Stardream - answering your questions.

Since my post on Tuesday (below) about our new Stardream range, I've had quite a few e-mails asking for swatches (thank you - they are on the way). I've also had quite a few comments both on the blog and e-mails asking how we've ended up being the stockist.

So, how come we are now the UK distributor?

Well, there's a bit of a story here but basically up until now it has been stocked by the (once mighty) Robert Horne Group.

These days Robert Horne is a division of the loss making Australian based Paperlinx (as is Howard Smith and Paper Co). Unfortunately Paperlinx is in a financially perilous state which has been much reported in the press. There have been rafts of redundancies and other cuts which culminated last November, when Robert Horne announced that it was closing it's entire branch network.
http://www.printweek.com/news/1106823/Robert-Horne-centralises-sales-Northampton-regional-sales-offices-close/?DCMP=ILC-SEARCH

Subsequently, Italian paper manufacturer Cordenons, approached us to see if we would be prepared to work with them and improve the availability of Stardream for designers and printers in the UK. We thought about it, said OK and here we are!   

It's a tough time in the print and paper industry at the moment and although in this instance Robert Horne's loss is our gain, it's important to remember that this is against the backdrop of things being very hard in the paper/print industry. I'm sure there are many other mills also contemplating their distribution arrangements.

The following links show some backround about the Robert Horne/Paperlinx situation:
http://www.printweek.com/news/1122504/Paperlinx-sells-its-Italian-business-Lecta/?DCMP=ILC-SEARCH

http://www.printweek.com/news/1120351/Paperlinx-suspends-interest-payments-its-Step-up-Preference-shares/?DCMP=ILC-SEARCH

http://www.printweek.com/news/1115540/Paperlinx-investors-bid-oust-chair-appoint-representative-director/?DCMP=ILC-SEARCH

http://www.roberthorne.co.uk/
http://www.paperlinx.com.au/
http://www.cordenons.co.uk/

Posted by Justin Hobson 24.05.2012

Stardream ..some exciting news!

As most regular readers will know, I don't write this blog to shamelessly 'flog' our papers and I rarely just plug our products ...but I'm going to now!

I'm very pleased to announce here that we (here at Fenner Paper) are now the UK stockists of STARDREAM.

For many of you, Stardream will need no introduction, it's the market leading pearlescent and metallic paper range produced by the Cordenons paper mill in Italy. Many people have become fans of the light irridescent finishes and the dual sided deep metallic finishes which do truly shimmer.

...and it comes in 31 shimmering shades! 

Stardream is used for a wide range of applications, including cover, presentation folders, Invitations, greetings cards, luxury packaging and a whole host of other stuff that I haven't thought of!

As well as being available in the 31 shades, it comes in a good weight range. All items are available in 120gsm and 285gsm with some of the most popular items also available in 340gsm board and a 110gsm one sided (particularly used for luxury packaging - paper over board boxes and casebound covers). And if that weren't enough, the range also includes three embossings, Orion, Seta and Cannetè.

You can see the whole range here: http://www.cordenons.co.uk/

..and here's our lovely new swatch...

One of the most important things about these ranges is good availability and we certainly don't want to disappoint! So, we have put every single item of the mill's stock range into our warehouse here in Tonbridge, so availability should be truly excellent (- we hope!)

Here's a picture of the Cordenons mill and paper machine in Italy:








...and there's even a picture of me shaking hands at the mill on our new agreement, with the mill's (special) agent Terry Wakeman.

If you would like to receive one of the new Stardream swatches, just email me (justin@fennerpaper.co.uk) and I'll pop one in the post.

http://www.cordenons.co.uk/
http://www.gruppocordenons.com/en/

Posted by Justin Hobson 22.05.2012

Post Office in Pictures ...take 2!

...oops! nearly forgot. Further to my post on Friday, also in the envelope is another piece of the exhibition literature. 

Size is DL (210x99mm) portrait. It is a 6pp gatefold also printed on Omnia but on 120gsm this time.

As with the invitation, the dark, rich mono images have reproduced fantastically well on Omnia - a real richness in the black areas which still retain lots and lots of detail - something that you wouldn't normally achieve on a standard uncoated paper.



As with the post below, design is by Cai and Kyn  ...and in the envelope was a lovely note from Cai.

Print is by Orchid Print.

http://www.postalheritage.org.uk/
http://www.caiandkyn.co.uk/
http://www.orchidprint.com/

Posted by Justin Hobson 21.05.2012

The Post Office in Pictures

This is a really well considered invitation. The Post Office in Pictures is an exhibition showcasing iconic photographic images sourced from The Royal Mail Archive.

In 1933 Sir Stephen Tallents was appointed Public Relations Officer to the General Post Office (GPO) and so began a major project to promote the range of postal services to the British public.

One initiative was the establishment of The Post Office Magazine, intended to give a sense of shared community, camaraderie and endeavour. In order to do this, the GPO employed photographers to create beautiful, informative and often humorous photographs of the Post Office at work. While the photographic documentation of the Post Office at work in the community has continued to today, this exhibition will celebrate photographs from the BPMA collection covering the 1930s to the 1990s.

This piece of print is the invitation to the private view of the exhibition opening in Swindon.

The size is 148mm wide, 140mm high. It opens as a gatefold, left to right and with small flaps on top and bottom, creating a sense of mail/envelope, without actually being one!

It is printed on our Omnia 320gsm and the sepia coloured imagery post office red solids are litho printed out of CMYK which works really well with Omnia with it's matt flat nature - it also has a light natural tint on the inside spread which is sympathetic to the image. The printed red band on the outside has a gloss UV varnish giving the effect of a piece of packing tape - very simple and effective (and of course it's worth pointing out because UV varnish works exceptionally well on Omnia)

Design duo Cai and Kyn (who are brothers) were comissioned to design the exhibition including choosing the final photographs, all printed material and the exhibition stands/walls/furniture.

