Jobs from the past - Number 131

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this publication is from 2014. 

67 Tufton Street SW1

Situated in the Smith Square conservation area, this Queen Anne style building was originally a Post Office and subsequently the UK Government’s Cabinet Office and a fine example of London’s architectural legacy. This office building was sympathetically restored and re-modelled to a plan by EPR Architects resulting in 22 luxury apartments.

This is the sales brochure produced to show the development, the surrounding area and the wonderful interiors. 

The size is 290 x 225mm, portrait, having a 4pp cover using a Buckram embossed chocolate brown cover board and is 'swiss bound'. The 56pp text is printed offset litho on our Omnia 150gsm. It is printed CMYK plus a metallic gold special and the result is absolutely superb.

The special pantone gold looks amazing ...really metallic and because Omnia is not smooth, it gives the feeling of something that is really metallic rather than something that is smooth and shiny.

Click on images to enlarge

The striking commissioned photography has reproduced brilliantly on the Omnia whilst not losing the tactility and natural uncoated feel that was required. The look and feel is a confident, beautifully crafted piece of literature, certainly not some "glossy property brochure"!

The swiss binding, still means that this brochure is made up using 'section sewn' signatures and above you can see the threads running across the inside spreads.

Click on images to enlarge

The metallic gold is used both as section dividers but also for the floorplan pages. The quality of reproduction of the interiors is wonderfully impressive with metallic fittings looking metallic and a photographic quality to the images.. 

The above and below images show the floorplans of the penthouse apartments.

The below image shows the Swiss binding. For those that are unfamiliar with this type of binding, it is essentially a section sewn or perfect bound binding method which has a "lip" of about 15/20mm of book-cloth wrapped around the spine. The cloth covered spine is stuck flat on the reverse of the text block with a strip of glue into a 4pp cover with a "freestanding" spine which means that the cover (which can often be very springy with normal adhesive binding) sits totally flat.

Branding for the development and the design of this amazing brochure is by London design agency The Ideas Factory under the leadership of Mark Wilkins. Designer on the brochure was Yafet Bisrat. Print production is by Push and it is superb. Both the "ink on paper" and the finishing/binding is amazing.

http://www.ideasfactory.co.uk/

https://www.push-print.com/

Posted by Justin Hobson 05.10.2020

De La Warr Events Guide

This is the Events Guide from last Autumn/Winter for the De La Warr Pavilion. The De La Warr pavilion is on the seafront in Bexhill in Sussex and is an iconic modernist building by the architects Erich Mendelsohn and Serge Chermayeff which opened in 1936. Following a major renovation in 2005, the pavilion hosts many shows, exhibitions and cultural events.

The finished size is 210x111mm, folding out to 420x553mm and is a 20pp concertina letter fold. Side view....

Below image shows the concertina folding...

This guide is printed on our StarFine White 130gsm which means that rather than feeling like the vast majority of mass produced leaflets printed on a bit of silk or gloss, this has real character and value. The design is such that the listings of the exhibitions, activities and events are all listed on one side (outside)

...with the inside being reserved for a full size image from the exhibition. The below image taken from the Renee So exhibition, Ancient and Modern.

The De La Warr identity and design (including the website) is by Playne Design who have studios in London and Hastings. Creative Director is Clare Playne. Print production is handled by Simon Hack. You can read more about the creation of the new identity here: https://playnedesign.co.uk/our-work/de-la-warr-pavilion/#branding-modernist-cultural-icon

The project is printed offset litho in CMYK by Empress Litho with Jason Maclaren handling the project - and my thanks to Jason for very kindly sending me some file copies.

https://www.dlwp.com/

https://playnedesign.co.uk/

https://www.empresslitho.com/

Posted by Justin Hobson 30.09.2020

Zollanvari Catalogue

Zollanvari carpets embody the spirit of carpet design and weaving – an extraordinary art form that has been treasured across the world for more than 2,000 years. The story of Zollanvari began in 1947, when Gholamreza Zollanvari joined his father’s carpet business, a legacy that had been handed down from his great grandfather. In 1985 Gholamreza’s son Reza established the company in Zurich to directly access the European market and established the Zollanvari name as a global trail-blazer in creating carpet art.

This wonderful catalogue tells the story, explains the types of carpet showing the range and possibilities.

Size of the catalogue is 274x173mm, portrait and is 'singer sewn'. There is a 4pp cover and a 36pp text. It is printed throughout on Omnia 280gsm and 150gsm which gives the publication a tactile uncoated feel but with a great print result.

The publication is digitally printed by Identity Print. It was printed on their Ricoh digital press (dry toner) and the result is exceptional. The great thing is the job just doesn't look and feel like a digital job, which is mainly down to the choice of substrate.

Click on images to enlarge

The images have reproduced superbly and are totally lush and even the flat solid grey/brown looks flat and even, which can sometimes be a problem printing digitally.

The colour is so vibrant and works brilliantly on the Omnia as you can see in the detail image below...

Click on images to enlarge

Above is the centre spread. This catalogue is singer sewn, so you can see the way the thread runs along the inside of the spine - see detail image below...

...and on the outside of the spine below.

Printing is by Identity Print with Paul Martin handling the project. Finishing and singer sewing is by Wayte Binding in Tunbridge Wells who are part of the Identity Print group, so they are are one of the few print companies with their own bindery.  

https://zollanvari.com/

http://www.identityprint.co.uk/

Posted by Justin Hobson 30.09.2020

Concealed Histories

This pioneering special display at the V&A provides insight into the ongoing research into the provenance – or history of ownership – of the Gilbert Collection. In many cases it is unclear who owned these pieces before they were acquired by Rosalinde and Arthur Gilbert. This uncertainty can be alarming: between 1933 and 1945 Jewish people in Germany and Nazi-occupied Europe had their possessions systematically taken from them. Art collections were confiscated, sold, scattered or destroyed by the Nazis. Despite significant efforts after the Second World War by the Allies and European governments, many of these objects were never returned to their rightful owners. Instead, many objects ended up in public and private collections, often acquired without knowledge of their background, or whose hands they had passed through. 

