Flora Recycled Paper

If you aren't familiar with Flora, it is a part recycled text and cover paper with a deliberately recycled look and feel with specks and inclusions, so it looks deliberately flecky and specky. Flora is produced by Cordenons with 30% post consumer de-inked waste, together with 60% of virgin FSC pulp and with the "secret" ingredient of 10% of cotton fibres, which gives the paper a wonderful tactile feel.

All the shades have the specks and inclusions with the exception of the Gardenia shade which is a "clean" neutral white shade. The range consists of nine shades in total including Anice, Giglio, Avorio, Tabacco, Noce, Gardenia and three new shades...

...which are lovely new deeper shades: Crusca, Canella and Ginepro

Below shows the detail of the natural, deliberately visible, inclusions and fibres - this paper has a character all of it's own!

It really is a lovely range. Muted natural colours and excellent printability. Here are some previous projects which have used Flora to great effect: http://justinsamazingworldatfennerpaper.blogspot.co.uk/2014/08/lower-mill-estate.html

https://justinsamazingworldatfennerpaper.blogspot.com/2018/02/honest-burgers.html

If you would like one of our swatches, just email me: justin@fennerpaper.co.uk

Posted by Justin Hobson 15.09.2020

D&AD Awards 2020

Yesterday evening it was the D&AD awards, which this year, was an online affair. I've been fortunate to have been invited to the awards dinner a few times over the years and been on the table of those who have won yellow pencils for projects for which I've had input and they have been very memorable evenings!

Given the circumstances, the awards this year were very well executed and superbly presented by D&AD President Kate Stanners Saatchi & Saatchi Global CCO).

A phenomenal 618 pencils were awarded, including 384 Wood, 150 Graphite, 68 Yellow, and 4 elusive Black Pencils. One of the black pencils worthy of note was for typeface Universal Sans, a variable typeface that allows for an extensive range of customisation and unique variations produced by Family Type.

This year, many of the studios that I have worked with over the years, including Johnson Banks, NB Studio, Magpie, Osborne Ross and Here Design, to name but a few, have been nominated and won awards.

It's always lovely to have been involved with a project which has won an award and even better, a project which has won two awards...

Twenty-five Sculptures In Five Dimensions was a self-promotional project for writer Tom Sharp. It was a demonstration of creativity within strict technical writing and design restraints, an experiment in reading and seeing, and an attempt at creating a sublime, meaningful experience with as few elements as possible.

I wrote about the actual event on my blog, last November  HERE.

Tom Sharp filled a high-ceilinged church in Covent Garden with 25 plinths. Each plinth held a text created to a strict format of five syllables per line, five lines plus a title. Each piece of writing described an original, imaginary object, so that any emotional response the reader had was because of the object they conjured up, rather than language manipulation.

The project was a collaboration with Studio Sutherl&. Tom Sharp and Jim Sutherland are the Creative Directors, writer is Tom Sharp and the designer is Rosey Trickett. The printed sheets were all printed on our wonderful Sixties paper and printed offset litho by Boss Print.

Yesterday evening this project was awarded a Graphite Pencil [Graphic Design] for Self Promotion and a Yellow Pencil [Graphic Design] for Writing for Graphic Design.

Congratulations to all participants in this year's awards. It has been a strange year, but life goes on and it's great to see that the creative industry is still producing and recognising great work, even in these unprecedented times.

You can watch the 2020 D&AD awards and check out the winners HERE

https://www.thepoetryofitall.com/
http://studio-sutherland.co.uk/
https://www.bossprint.com/

Posted by Justin Hobson 11.09.2020

Lolapaluza Wedding Stationery

Last week, I was thrilled to receive some superb pictures from Lolapaluza of our BOTANICA floral seed paper. Lolapaluza specialises in unique wedding stationery and having spotted our new range, purchased some BOTANICA to produce sample invitations to show at the forthcoming wedding shows this Autumn.

The samples are simply, but beautifully, hot foil blocked using gold foil...

I wrote about our new BOTANICA floral seed paper when we launched it on May Day this year HERE. The range is handmade for us exclusively in England by Two Rivers Paper, who are based at Pitt Mill in Somerset.

Great care has been taken in the hand papermaking process, using 100% cotton, without chemicals and dried naturally (only by air) meaning that the seeds remain viable and can germinate and grow. Below, you can see my efforts, grown on wet tissue on our window-sill.

...and my colleague Sarah Glennie has demonstrated her horticultural skills using compost in the image below - 4 weeks after planting:

My thanks to Linda at Lolapaluza for showing me the results of her tests and for planting the idea of this lovely new range into the minds of her clients...

https://lolapaluza.co.uk/

https://www.instagram.com/lolapaluza_stationery/

Posted by Justin Hobson 07.09.2020

London Street Signs

Today is the publication date for a superb new book by a wonderful designer Alistair Hall, who's work has appeared on this blog many times before.

Over the past few years Alistair has researched, visited and photographed sites all over the capital city, documenting and creating an archive of street name plates. London has an amazingly rich collection of these wayfinding signs which stretch back through the centuries. The beauty is that because the signs were never erected by a single authority or been updated at a particular time, they
comprise a rich treasury of graphic form and typography, which Alistair has carefully and considerately mined.

