Showing posts with label Pureprint. Show all posts
Showing posts with label Pureprint. Show all posts

Friday 27 March 2020

Postgraduate Guide

I've written many posts on this blog which includes the phrase "...just the cover makes the difference!" The cover on this 2019 prospectus is just superb. It is printed offset litho on our Colorset Lemon 270gsm, in just one colour (Silver, Pantone 877) which is a photo composition of 28 works by CSM postgraduate students,  all laid out with the wonderful King's Cross building as the backdrop. The cover is also hot foil blocked.
The size of the publication is 240x164mm, portrait. The cover has 90mm flaps, which you can see in the birds eye picture below...
The below image shows the opening spread, with the 40pp text, printed on gloss art...
The cover is printed one colour offset litho in black on the inside cover. Below image shows 90mm flap folded out:
The cover is printed on Colorset Lemon 270gsm, a 100% recycled board. For those of you not familiar with this collection, Colorset now has 36 colours and all colours are available in 120, 270 and 350gsm. Below shows the outside cover, fully extended showing the photo-composition of all 28works... 
The 40pp text, printed offset litho on 100gsm coated gloss paper:
Below shows the detail of the hot foil blocking...
This is a superb piece of literature demonstrating that CSM is a world class arts and design college. Design is by Boyle & Perks but was produced last year before the launch of the new CSM Shifts (...also by Boyle & Perks!)

Print is by Pureprint, printed offset Litho throughout in CMYK with the cover printed in just silver and black.

https://www.arts.ac.uk/colleges/central-saint-martins
http://boyleperks.com/
https://www.pureprint.com/
Posted by Justin Hobson 27.03.2020

Wednesday 15 May 2019

CSM Guide 2019

I've written many posts on this blog which includes the phrase "...just the cover makes the difference!" The cover on this prospectus is simply perfect. It is printed on our Astralux, One sided 170gsm, with an amazing image which is a photo composition of 28 works by CSM students,  all laid out with the wonderful King's Cross building as the backdrop.
Click on images to enlarge
The size of the publication is 270x200mm, portrait. The cover has 100mm flaps, which you can see in the birds eye picture below...
The below image shows the opening spread, which shows the 92pp text, which is stepped and printed on a combination of recycled uncoated, gloss art and yellow tinted paper.
Above you can see the way the image wraps around the cover over to the flap - and this is where the real magic happens, because Astralux being a 'Cast Coated' paper it has a high gloss surface one side and is uncoated on the reverse, so you get the juxtaposition of the high gloss coated with the toothy uncoated reverse (printed yellow) as I hope you will be able to see in the image below...
The image below shows the cover in it's entirety, spread out
Click on images to enlarge
The job is PUR bound - a very neat job.
It is a superbly designed piece of literature which has to engage with young creative minds, demonstrate that CSM is a world class arts and design college whilst also satisfying the CSM Alumni! No easy task. Design is by Boyle & Perks.

The excellent print is by Pureprint. It is printed offset Litho throughout in CMYK plus the bright yellow printed as a pantone special.

https://www.arts.ac.uk/colleges/central-saint-martins
http://boyleperks.com/
https://www.pureprint.com/
http://www.favini.co.uk/
Posted by Justin Hobson 15.05.2019

Friday 12 April 2019

Simply Stunning!

Pureprint are an extremely well known UK printer. They are held in high regard for their work with art galleries, magazines, retail brands and quality commercial printing as well as having an enviable reputation for their environmental accreditation and awards. They are now also one of the largest digital printers and the first in the UK with three B2 size digital presses.

To educate and promote their digital abilities, Pureprint have produced a new 'Digital Special Effects Pack' to show some of the techniques. To demonstrate the use of their white ink on coloured paper, they chose our Colorset 100% Recycled range in an Amethyst shade
Click on images to enlarge
As you can see from the above image, the Amethyst board has been printed using white ink plus a CMYK image printed on to of the white ink. On the reverse (below) is just the white ink printed on the Amethyst shade board
As it says on the card "Simply Stunning Results"!
https://www.pureprint.com/
Posted by Justin Hobson 12.04.2019

Tuesday 12 March 2019

Charleston Press No 1

Nestled in the South Downs, Charleston was the country meeting place for the writers, painters and thinkers known as the Bloomsbury group. Now run by the Charleston Trust, the house is an excellent museum and visitor attraction, presented to look as it did when the family lived here in the 1950's. The walled garden was created by the artists Vanessa Bell and Duncan Grant to designs by Roger Fry and features Mediterranean influences with plants chosen for their intense colour and silver foliage. These became the subject of many works over their long residence at Charleston.

Charleston Press is a new publication published by the Charleston Trust and includes includes newly commissioned essays exploring the themes, artists and stories of the exhibitions and programmes at Charleston, as well as articles marking important Bloomsbury anniversaries and events.
For this first issue, there are two different cover designs.
Size is 220x170mm, portrait and is perfect bound. The publication has an 8pp 'dustjacket' around the cover as you can see from the birdseye image below...
The below image shows the book (with the magenta cover) out of the dustjacket plus the wrap-around belly-band.
The 4pp cover is produced on our Colorset (100% Recycled) Magenta, 270gsm and is unprinted, being simply, but beautifully, embossed. 
Click on images to enlarge
The 84pp text is printed on our Omnia 120gsm. The reason that Omnia was chosen is because it would beautifully reproduce the wide variety of different media, the artworks, solid colours and dark photography and most importantly feel special - with the reproduction that you would expect on a silk or gloss but with a natural tactile uncoated feel.
...note the solid colours, not a special, made out of CMYK.
Charleston is hosting the first museum display of Vanessa Bell and Duncan Grant’s Famous Women Dinner Service since it was created for Kenneth Clarke in 1932. After this the plates disappeared from public view and their whereabouts were unknown until very recently. The plates were created by Bell and Grant when they lived at Charleston and each plate depicts one famous woman, featuring figures as various as the Queen of Sheba, Sappho, Nell Gwynn, Emily Brontë and Elizabeth I. You can read more about the Dinner Service HERE.
Click on images to enlarge
Below image shows the 6mm spine, the perfect binding. The jacket is printed on Omnia 150gsm.
The wrap around bellyband (70mm high) is printed on our Sixties, 60gsm and because of the translucency, the background images show through.
...you can see the level of show through in the detail image below.
The reproduction on the Omnia is just something else, the level of detail and reproduction is superb as you can see the image below.
The publication is designed by Playne Design who have studios in London and Hastings. Creative Director is Clare Playne with production is handled by Simon Hack. Print production is by Pureprint. This is just an excellent example of a beautifully designed and well executed piece of print, entirely right for the subject.