Concealed Histories, tells the story of eight Jewish collectors and their families under the Nazis. It is the first of its kind by a UK museum.

Click on images to enlarge

This information leaflet features a very long concertina so all eight objects can be viewed. It is a 16pp concertina, the finished size being 150x105mm with a flat size of 838x222mm.

The above image shows the inside, with the 70mm flap, which has the information about the previous owners. The below image shows both sides laid out flat...

Click on images to enlarge

It is printed offset litho in 2 colours - black and gold. The result is really impactful with the gold looking amazing...

Click on images to enlarge

The publication is printed offset litho on our Offenbach Bible 60gsm and it looks and feels absolutely gorgeous - it flops and folds in a delightful way when handling the publication as I hope these images demonstrate.

It is printed by London printer PUSH and as you can read in the note below, they were the only printer approached who took the challenge of printing the heavy gold solid and the folding!

Published by the V&A. Graphic design is by Nina Jua Klein Studio.

The exhibition runs until 10th January 2021, so you have a few months to get there.

https://www.vam.ac.uk/exhibitions/concealed-histories-uncovering-the-story-of-nazi-looting

https://www.ninajuaklein.com/

https://www.push-print.com/

Posted by Justin Hobson 24.09.20

Colorset has 36 shades...

For those of you not familiar with Colorset, it is our range of coloured text and cover papers which is 100% recycled and more competitively priced than some other well known brands of coloured paper!

Click on images to enlarge

A few years ago we started to bring in our Colorset range in 350gsm, so we now have ALL colours in 120gsm, 270gsm and 350gsm - all in B1 size (700x1000mm). 

Two years ago we further developed the range with 8 new colours, making this a collection of 36 shades.

The new shades include five light shades and three deep shades. The new shades are Blush, Warm White*, Glacier, Storm, Hopsack*, Charcoal*, Spearmint* and Deep Blue (Note: four of the new shades with an asterisk* are virgin fibre)

...so there you have it, a range with 36 colours including SEVEN greys!

If you would like the updated swatch, please drop me an email and I'll pop one in the post justin@fennerpaper.co.uk

Posted by Justin Hobson 21.09.2020

Sibarth Map

Sibarth, is one of the largest villa rental companies on the exclusive Caribbean island of St. Barth. KesselsKramer, who have studios in Amsterdam, London and Los Angeles conducted a total rebrand. KK developed a strategy based on the fact that Sibarth were the first villa company established on the island, and the only one run exclusively by people who live on St. Barth. KK emphasised this with a new campaign theme: 'Our Island. Your Way', new logo, website, editorial content and films. 

As part of the print collateral, they produced this map of the island... 

Click on images to enlarge

The finished size of the map is 160x120mm, which folds out to 320x480mm. It is not a regular map-fold, as you can see from the picture above, after folding up the front cover, you are faced with two 60mm flaps which meet in the middle, which neatly leads you into the content...

Below shows the inside of the map laid out flat.

Below shows the outside, with the map of Gustavia, the capital, on the right hand side.

Click on images to enlarge

The map is beautifully illustrated by French illustrator Cassandre Montoriol.

The paper used is our Favini SHIRO Alga Carta, chosen because it was in keeping with the sustainable concerns of the island. Alga Carta is manufactured partly using algae harvested from the fragile marine areas, combined with recycled and FSC certified fibres. Algae blooms in abundance in certain areas, clogging up the flow of water in lagoons and endangering the eco-balance of the area.

The map is printed on Shiro Alga Carta, White 120gsm and the 53mm wide 'belly-band on 160gsm. If you aren't familiar with Shiro Alga Carta, the specs of Alga are actually visible in the sheet as you can see in the detail below:

Design is by KesselsKramer, London and the Art Director is Tash Ingall and producer is Tialda Lublink. It is printed offset litho by Park Communications in London and my thanks to Gareth John for sending me file copies.

www.sibarth.com

http://www.kesselskramer.com/

https://www.cassandremontoriol.com/

https://www.parkcom.co.uk/

Posted by Justin Hobson 18.09.2020

Flora Recycled Paper

If you aren't familiar with Flora, it is a part recycled text and cover paper with a deliberately recycled look and feel with specks and inclusions, so it looks deliberately flecky and specky. Flora is produced by Cordenons with 30% post consumer de-inked waste, together with 60% of virgin FSC pulp and with the "secret" ingredient of 10% of cotton fibres, which gives the paper a wonderful tactile feel.

All the shades have the specks and inclusions with the exception of the Gardenia shade which is a "clean" neutral white shade. The range consists of nine shades in total including Anice, Giglio, Avorio, Tabacco, Noce, Gardenia and three new shades...

...which are lovely new deeper shades: Crusca, Canella and Ginepro

Below shows the detail of the natural, deliberately visible, inclusions and fibres - this paper has a character all of it's own!

It really is a lovely range. Muted natural colours and excellent printability. Here are some previous projects which have used Flora to great effect: http://justinsamazingworldatfennerpaper.blogspot.co.uk/2014/08/lower-mill-estate.html

https://justinsamazingworldatfennerpaper.blogspot.com/2018/02/honest-burgers.html

If you would like one of our swatches, just email me: justin@fennerpaper.co.uk

Posted by Justin Hobson 15.09.2020