Post Office in Pictures ...take 2!

...oops! nearly forgot. Further to my post on Friday, also in the envelope is another piece of the exhibition literature. 

Size is DL (210x99mm) portrait. It is a 6pp gatefold also printed on Omnia but on 120gsm this time.

As with the invitation, the dark, rich mono images have reproduced fantastically well on Omnia - a real richness in the black areas which still retain lots and lots of detail - something that you wouldn't normally achieve on a standard uncoated paper.



As with the post below, design is by Cai and Kyn  ...and in the envelope was a lovely note from Cai.

Print is by Orchid Print.

http://www.postalheritage.org.uk/
http://www.caiandkyn.co.uk/
http://www.orchidprint.com/

Posted by Justin Hobson 21.05.2012

The Post Office in Pictures

This is a really well considered invitation. The Post Office in Pictures is an exhibition showcasing iconic photographic images sourced from The Royal Mail Archive.

In 1933 Sir Stephen Tallents was appointed Public Relations Officer to the General Post Office (GPO) and so began a major project to promote the range of postal services to the British public.

One initiative was the establishment of The Post Office Magazine, intended to give a sense of shared community, camaraderie and endeavour. In order to do this, the GPO employed photographers to create beautiful, informative and often humorous photographs of the Post Office at work. While the photographic documentation of the Post Office at work in the community has continued to today, this exhibition will celebrate photographs from the BPMA collection covering the 1930s to the 1990s.

This piece of print is the invitation to the private view of the exhibition opening in Swindon.

The size is 148mm wide, 140mm high. It opens as a gatefold, left to right and with small flaps on top and bottom, creating a sense of mail/envelope, without actually being one!

It is printed on our Omnia 320gsm and the sepia coloured imagery post office red solids are litho printed out of CMYK which works really well with Omnia with it's matt flat nature - it also has a light natural tint on the inside spread which is sympathetic to the image. The printed red band on the outside has a gloss UV varnish giving the effect of a piece of packing tape - very simple and effective (and of course it's worth pointing out because UV varnish works exceptionally well on Omnia)

Design duo Cai and Kyn (who are brothers) were comissioned to design the exhibition including choosing the final photographs, all printed material and the exhibition stands/walls/furniture.

Repro, print and finishing is by Orchid Print.

Anyway the good news is that you haven't missed the exhibition itself, as it's actually opening in London at the Lumen Church Gallery (http://www.lumenurc.org.uk/) in Tavistock Place - tonight!
...and runs until 31st August - and the good news is it's free entry.
http://postalheritage.wordpress.com/2012/05/17/the-post-office-in-pictures-exhibition-opens-in-london/

http://www.postalheritage.org.uk/
http://www.caiandkyn.co.uk/
http://www.orchidprint.com/

Posted by Justin Hobson 18.05.2012

William & Son - Engagement Rings

This is a beautifully produced little publication produced by William & Son of London for their range of engagement rings. It is a small 'handbag' size of 110mm square. The book has a 4pp cover with a 20pp 'French folded' text (which confusingly actually makes it 40pp!) and is perfect bound.

The text pages are printed on our Marazion Ultra 115gsm with the natural, flat mattness which works fantastically reproducing the metallics and the jewels...

The cover is a Buckram embossed board from that other, Hull based paper merchant! As you can see from the pic below the inside of the french folds are printed with the William & Son brand patterning.

Design is by Material Organisation, based in London. Creative Director is Sam Wilson, designer on the project is Rosy Tsai. There are some beautiful touches on this piece including the hand tied ribbon around the cover (see image at the top of the post).

...and thanks to Rosy for taking the time to send me  a copy and a lovely note:

Print and the excellent finishing (french folding is nice and square) is by Generation Press.

www.williamandson.com

www.m-o.tv

www.generationpress.co.uk

Posted by Justin Hobson 16.05.2012

Illustration: Making Pictures

A new conference at St Bride's has been announced called Illustration: Making Pictures on 19th June 2012.

"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep" Scott Adams

Here's some information about it:
Illustration plays an integral part in many of our design processes – from interpreting the ideas of designers, to bringing to life an author’s words. Free from the constraints of a set brief, illustration can act as an outlet where creative expression can roam freely.

Mike Nicholson

We normally only see the highly polished end result in the pages of a magazine, on a billboard or a jam jar label, but for illustrators this journey starts with ideas; with scribbles and sketches, mistakes and musings.

