac.uk/

Posted by Justin Hobson 11.11.2022