Panettone Wrap

This is a lovely project which was produced last year at Christmas time. I received a call from Richard Davey at London based printer Leycol, who asked if we could supply a 60gsm in a red and black paper. We discussed the project further and it turned out that paper was to be printed with a metallic gold text and sent to Italy to wrap the traditional Panettone cake for sale in the Wildwood Deli.

Unfortunately I couldn't find a readily available red/black 60gsm stock paper available from one of our supplying mills and the quantity wasn't enough for a 'mill making',  so I suggested that he could successfully print a solid colour onto our Offenbach Bible 60gsm and the metallic gold text with excellent results. I sent Richard a printed sample of a McQ project to show how well a solid could work.  

The sheets were printed on a B1 Heidelberg offset litho press, in a solid pantone (not panettone colours!) colour plus a metallic gold and as you can see, the paper has printed beautifully. The size of the finished sheets are 550x750mm.

Not only does Offenbach Bible print beautifully, it also is very strong and "scrunches" beatifully! making it ideal for this type of wrapping, where a tissue paper (which you wouldn't be able to Litho Print) would actiually not be strong enough ...and here is the finished packaged article

Couldn't resist trying a slice!

Thanks to Richard Davey for giving us the opportunity to be involved with this very tasty project!

http://www.leycol.com/

Posted by Justin Hobson 18.12.2018

Fenner Paper 2019 Diary

If you are a regular user of our papers, you should be receiving your new 2019 diary in the post next week. Here's a sneak preview...  

As in previous years, the diary is 230x162mm, portrait and retains the popular 'month to view' format. The cover board is printed offset litho in just one colour on our new Creative Print 210gsm, which is 100% Recycled.

Click on images to enlarge

The 40pp text is simply printed in one colour, offset litho, on our lovely Offenbach Bible 60gsm, which has a superb opacity and a good writing surface making this an ideal paper for a diary or notebook.

 

               This year the cover has been created by the wonderful Mr Doodle. Regular readers of this blog may remember I met the 23 year old Mr Doodle (aka Sam Cox) at The Art of Ping Pong opening last year and was truly inspired by his work, so I asked if he would like to collaborate on our 2019 diary and he said yes!

Our thanks to Mr Doodle for creating such a wonderful cover. If you aren't familiar with his work, this video shows the incredible speed at which he works - stunning:

If you don't receive a diary from us, then firstly you need to become a Fenner Paper user and then just ask if you can have a diary ...it's easy!

https://mrdoodle.com/

Posted by Justin Hobson 13.12.2018

Hatch Interiors - Lyon Square

Hatch Interiors is a company which specialises in interiors and furniture for landlords and serves the rental market. London agency 400 to created the Hatch Interiors brand identity a few years ago and this piece of collateral is for a development in Harrow called Lyon Square.

The finished size is 210x118mm and the format is a 12pp roll fold, which folds out to 210x700mm. Hopefully you can see the way it works from the 'birds eye' picture below:

It is printed on our Marazion Ultra 170gsm, chosen because of it's good bulk and printability. At 170gsm it is around 190microns thick, which takes a crease really well but would still fold out well and not feel too rigid - there's always a danger with roll folds in particular that they become too clunky if the weight is too heavy.

It is printed offset litho in CMYK and hot foil blocked with a black gloss foil on the front cover.

To effectively demonstrate the way it works, the pictures below, show how it rolls out page by page...

Opening spread:

 ..folding out to

Click on images to enlarge

 Below shows it fully folded out to the 700mm width

 ...and the below image shows the reverse side:

For readers not familiar with Marazion Ultra, it's a fully coated paper but it really does have a dead flat MATT surface. There are many papers on the market which profess to be matt (and some which incorporate the word matt in the name, but aren't!) ...but this really is - and if you don't believe me, please ask for a sample!

 

You can see from the detail shot below, that the reproduction of the interiors is excellent:

Below is a detail showing the hot foil blocking in a gloss black foil on the front cover. 

Art direction and design is by Hatton Garden based consultancy, 400. Creative Director is Paul Dennis, designer on the project is Andrew Pitchford

Print and finishing is by Dylan Hughes at All About Print.

www.hatchinteriors.co.uk
www.400.co.uk

http://www.allaboutprint.co.uk/

Posted by Justin Hobson 10.12.2018

Subtle - Takeo Paper Exhibition

Yesterday, I visited Japan House in Kensington to see the Takeo paper exhibition which opened last month. The show, Subtle, has been touring the globe since 2014 and is one in a series of exhibitions commissioned by the Japanese based paper company, Takeo. The show is designed and art directed by Kenya Hara.

The exhibition presents works designed and crafted by creators living and working in Japan from diverse disciplines across art, animation, architecture, fashion, graphic design and literature. These unique creations explore a fascination with paper, highlighting the individual choices of material and the diversity of textures, colours, techniques and applications specific to their creative practice.

The exhibition originates from the 47th Takeo Paper Show, Japan’s only paper industry show, which has been held since 1965. It is known for working with top creators to take up the challenge of bringing out new potential from paper. Many of the innovative creations on display serve to highlight this delicate craft in a modern and contemporary light.

Curated and directed by HARA Kenya, Chief Creative Director for the global Japan House project, the SUBTLE exhibition explores the influence of Japanese minimalism, inviting visitors to observe each innovative artwork up close and in minute detail.