Repro, print and finishing is by Orchid Print.

Anyway the good news is that you haven't missed the exhibition itself, as it's actually opening in London at the Lumen Church Gallery (http://www.lumenurc.org.uk/) in Tavistock Place - tonight!
...and runs until 31st August - and the good news is it's free entry.
http://postalheritage.wordpress.com/2012/05/17/the-post-office-in-pictures-exhibition-opens-in-london/

http://www.postalheritage.org.uk/
http://www.caiandkyn.co.uk/
http://www.orchidprint.com/

Posted by Justin Hobson 18.05.2012

William & Son - Engagement Rings

This is a beautifully produced little publication produced by William & Son of London for their range of engagement rings. It is a small 'handbag' size of 110mm square. The book has a 4pp cover with a 20pp 'French folded' text (which confusingly actually makes it 40pp!) and is perfect bound.

The text pages are printed on our Marazion Ultra 115gsm with the natural, flat mattness which works fantastically reproducing the metallics and the jewels...

The cover is a Buckram embossed board from that other, Hull based paper merchant! As you can see from the pic below the inside of the french folds are printed with the William & Son brand patterning.

Design is by Material Organisation, based in London. Creative Director is Sam Wilson, designer on the project is Rosy Tsai. There are some beautiful touches on this piece including the hand tied ribbon around the cover (see image at the top of the post).

...and thanks to Rosy for taking the time to send me  a copy and a lovely note:

Print and the excellent finishing (french folding is nice and square) is by Generation Press.

www.williamandson.com

www.m-o.tv

www.generationpress.co.uk

Posted by Justin Hobson 16.05.2012

Illustration: Making Pictures

A new conference at St Bride's has been announced called Illustration: Making Pictures on 19th June 2012.

"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep" Scott Adams

Here's some information about it:
Illustration plays an integral part in many of our design processes – from interpreting the ideas of designers, to bringing to life an author’s words. Free from the constraints of a set brief, illustration can act as an outlet where creative expression can roam freely.

Mike Nicholson

We normally only see the highly polished end result in the pages of a magazine, on a billboard or a jam jar label, but for illustrators this journey starts with ideas; with scribbles and sketches, mistakes and musings.

With the advent of digital technology, we can gain more immediate insight into the story behind the pictures. Illustration can blur the boundaries across design, art, and typography and above all illustration engages, delights and inspires offering a fresh perspective to the world we live in.

There are some great speakers (see pics) coming, it should be an excellent event.

Pure Cow - Linzie Hunter

The Metal Pig - John Lawrence

Speakers include: Ben Flynn, John Lawrence, Linzie Hunter, Kai and Sunny, Nic Rawling, Peter Schrank, Helen Stephens  – more to be announced shortly.

Conference illustrator: Mike Nicholson

Demonstrators: Paul Antonio, Helen Ingham, Richard Lawrence, Peter Smith

Tickets are £85 (£70 for Friends of St Bride's members) · concessions and full-time students £60

For more information, follow the link:
http://stbride.org/events?show=illustration

Posted by Justin Hobson 11.05.2012

AirW1

There are property brochures and there are property brochures - this is simply an amazing property brochure!

AirW1 is a Grade II listed building which incorporates the old Regent Palace Hotel in Piccadilly and has been converted to provide a mix of office, retail, residential and restaurant space around a stunning central atrium. More than half of the hotel’s original façade has been retained and repaired and significant sections of its exquisite Art Deco interiors restored and reinstated with four glamorous 1930s entertainment venues being completely restored within the redevelopment (...another point of interest, I discovered is that the offices will be serviced by a high-tech energy centre powered by a cutting-edge hydrogen fuel cell).

The Crown Estate appointed DN&Co as the branding agency for the property which included all aspects, such as signage, website, marketing and this brochure.

This brochure exudes quality of art direction, typography, design and print and finishing. Taking design cues from the building's heritage, an "Art Deco" identity involving a bespoke brand typeface was the chosen route.

Size is 210x270mm, portrait. The cover is a standard 4pp cover with 2 pieces (front and back) of Astralux 250gsm mounted onto our 2000mic Vale Board giving a very thick cover. The boards are cut away 15mm from the spine. The front cover has an angled die cut in the bottom right hand corner with the underneath cover board showing. The high gloss Astralux has been de-bossed with the signature brand pattern, which if you enlarge the pic below, you should be able to see.

Inside the text is printed in CMYK plus a pantone special gold 

The 72pp text is printed on our Omnia 150gsm. The beautiful photography looks amazing. Reproduction is superb whilst still having an excellent bulk with a tactile and engaging feel.

And in case you hadn't noticed, the pics of the spreads have something unusual about them, they are lying flat with perfect readovers.

This job incorporates a new 'Layflat binding' technique. It was important for this job in particular, which is designed to work as spreads and it works - it opens completely flat and open - and it doesn't fall apart. To be honest when you see a book opening as well as this, you have to question why anyone would use conventional binding ever again!

The section dividers printed in Pantone gold looks really like gold!

Another particularly beautiful touch is the production of a bespoke branded "capacity" envelope with 14mm capacity:

Design is by London design agency DN&Co who specialise in property branding. Creative Director is Ben Dale. Print production including the layflat binding is by Push.

I just spotted that this is shortlisted on the DesignWeek awards listings - and so it should, as it is a superb piece of literature

http://www.airw1.com

http://www.dnco.com/

http://www.push-print.com/

Post by Justin Hobson 09.05.2012