With the advent of digital technology, we can gain more immediate insight into the story behind the pictures. Illustration can blur the boundaries across design, art, and typography and above all illustration engages, delights and inspires offering a fresh perspective to the world we live in.

There are some great speakers (see pics) coming, it should be an excellent event.

Pure Cow - Linzie Hunter

The Metal Pig - John Lawrence

Speakers include: Ben Flynn, John Lawrence, Linzie Hunter, Kai and Sunny, Nic Rawling, Peter Schrank, Helen Stephens  – more to be announced shortly.

Conference illustrator: Mike Nicholson

Demonstrators: Paul Antonio, Helen Ingham, Richard Lawrence, Peter Smith

Tickets are £85 (£70 for Friends of St Bride's members) · concessions and full-time students £60

For more information, follow the link:
http://stbride.org/events?show=illustration

Posted by Justin Hobson 11.05.2012

AirW1

There are property brochures and there are property brochures - this is simply an amazing property brochure!

AirW1 is a Grade II listed building which incorporates the old Regent Palace Hotel in Piccadilly and has been converted to provide a mix of office, retail, residential and restaurant space around a stunning central atrium. More than half of the hotel’s original façade has been retained and repaired and significant sections of its exquisite Art Deco interiors restored and reinstated with four glamorous 1930s entertainment venues being completely restored within the redevelopment (...another point of interest, I discovered is that the offices will be serviced by a high-tech energy centre powered by a cutting-edge hydrogen fuel cell).

The Crown Estate appointed DN&Co as the branding agency for the property which included all aspects, such as signage, website, marketing and this brochure.

This brochure exudes quality of art direction, typography, design and print and finishing. Taking design cues from the building's heritage, an "Art Deco" identity involving a bespoke brand typeface was the chosen route.

Size is 210x270mm, portrait. The cover is a standard 4pp cover with 2 pieces (front and back) of Astralux 250gsm mounted onto our 2000mic Vale Board giving a very thick cover. The boards are cut away 15mm from the spine. The front cover has an angled die cut in the bottom right hand corner with the underneath cover board showing. The high gloss Astralux has been de-bossed with the signature brand pattern, which if you enlarge the pic below, you should be able to see.

Inside the text is printed in CMYK plus a pantone special gold 

The 72pp text is printed on our Omnia 150gsm. The beautiful photography looks amazing. Reproduction is superb whilst still having an excellent bulk with a tactile and engaging feel.

And in case you hadn't noticed, the pics of the spreads have something unusual about them, they are lying flat with perfect readovers.

This job incorporates a new 'Layflat binding' technique. It was important for this job in particular, which is designed to work as spreads and it works - it opens completely flat and open - and it doesn't fall apart. To be honest when you see a book opening as well as this, you have to question why anyone would use conventional binding ever again!

The section dividers printed in Pantone gold looks really like gold!

Another particularly beautiful touch is the production of a bespoke branded "capacity" envelope with 14mm capacity:

Design is by London design agency DN&Co who specialise in property branding. Creative Director is Ben Dale. Print production including the layflat binding is by Push.

I just spotted that this is shortlisted on the DesignWeek awards listings - and so it should, as it is a superb piece of literature

http://www.airw1.com

http://www.dnco.com/

http://www.push-print.com/

Post by Justin Hobson 09.05.2012

Jobs from the past - Number 31

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by...

Ballpoint 

Exhibition Catalogue 2004

In 2004, Angus Hyland, a partner at Pentagram's London office, curated an exhibition celebrating 50 years of the Parker ballpoint jotter. Introduced in 1954, the Parker Jotter sold more than 150 million pens worldwide and was Parker's first ever ballpoint pen. Angus's aim was to explore and celebrate the artistic potential of the humble ballpoint pen. His inspiration came from a collection he had begun to make of the doodles and drawings made by his fellow Pentagram partners during their international meetings. A conversation with his wife, the illustrator Marion Deuchars, gave rise to the idea of an exhibition of artwork created using only ballpoint pens. The result was Ballpoint, a collection of works by over 50 fellow creatives from around the world.

I remember that I went along to Pentagram for a meeting with Angus together with Gary Bird from Gavin Martin. Angus briefed us about the project as a whole and the exhibition catalogue in particular. He showed us some of the submitted exhibits including the school desk (see below) which illustrator Billie Jean had submitted - not just a photograph, Billie went out and bought a desk, illustrated it and sent the whole desk to Pentagram - how cool is that!