The publication is available for sale HERE

https://www.charleston.org.uk/
http://www.playnedesign.co.uk/
https://www.pureprint.com/
Posted by Justin Hobson 12.03.2019

Tuesday 20 November 2018

ISTD 90 Invitations

Founded in London in 1928, the ISTD turned 90 this summer. The Society has always been run on a voluntary basis and in June they organised a special celebration to recognise the huge contribution made over the years by board and committee members past and present.

The wonderfully substantial A5 invitations are hot foil blocked on our SUMO black 2mm thick board.
The invitations are simply hot foil blocked in metallic silver foil on both sides.
Click on images to enlarge
Below is an image of the blocks used for the hot foiling
Hosted at the iconic De La Warr Pavilion in Bexhill on Sea, the event was an informal evening of friends, food and typographic fun provided by Andy Altmann, of Why Not Associates who gave a very amusing talk about the influence of seaside town humour and typography within his work  
As you can see from the image above, 2mm thick is really thick!

Playne Design executed the 90th anniversary identity, designer on the project was David Coates. The invitation was hot foil blocked by Pureprint, who have only just brought pre-press services such as hot foiling and UV varnishing in house.

https://www.istd.org.uk/
https://playnedesign.co.uk/
https://www.pureprint.com/
Posted by Justin Hobson 20.11.2018 

Monday 10 September 2018

Cath Kidston - 25 years

This year Cath Kidston celebrates their 25th anniversary. The brand was established in London’s Holland Park, with Cath selling car boot finds and vintage fabric. When the business became more established, she began to create her own Modern Vintage designs, her first being floral ironing boards and statement wallpaper.

Almost 25 years later, the brand now has over 200 stores worldwide and has become synonymous with classic British design, internationally famous for unique floral prints and bright, playful patterns.

Cath Kidston have produced this lovely little pocketbook sized booklet to celebrate in 25 chapters. The size is A6 (148x105mm) portrait and is saddle stitched. The 4pp cover is on our Omnia 150gsm and 52pp text is on Marazion Ultra 90gsm, which means that it sits nice and flat.
The job is printed offset litho throughout and the cover is printed CMYK plus a silver. On most traditional uncoated papers, metallic inks can look flat and silver can just look a bit grey, but as I hope the above image demonstrates, the metallic silver really does look metallic on Omnia.
Click on images to enlarge
The text is printed in colour, also digitally printed on our Marazion Ultra 90gsm. This is a lightweight paper with a matt coating but which has an amazing bulk, tactile feel and excellent opacity for 90gsm. It feels just right for this project, because it just flops over wonderfully and sits nice and flat.
Click on images to enlarge
The reproduction on the Marazion Ultra is exceptionally good, remembering this is a 90gsm paper, as you can see from the detail image below...
The 52pp sits nice and flat:
The saddle stitches are perfectly executed - spine in beautifully creased, no cracking.
Design is by Sarah Mulligan. The job was produced by the Inspired Thinking Group (ITG). Printing is by Pureprint.

https://www.cathkidston.com/
http://www.itg.co.uk/
https://www.pureprint.com/
Posted by Justin Hobson 10.09.2018

Friday 1 June 2018

Jobs from the past - Number 104

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and here's one from 2015.

McQ AW 2015
McQ, is the contemporary brand from Alexander McQueen which takes inspiration from street culture "evoking the varied and ever-evolving style tribes that spring up around Britain’s rich music and art scenes. Drawing on references from uniform and the military, core staples of the British wardrobe are re-imagined each season in new guises. Traditional techniques are used in contemporary ways, creating pieces that are both functional and beautiful"
 
Creative Director of Alexander McQueen and McQ is Sarah Burton and these fold out broadsheets were used as inserts for both the Men and Women's ranges.
 The finished size of the inserts are 210x280mm, folding out to 420x280mm, as below...
 …and then out to the full size of 420x560mm. Below is the Womenswear collection.
The broadsheets are printed on StarFine White 100gsm. Starfine is a quality, uncoated paper and as the images show, image reproduction is excellent. The detail of the clothing, fleshtones and on the detail images, even the fabrics is excellent - great detail for an uncoated paper, colours are bright and vivid and the solid black is superb. Menswear is below....
Produced on 100gsm, with the folds it has enough solidity to hold together well but also opens nice and flat and flows in the hand.
Design and art direction is by Rupert Smith who is a freelance art director based in London. This is an elegant and splendidly produced publication. To get these dark images to look this good on an uncoated paper is a real achievement. Print is by Rob Squires at Pureprint.

http://www.alexandermcqueen.com/gb/mcq
www.pureprint.com
Posted by Justin Hobson 01.06.2018