Click on images to enlarge

‘London Street Signs is the stunning new book from Alistair Hall. An absolute must for type fans – one of the design books of the year.’ Daniel Benneworth-Gray

‘Mr Hall writes in an informative way about an unexpectedly fascinating topic. He has a good eye for serifs and unusual embellishments, such as the “delicately rendered manicule” on a sign on Addison Road, W14.’ The Times Literary Supplement

‘Everything I hoped it would be, nerdy and engrossing in all the right ways.’ Professor Phil Baines, Typography Professor at Central Saint Martins

Alistair Hall runs his own studio We Made This, he lectures at The Cass and CSM and is also art director of children’s literacy charity Ministry of Stories and its fantastical shop, Hoxton Street Monster Supplies.

London Street Signs is published by Batsford, which is an imprint of Pavilion Books and I'm sure they have a sure hit with this book. Congratulations to Alistair on the publication of his first title, I'm sure there will be more to come!

This 192pp hardback book is available from all good bookshops (Foyles, Waterstones, WH Smith etc.) at very reasonable prices or you can buy direct HERE.

https://www.pavilionbooks.com/book/london-street-signs/
http://www.wemadethis.co.uk/

Posted by Justin Hobson 03.09.2020

Jobs from the past - Number 130

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good work from years gone by and this publication is from 2008.

Absolute Radio - Launch Brochure 2008
On June 30th 2008 TIML took over Virgin Radio and re-branded the station as Absolute Radio. This publication was the launch document produced for the press, employees and advertisers.

This newspaper style publication is a large format 420x297mm (A3) portrait and is a 24pp 'self-cover' left completely unbound.

Click on images to enlarge

It is printed on our Redeem 100% Recycled 100gsm which is has a neutral white shade which gives the publication a 'newspaper' feel which really suits the editorial work that is being shown and which prints amazingly, as I hope these images show...

Click on images to enlarge

Below is a detail image showing just how good the images look...

...and the below image shows the binding (or lack of it!) with the text all loose, so you can see the way the 4pp sections sit together...

Below image shows the way the 24pp text sits nice and flat...

Outside back cover:

The publication isn't as light as a newspaper but it flows freely in the hand.

Sadly I don't know who to credit the design and creative work to (if you know, please drop me a line), however I do know that Principal Colour in Paddock Wood did the printing. Printed offset litho, CMYK throughout.

https://www.absoluteradiotickets.co.uk/
http://www.principalcolour.co.uk/ 

Posted by Justin Hobson 01.09,2020

Simone Rocha Limited Edition

Simone Rocha was born in Dublin, Ireland in 1986. In 2008 she graduated with a BA in Fashion from The NCAD in Dublin followed by an MA from Central Saint Martins in 2010. Simone debuted at London Fashion Week in September 2010 and her collections can be found in some of the most prestigious stockists in the world. 

In 2016 at the British Fashion Awards Simone received the “British Womenswear Designer Award” as well as the 2016 Harper’s Bazaar Designer of Year Award. In 2017 Simone opened her first USA store in Soho, New York. 

This superbly conceived publication is a limited edition production. The scale is a luxuriously large 420x305mm, portrait format, which flops and rolls beautifully.

Front cover...

Simone works on seasonal imagery and produces limited edition printed books featuring this and the works of collaborators and inspirations. For this publication Simone collaborated with the Louise Bourgeois Studio to re-imagine Bourgeois’ fabric works into prints and embroideries in the collection. The collaboration continued into two styles of limited-edition earrings produced with Hauser + Wirth released during New York Frieze.

The publication is a collection of loose 4pp, forming spreads which Juxtapose the different subject. It is a 28pp loose bound using a rubber band which holds it all together remarkably effectively for the size. The publication is a self cover, all produced on Omnia 120gsm.

Above is the spread, below is the mono image spread out alongside the Louise Bourgeois artwork 'Les Fleurs'

Click on images to enlarge

Spread appears in the publication above and below, with the Louise Bourgeois artwork 'Untitled' removed...

Below shows the publication separated into individual 4pp with the band removed.

The above image shows the outside back cover and the way that the 10mm wide black rubber band holds the folded 4pp unbound sections in place

The publication is a 28pp self cover printed offset litho on our Omnia, White 120gsm and the result is stunning. The look and feel of the whole publication is very uncoated and tactile but there is absolutely no loss of detail in the images, as you can see from the detail image below...

Click on images to enlarge

Art direction and design is by Simmonds. The excellent printing and print production, including the binding is by Imprimerie du Marais in Paris.

http://simonerocha.com/
http://www.simmondsltd.com/
https://imprimeriedumarais.fr/

Posted by Justin Hobson 24.08.2020 

New SUMO swatch

SUMO is our a heavyweight, thick board manufactured by FAVINI in Italy. It is available in black and white and the consists of 1mm, 1.5mm, 2mm up to a whopping 3mm thick  ...seriously chunky! Last year, the range was extended to include a small range of colours - five new shades all available in 1mm thick and below is the new lighter weight swatch...

 Size of the swatch is 240x152mm with 10mm spine

Thanks to the dyeing process, the colour distribution is consistent throughout to give excellent results especially when the edge is visible. The finest quality makes Sumo perform excellently for invitations, tags, covers, business cards, luxury POS material and high-end packaging.

The SUMO range is FSC certified. Below shows the five new shades, all available in 1mm thick.

If you would like samples, please drop me an email: justin@fennerpaper.co.uk

http://www.favini.com/gs/en/fine-papers/sumo/features-applications/

Posted by Justin Hobson 24.08.2020