A spread showing work by Ian Wright and Billie Jean.

The brief was to produce something that had the actual look and feel of a sketchbook rather than something that just reproduced the images. He didn't want a pastiche, just something that felt realistic ...and of course a solution that was also affordable. After discussing pagination and economical formats with Gary, the result is a book of 235x300mm, portrait, saddle stitched. The 72pp text was printed on our Redeem 100% Recycled 130gsm, which has the utilitarian feel but which would reproduce some of the more demanding images really well. The cover is Idaho Blu Sky 275gsm, which has an "excercise book feel" and colour and which worked really well with the blue binding tape that went down the spine. The tape is also used to create a pen holder - there is a full flap on the inside back cover which is glued  down allowing a slot with the loop of tape which cleverly holds the pen.

A spread showing a detail from Roderick Mills’ “The skies are full, 101 aircraft, 101 pens (no.2).”

Work by Angus Hyland and Marion Deuchars.

Invitation to the private view:

Images from the exhibition:

I wasn't sure how I could pick one or two people to highlight in this piece, so I've listed all the contributors here:

Ceri Amphlett, Lorenzo Apicella, Ron Arad, Alan Baker, James Biber, Nicholas Blechman, Anthony Burrill, Margaret Calvert, Nina Chakrabarti, Paul Davis, Mike Dempsey, Ryan Denton, Marion Deuchars, Stephen Doyle, Daniel Eatock, Jonathan Ellery, Sara Fanelli, Alan Fletcher, Jeff Fisher, Jason Ford, Tom Gauld, Michael Gillette, Fernando Gutiérrez, George Hardie, Thomas Heatherwick Studio, Julian House, Sharon Hwang, Angus Hyland, Benoit Jacques, Billie Jean, Kerr Noble, David Lancashire, Uwe Loesch, Ross Lovegrove, Fernando Medina, Abbott Miller, Roderick Mills, Flavio Morais, Christoph Niemann, Woody Pirtle, Shonagh Rae, Lucinda Rogers, Paula Scher, Sophie Smallhorn, Leonardo Sonnoli, DJ Stout, Adrian Taylor, Patrick Thomas, Peter Till, Aude Van Ryn, Ian Wright.

From my point of view, it was a great project to be involved with. It won  many awards including the 2005 DesignWeek Award for Promotional Brochures, the Best in Book Creative Review Annual 2005 and the main award in the Books and Exhibition Catalogues category at the 23rd International Biennial of Graphic Design in Brno in 2008 and probably many other awards I'm not aware of!

A particularly lovely touch (especially from my point of view) is the beautiful way in which our business cards were illustrated on the credits page:

Art direction is by Angus Hyland with artwork by Marion Deuchars. Designer on the project was Charlie Hanson. Charlie has since established her own studio together with Jessie Earle called Studio 10½. The exhibition was co-curated by Steven Bateman, PR and gallery coordinator at Pentagaram, he is now an established and revered wordsmith.

It was beautifully printed and finished by Gavin Martin in London.

If you've got a copy, you're lucky as it's an absolute gem!

http://www.parkerpen.com/
www.pentagram.co.uk
http://mariondeuchars.com/
www.tenandahalf.net
Steven Bateman: http://www.26.org.uk/members.asp?ID=3442
www.gavinmartincolournet.co.uk

Posted by Justin Hobson 04.05.2012

Kappa

London based design company, The Grid, created this piece of literature for Italian sportswear manufacturer Kappa to lauch their new range of Luggage. Working with retail marketing specialists TCC Global, the purpose is to produce a brief overview of the range aimed at press and retail outlets.

Size is A5 portrait (148x210mm), portrait. It is an 8pp concertina fold on Omnia 200gsm. The job was about 1000 copies and the mono imagery and dark grey solids were litho printed out of CMYK which works really well with Omnia with it's matt flat nature. Very simple and effective.

Creative Director at The Grid is Johnathan Collins and the designer on the project is Lewis Dace. Print is by Bermondsey based printer Scanplus (Dan Cattle).

www.kappa.com

http://www.tccglobal.com/en/company/

www.thegridcreative.com

http://www.scanplus.co.uk/

Posted by Justin Hobson 30.05.2012