There is a wonderful book available, which you can see here:
https://www.ndc.co.jp/hara/en/books/2014/09/subtle.html

The show is free admission. It is only open until 24th December, so you'll have to be quick.

https://www.japanhouselondon.uk/whats-on/takeo-paper-show-subtle/

Posted by Justin Hobson 07.12.2018

Jobs from the past - Number 110

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Villa Frankenstein 2010

Journal of the British Pavilion, 12th International Architecture Exhibition

In 2010 the British Pavilion, for the British Council, was transformed into Villa Frankenstein by muf architecture. Drawing on the work of John Ruskin, the British Victorian social critic and historian of Venetian architecture, the pavilion acted as a stage for drawing, discussion and scientific enquiry.

Villa Frankenstein enabled an exchange of ideas between Venice and the UK, examining the city’s relationship with the UK and the situation of Venice as an archipelago that has given birth to some of the most iconic architecture in the world. In all of his writing, John Ruskin emphasised the connections between nature, art and society. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation.

This is the publication to accompany the exhibition and the size is 260x163mm portrait, saddle stitched. There is a 4pp cover with a 32pp text and a centre CMYK 8pp section on a coated paper.

Photographic section, printed in CMYK on a coated paper... 

The 'Made in Venice' theme was continued through a series of separate installations in the outer galleries of the pavilion, including a 15 square-meter slice of salt marsh, showing a close‐up view of the native flora and fauna of the Venice Lagoon.

Click on images to enlarge

Printed offset litho throughout in two colours, blue and black (plus the CMYK centre photographic section). The paper used is our Favini SHIRO Alga Carta, White, chosen because it was in keeping with the sustainable nature of the project, because it is manufactured partly using algae harvested from the Venice lagoon, combined with recycled and FSC certified fibres. Algae blooms at the end of Summer in the Venice lagoon as the warm water combines with pollution and must be harvested to maintain the lagoon's eco-balance. The cover is on 300gsm and the text is on 120gsm and the relationship between text and cover is just right, it flows superbly:

Birds eye view...

If you aren't familiar with Shiro Alga Carta, the specs of Alga are actually visible in the sheet as you can see in the detail below:

Click on images to enlarge

The publication was published by the British Council. Design is by Axel Feldman at Objectif, a London based studio. Printing is by Papergraf based in Padova. 

http://www.objectif.co.uk/
http://www.papergraf.it/papergraf/en/

Posted by Justin Hobson 03.12.2018

Wynkyn De Worde Society

Some readers of this blog may know that for this past year, I've been chairman of the Wynkyn de Worde Society. Founded in 1957, the society takes it's name from William Caxton's journeyman, Wynkyn de Worde. After Caxton's death, de Worde set up his shop in Fleet Street, which therafter was for centuries perhaps the world's most famous centre of printing and publishing. This was in the 16th century, and the majority of people couldn't read - not just books but even shop signs. Wynkyn de Worde set up his shop under the 'sign of the sun' and it is this mark which the society uses today.

Throughout the year I have arranged a series of speakers, including Naomi Games, Michael Johnson, Jeremy Leslie, Luke Gifford and Stewart Drew. I also arranged a summer visit to Berlin, which was kindly hosted by Erik Spiekerman.

At the November Luncheon, I was presented by the committee and society with a gift, in thanks for being Chairman. It is this wonderful paperweight, hand-cut in slate by the Cardozo Kindersley Workshop.

Scale - 125mm diameter

David Kindersley, lettercutter, sculptor and inventor, started his workshop near Cambridge in 1946, having been apprenticed to Eric Gill. He was joined in 1976 by Lida Lopes Cardozo, beginning a partnership which lasted until David’s death in 1995. Today, the workshop is run by Lida, his widow, with her husband Graham Beck, it consists usually of two lettercutters and three apprentices.

This beautiful paperweight was made and cut by Hallam Kindersley, David's son

The circle is a universal symbol representing notions of totality, wholeness, the infinite, eternity and timelessness which perfectly links this wonderful piece to me and the past as David Kindersley was Chairman of the society in 1976, and Lida Cordozo Kindersley was Chairman in 1989. A wonderful gift and a great connection with the past and the heritage of the Society.

Below is an interesting interview with David Kindersley from 1976:

http://www.wynkyndeworde.co.uk/

http://www.kindersleyworkshop.co.uk/

Posted by Justin Hobson 30.11.2018

A Suit to Travel in

The Paul Smith brand (and person) has become synonymous with classic British tailoring and style. Renowned for well-made, good quality, simple cut clothing. Paul Smith designs are renowned for a splash of vibrant colour, a floral print or the signature multi-coloured stripes but they are equally known for the fabric. A suit to travel in is 100% wool and has stretch and crease-recovery properties that mean the suit will always look good, whatever the journey.

The finished size is A5 (210x148mm) portrait and it is a 6pp gatefold folding out to a finished size of 210x441mm

Below image showing outside, spread out flat...

Below image showing inside, flat

There is a piece of the fabric tipped in on the centre panel.

Birds eye image below showing the format...

The material chosen is our Omnia 320gsm which gives it that dead matt, tactile feel but with great reproduction, especially with the mono images and cool flat grey

You can see in the image below, how the Omnia has retained all the detail in the dark areas in the jacket...

Creative direction and design is by the in-house design team at Paul Smith. Printing is by Leicester based Greenshires with Richard Dalby handling the project. Beautifully printed and finished - a really well produced piece.

www.paulsmith.co.uk

http://www.greenshires.com/

Posted by Justin Hobson 27.11.2018